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Music, 1950-2007
(continued) |
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Other Arrangements, 1950-1999
(continued) |
BOX-FOLDER 95/6-7 |
Jamie, undated
|
|
Scores and parts for string orchestra |
BOX-FOLDER 88/3 |
Jaws
2. Themes, 1978
|
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By John Williams |
|
Full score for marching band; parts |
BOX-FOLDER 88/4 |
Jive at Five,
undated
|
|
Ozalid of copyist condensed score for jazz
ensemble |
BOX-FOLDER 88/5 |
The Kid from Red Bank,
undated
|
|
Copyist condensed score for jazz
ensemble |
BOX-FOLDER 88/6 |
Light Up the World (It's
Christmas), 1974
|
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Arranged by David Plank |
|
Two vocal scores for SATB chorus |
BOX-FOLDER 88/7 |
Like Someone in Love,
undated
|
|
Cello part |
BOX-FOLDER 88/8 |
Lisette,
undated
|
|
Score for soprano saxophone and piano |
BOX-FOLDER 92/3 |
Little Brown Jug, 1994
|
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By Joseph Eastburn Winner |
|
Photocopy of arranger's holograph full score for
orchestra |
|
Note: For the Boston Pops |
BOX-FOLDER 88/9 |
Lotsa Rock, 1994
|
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By Sid Ramin |
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Condensed score for marching band;
parts |
BOX-FOLDER 88/10 |
Michelob advertisement,
1975
|
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By Steve Karmen |
|
Photocopy of copyist score for piano |
BOX-FOLDER 88/11 |
Misirlou,
undated
|
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By Ivan Ditmars |
|
Copyist score for piano |
BOX-FOLDER 88/12 |
Nicole,
undated
|
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Ozalid of copyist piano-conductor score for jazz
ensemble |
BOX-FOLDER 88/13 |
Nocturne, 1968
|
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By Alexander Borodin |
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Score for clarinet choir; parts |
BOX-FOLDER 88/14 |
Original,
undated
|
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Holograph short score for jazz
ensemble |
|
Note: The names Bing Crosby and Count
Basie appear on the title page |
BOX-FOLDER 88/15 |
Out of the Night,
undated
|
|
Score for piano |
BOX-FOLDER 92/5 |
Pardon My Southern Accent,
undated
|
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By Johnny Mercer |
|
Full score for orchestra |
|
Note: For Toni Tenille |
BOX-FOLDER 88/16 |
Persuasion, 1976
|
|
Score for alto saxophone and piano;
part |
BOX-FOLDER 88/17 |
Portrait of a Trumpet, 1964
|
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Score for trumpet and piano |
BOX-FOLDER 88/18 |
Pressure Cooker, 1981
|
|
Full score |
BOX-FOLDER 94/4 |
Quincy and the Count,
undated
|
|
Holograph short score for jazz
ensemble |
BOX-FOLDER 88/19 |
Reflective Mood, 1964
|
|
Score for trombone and piano; part |
BOX-FOLDER 95/13 |
Sage Brush Symphony, 1950
|
|
Music compiled by M. Perriere |
|
Manuscript full score for orchestra |
|
Note: Stamped "Property of War
Department, Information and Education Division" |
|
Note: Cues for the dramatic series This Is the Story
|
BOX-FOLDER 89/1 |
Sage Brush Symphony, 1950
|
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Arranged by John Hicks; Cecil Crandall, copyist |
|
Orchestra parts |
|
Note: Stamped "Property of War
Department, Information and Education Division" |
BOX-FOLDER 92/7-8 |
Salute to American Jazz,
undated
|
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By Louise Baranger; Bob Bockholt,
copyist |
|
Two full scores for orchestra |
BOX-FOLDER 89/2 |
Sarah's Song,
undated
|
|
Score for voice and piano |
|
Note: For Sarah Vaughan |
BOX-FOLDER 94/5 |
Sketches on Original,
undated
|
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Sketch |
BOX-FOLDER 89/3 |
Sleepy Village, 1967
|
|
Score for string orchestra; parts |
BOX-FOLDER 96/3 |
Small Talk, undated
|
|
Ozalid of arranger's holograph score for strings
and rhythm section; parts |
|
Note: Stamped "Count Basie
Orchestra" |
BOX-FOLDER 93/1-2 |
So Many Stars,
1997
|
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By Sergio Mendez, Alan Bergman, and Marilyn
Bergman |
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Two photocopies of arranger's holograph full
score for solo guitar and orchestra |
BOX-FOLDER 89/4 |
Sorta Blues,
undated
|
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By Billy May; lyrics by Ray Brenner |
|
Ozalid of copyist score for piano; Ozalid of
copyist lead sheet |
BOX-FOLDER 89/5 |
The Spin Doctor,
undated
|
|
Score for piano |
BOX-FOLDER 89/6 |
Strollin' with Sammy, 1991
|
|
By Antonio J. García |
|
Photocopy of manuscript vocal score for SATB
chorus |
BOX-FOLDER 89/7 |
A Study in Contrasts, 1964
|
|
Score for string orchestra; parts |
BOX-FOLDER 89/8 |
A Study in Contrasts, 1964
|
|
Score for clarinet choir; parts |
BOX-FOLDER 89/7 |
A Study in Contrasts, 1964
|
|
Score for clarinet quartet; parts |
BOX-FOLDER 89/9 |
A Study in Contrasts, 1964
|
|
Score for saxophone quartet; parts |
BOX-FOLDER 94/6 |
Thanks for the Memories,
undated
|
|
Ozalid of manuscript score for strings, harp,
and celeste |
|
Note: For US Air Force
Orchestra |
BOX-FOLDER 93/4 |
That Old Black Magic,
1995
|
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By Harold Arlen; lyrics by Johnny Mercer |
|
Photocopy of arranger's holograph full score for
orchestra |
|
Note: For Keith Lockhart and the Boston
Pops |
BOX-FOLDER 89/11 |
That Warm Feeling,
undated
|
|
Holograph short score for jazz
ensemble |
BOX-FOLDER 89/12 |
Tombstone. Film cues, circa 1993
|
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By Bruce Broughton |
|
Viola part |
BOX-FOLDER 93/7 |
Tribute to Harry James,
1998
|
|
Photocopy of arranger's holograph full score for
orchestra |
|
Contents: Ciribiribin; The Mole; You
Made Me Love You; Trumpet Rhapsody and Cantabile |
BOX-FOLDER 89/13 |
Vaquero, 1968
|
|
Condensed score for marching band;
parts |
BOX-FOLDER 89/14 |
Volga Boat Song, 1968
|
|
Condensed score for augmented jazz
ensemble |
BOX-FOLDER 94/10 |
Whistle While You Work,
undated
|
|
Photocopy of arranger's holograph full score for
orchestra |
|
Note: Stamped "USAF Orchestra, Air Force
Band, Washington, D. C." |
BOX-FOLDER 90/1 |
Ya Gotta Try, 1997
|
|
Full score for marching band; parts |
BOX-FOLDER 90/2 |
Yankee Doodle Boy, 1989
|
|
Full score for marching band; parts |
BOX-FOLDER 90/3 |
You Can Make It, 1978
|
|
Full score for marching band; parts |
BOX-FOLDER 90/4 |
Zoot, 1993
|
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By Johnny Mandel |
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Lead sheet |
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