Access restrictions apply.
Container | Contents | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Subject Files, 1960-1997 (continued) | |||||||||||||
BOX/FOLDER 15/1, 26R/2 | La Barbara, Joan. Berlin, 1993 (Restricted) | ||||||||||||
Correspondence; reviews; travel papers | |||||||||||||
Note: Materials restricted until 2062. | |||||||||||||
BOX/FOLDER 15/2 | La Barbara, Joan. Writings, 1975-1986 | ||||||||||||
BOX/FOLDER 15/3 | La Barbara, Joan. Writings about, 1984 and undated | ||||||||||||
Lectures | |||||||||||||
BOX/FOLDER 15/4 |
Making Music, 1995-1997
see also Making Music, 1991-1995 |
||||||||||||
BOX/FOLDER 15/5-7 | St. Louis, 1978-1983 | ||||||||||||
Notes; program notes; ghost pieces reviews; performance instructions | |||||||||||||
BOX/FOLDER 15/8 | Yale/Cal Arts class, 1982 December | ||||||||||||
BOX/FOLDER 15/9 | Yale?, 1983 | ||||||||||||
BOX/FOLDER 15/10 | Mailing lists, 1984-1985 | ||||||||||||
BOX/FOLDER 15/11, 25/9 | Making Music, 1991-1995 | ||||||||||||
Press; cover proofs | |||||||||||||
BOX/FOLDER 15/12 to 16/2 | Miscellany, 1979-1986 | ||||||||||||
Notebooks | |||||||||||||
BOX/FOLDER 16/3-6 | Nonesuch, 1981-1984 | ||||||||||||
Clippings; contracts; correspondence; liner note drafts; packing slips; notes; royalties | |||||||||||||
BOX/FOLDER 16/7 | Ojai Festivals, 1971 | ||||||||||||
Photographs | |||||||||||||
BOX/FOLDER 16/8 | Contact sheets, undated | ||||||||||||
BOX/FOLDER 16/9 | La Barbara, Joan, undated | ||||||||||||
BOX/FOLDER 16/10 | La Barbara, Joan and Morton Subotnick, undated | ||||||||||||
BOX/FOLDER 16/11 | Miscellaneous, undated | ||||||||||||
Headshots; performances | |||||||||||||
BOX/FOLDER 16/12 | Subotnick, Morton, undated | ||||||||||||
Press | |||||||||||||
BOX/FOLDER 17/4 | ASCAP in Action, 1986 | ||||||||||||
BOX/FOLDER 17/5 | Aspen new music, 1985 | ||||||||||||
BOX/FOLDER 17/6 | Keyboard , 1982-1985 | ||||||||||||
BOX/FOLDER 17/7 | KPFK Folio 90.7 FM, 1978-1979 | ||||||||||||
BOX/FOLDER 16/13, 20/7 | Miscellaneous, 1970s | ||||||||||||
BOX/FOLDER 17/1-2, 24/7 | Miscellaneous, 1980-1988 | ||||||||||||
BOX/FOLDER 17/3, 20/7 | Miscellaneous, 1990s | ||||||||||||
BOX/FOLDER 17/8 | The New York Times , 1977-1988, undated | ||||||||||||
BOX/FOLDER 17/9 | The New Yorker , 1981-1984 | ||||||||||||
BOX/FOLDER 17/10 | Newsweek , 1962, 1982-1983 | ||||||||||||
BOX/FOLDER 17/11 | Porquoi Pas? , 1980 | ||||||||||||
BOX/FOLDER 17/12 | Program notes, 1973-1980, undated | ||||||||||||
Programs and publicity | |||||||||||||
BOX/FOLDER 17/13 | 1960s | ||||||||||||
BOX/FOLDER 17/14-15, 20/8 | 1970s | ||||||||||||
BOX/FOLDER 18/1-4, 25/7 | 1980-1985 | ||||||||||||
BOX/FOLDER 18/5 | 1990s | ||||||||||||
BOX/FOLDER 18/6-7 | Real Estate. California, 1979-1981 | ||||||||||||
BOX/FOLDER 18/8 | Rental inventory, 1994 | ||||||||||||
Reviews | |||||||||||||
BOX/FOLDER 18/9 | Albums, 1968-1988 | ||||||||||||
BOX/FOLDER 18/10 | Performances, 1988 | ||||||||||||
BOX/FOLDER 18/11 | Sweden, 1972-1973 | ||||||||||||
BOX/FOLDER 18/12 | Sculpting class assignments, undated | ||||||||||||
BOX/FOLDER 18/13 | Telecom expenses, 1996 | ||||||||||||
BOX/FOLDER 19/1-4 | Theodore Presser, Co., 1973-1983 | ||||||||||||
Correspondence; press kit; contracts; royalties | |||||||||||||
BOX/FOLDER 19/5-6 | Travel documents, 1993-1995 | ||||||||||||
BOX/FOLDER 19/7 | Universal Edition, 1979-1983 | ||||||||||||
Correspondence | |||||||||||||
BOX/FOLDER 19/8 | Work orders, 1996 | ||||||||||||
BOX/FOLDER 19/9-10 | 1970-1986 and undated | ||||||||||||
Writings | |||||||||||||
BOX/FOLDER 19/13 | Miscellaneous, 1983 | ||||||||||||
BOX/FOLDER 19/12 | Subotnick, Morton, 1984 and undated | ||||||||||||
BOX/FOLDER 19/11 | Whipple, Harold. Beasts and Butterflies: Morton Subotnick's Ghost Scores , circa 1980 | ||||||||||||
BOX/FOLDER 19/11 | Whipple, Harold. The Electronic Works of Morton Subotnick , circa 1980 | ||||||||||||
Electronic Instruments and Equipment, undated (Not Available) | |||||||||||||
This series contains the bodysuit and MIDI controllers used in Intimate Intensity , as well as the amplifying box, MIDI batons, and drum machine used in Before the Butterfly , and one of Subotnick's ghost boxes. | |||||||||||||
These materials are not available due to format consideration and cannot be served without prior approval from the Head of Acquisitions and Processing. |