Access restrictions apply.
| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Performance Files, 1956-2001 (continued) | |||||||||||||
| BOX/FOLDER 12/23 | Tarot, 1966 | ||||||||||||
| Programs | |||||||||||||
| BOX/FOLDER 13/1 | Ten, undated | ||||||||||||
| Review | |||||||||||||
| BOX/FOLDER 13/2 | Time Out with Lola, 1991 | ||||||||||||
| BOX/FOLDER 13/3 | Touch, 1970-2001 | ||||||||||||
| Programs; publicity; album and performance reviews | |||||||||||||
| BOX/FOLDER 13/4 | Trans, 1978 | ||||||||||||
| Correspondence; receipts | |||||||||||||
| BOX/FOLDER 13/5 | Trembling, 1984-1985 | ||||||||||||
| Reviews; programs; performance instructions | |||||||||||||
| BOX/FOLDER 13/6 | Two Butterflies, 1975 | ||||||||||||
| Electronics modifications schematics; tech rider; program; reviews | |||||||||||||
| BOX/FOLDER 13/7-8 | Two Life Histories, 1976-1984 | ||||||||||||
| Performance instructions; programs; program notes; publicity; reviews | |||||||||||||
| BOX/FOLDER 13/9 | Until Spring, circa 1977 | ||||||||||||
| Program; program notes | |||||||||||||
| BOX/FOLDER 13/10 | The Wild Beasts, 1978-1983 | ||||||||||||
| Liner notes; programs; reviews | |||||||||||||
| BOX 13-20, 24-25 | Subject Files, 1960-1997 | ||||||||||||
| The bulk of this series is press materials and programs for performances of
Subotnick's works. The press materials are mostly interviews of Subotnick
and his contemporaries that were featured in major publications such as
Newsweek and the New
York Times , or reviews of performances. Researchers are also
advised to consult the Performance Files series for additional programs
and reviews. This series contains a variety of business papers that include correspondence, royalties statements, discographies, and press and cover proofs from the "Making Music" CD-ROM. Subotnick is married to vocal artist, writer, and composer Joan La Barbara, with whom he has collaborated for performances of his works. Several of La Barbara's articles for Musical America are in this series, as are photographs of her and Subotnick. Personal papers concerning real estate, miscellaneous expenses, and travel comprise the rest of the series. |
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| Arranged alphabetically. | |||||||||||||
| BOX/FOLDER 13/11 | Biographies, 1986-1990 and undated | ||||||||||||
| BOX/FOLDER 13/12 | Buchla/IRCAM, circa 1979-1983 | ||||||||||||
| BOX/FOLDER 13/13 | Budget, 1983 | ||||||||||||
| Workbook | |||||||||||||
| BOX/FOLDER 13/14-15 | CBS Records, 1972-1983 | ||||||||||||
| Correspondence, royalties | |||||||||||||
| BOX/FOLDER 13/16 | Clippings, 1970s | ||||||||||||
| BOX/FOLDER 13/17 | Commissions, 1984 | ||||||||||||
| BOX/FOLDER 13/18 | Composers Recordings, Inc. (CRI), 1981 and undated | ||||||||||||
| BOX/FOLDER 14/1 | Contempo '70, 1970 | ||||||||||||
| BOX/FOLDER 14/2 | Copyright registrations, 1964 | ||||||||||||
| Correspondence | |||||||||||||
| BOX/FOLDER 14/5 | A - L miscellaneous, 1994 | ||||||||||||
| BOX/FOLDER 14/6 | M - Z miscellaneous, undated | ||||||||||||
| BOX/FOLDER 14/3-4 | Miscellaneous, 1980 | ||||||||||||
| BOX/FOLDER 14/7 | Miscellaneous, circa 1985-1986 | ||||||||||||
| BOX/FOLDER 14/8 | Creative Playthings, undated | ||||||||||||
| Article | |||||||||||||
| BOX/FOLDER 14/9 | Digital Ghosts, 1982 October | ||||||||||||
| Workbook | |||||||||||||
| BOX/FOLDER 14/10 | Discographies, 1987-1992 | ||||||||||||
| BOX/FOLDER 14/11 | E. A. R. Unit, circa 1985-1986 | ||||||||||||
| Photographs; biography | |||||||||||||
| BOX/FOLDER 14/12 | Equipment manuals, circa 1985-1996 | ||||||||||||
| BOX/FOLDER 14/13 | Florida. Boca Raton performance, 1973 | ||||||||||||
| Concert reviews | |||||||||||||
| BOX/FOLDER 14/14 | Ghost pieces, 1977-1982 | ||||||||||||
| Reviews | |||||||||||||
| BOX/FOLDER 14/15-16 | Intimate Immensity, 1995-1997 | ||||||||||||
| Recording notes | |||||||||||||
| BOX/FOLDER 14/17 | KUSC, 1982 | ||||||||||||
| BOX/FOLDER 15/1, 26R/2 | La Barbara, Joan. Berlin, 1993 (Restricted) | ||||||||||||
| Correspondence; reviews; travel papers | |||||||||||||
| Note: Materials restricted until 2062. | |||||||||||||
| BOX/FOLDER 15/2 | La Barbara, Joan. Writings, 1975-1986 | ||||||||||||
| BOX/FOLDER 15/3 | La Barbara, Joan. Writings about, 1984 and undated | ||||||||||||
| Lectures | |||||||||||||
| BOX/FOLDER 15/4 |
Making Music, 1995-1997
see also Making Music, 1991-1995 |
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| BOX/FOLDER 15/5-7 | St. Louis, 1978-1983 | ||||||||||||
| Notes; program notes; ghost pieces reviews; performance instructions | |||||||||||||
| BOX/FOLDER 15/8 | Yale/Cal Arts class, 1982 December | ||||||||||||
| BOX/FOLDER 15/9 | Yale?, 1983 | ||||||||||||
| BOX/FOLDER 15/10 | Mailing lists, 1984-1985 | ||||||||||||
| BOX/FOLDER 15/11, 25/9 | Making Music, 1991-1995 | ||||||||||||
| Press; cover proofs | |||||||||||||
| BOX/FOLDER 15/12 to 16/2 | Miscellany, 1979-1986 | ||||||||||||
| Notebooks | |||||||||||||
| BOX/FOLDER 16/3-6 | Nonesuch, 1981-1984 | ||||||||||||
| Clippings; contracts; correspondence; liner note drafts; packing slips; notes; royalties | |||||||||||||
| BOX/FOLDER 16/7 | Ojai Festivals, 1971 | ||||||||||||
| Photographs | |||||||||||||
| BOX/FOLDER 16/8 | Contact sheets, undated | ||||||||||||
| BOX/FOLDER 16/9 | La Barbara, Joan, undated | ||||||||||||
| BOX/FOLDER 16/10 | La Barbara, Joan and Morton Subotnick, undated | ||||||||||||
| BOX/FOLDER 16/11 | Miscellaneous, undated | ||||||||||||
| Headshots; performances | |||||||||||||
| BOX/FOLDER 16/12 | Subotnick, Morton, undated | ||||||||||||
| Press | |||||||||||||
| BOX/FOLDER 17/4 | ASCAP in Action, 1986 | ||||||||||||
| BOX/FOLDER 17/5 | Aspen new music, 1985 | ||||||||||||
| BOX/FOLDER 17/6 | Keyboard , 1982-1985 | ||||||||||||
| BOX/FOLDER 17/7 | KPFK Folio 90.7 FM, 1978-1979 | ||||||||||||
| BOX/FOLDER 16/13, 20/7 | Miscellaneous, 1970s | ||||||||||||
| BOX/FOLDER 17/1-2, 24/7 | Miscellaneous, 1980-1988 | ||||||||||||
| BOX/FOLDER 17/3, 20/7 | Miscellaneous, 1990s | ||||||||||||
| BOX/FOLDER 17/8 | The New York Times , 1977-1988, undated | ||||||||||||
| BOX/FOLDER 17/9 | The New Yorker , 1981-1984 | ||||||||||||
| BOX/FOLDER 17/10 | Newsweek , 1962, 1982-1983 | ||||||||||||
| BOX/FOLDER 17/11 | Porquoi Pas? , 1980 | ||||||||||||
| BOX/FOLDER 17/12 | Program notes, 1973-1980, undated | ||||||||||||
| Programs and publicity | |||||||||||||
| BOX/FOLDER 17/13 | 1960s | ||||||||||||
| BOX/FOLDER 17/14-15, 20/8 | 1970s | ||||||||||||
| BOX/FOLDER 18/1-4, 25/7 | 1980-1985 | ||||||||||||
| BOX/FOLDER 18/5 | 1990s | ||||||||||||
| BOX/FOLDER 18/6-7 | Real Estate. California, 1979-1981 | ||||||||||||
| BOX/FOLDER 18/8 | Rental inventory, 1994 | ||||||||||||
| Reviews | |||||||||||||
| BOX/FOLDER 18/9 | Albums, 1968-1988 | ||||||||||||
| BOX/FOLDER 18/10 | Performances, 1988 | ||||||||||||
| BOX/FOLDER 18/11 | Sweden, 1972-1973 | ||||||||||||
| BOX/FOLDER 18/12 | Sculpting class assignments, undated | ||||||||||||
| BOX/FOLDER 18/13 | Telecom expenses, 1996 | ||||||||||||
| BOX/FOLDER 19/1-4 | Theodore Presser, Co., 1973-1983 | ||||||||||||
| Correspondence; press kit; contracts; royalties | |||||||||||||
| BOX/FOLDER 19/5-6 | Travel documents, 1993-1995 | ||||||||||||
| BOX/FOLDER 19/7 | Universal Edition, 1979-1983 | ||||||||||||
| Correspondence | |||||||||||||
| BOX/FOLDER 19/8 | Work orders, 1996 | ||||||||||||
| BOX/FOLDER 19/9-10 | 1970-1986 and undated | ||||||||||||
| Writings | |||||||||||||
| BOX/FOLDER 19/13 | Miscellaneous, 1983 | ||||||||||||
| BOX/FOLDER 19/12 | Subotnick, Morton, 1984 and undated | ||||||||||||
| BOX/FOLDER 19/11 | Whipple, Harold. Beasts and Butterflies: Morton Subotnick's Ghost Scores , circa 1980 | ||||||||||||
| BOX/FOLDER 19/11 | Whipple, Harold. The Electronic Works of Morton Subotnick , circa 1980 | ||||||||||||
| Electronic Instruments and Equipment, undated (Not Available) | |||||||||||||
| This series contains the bodysuit and MIDI controllers used in Intimate Intensity , as well as the amplifying box, MIDI batons, and drum machine used in Before the Butterfly , and one of Subotnick's ghost boxes. | |||||||||||||
| These materials are not available due to format consideration and cannot be served without prior approval from the Head of Acquisitions and Processing. | |||||||||||||