| | | | | | | | | | | | | |
|
Music, 1950-2007
(continued) |
|
Other Arrangements, 1950-1999
(continued) |
|
Sage Brush Symphony, 1950
(continued) |
|
Note: Cues for the dramatic series This Is the Story
|
|
BOX-FOLDER 89/1 |
Sage Brush Symphony, 1950
|
|
Arranged by John Hicks; Cecil Crandall, copyist |
|
Orchestra parts |
|
Note: Stamped "Property of War
Department, Information and Education Division" |
|
BOX-FOLDER 92/7-8 |
Salute to American Jazz,
undated
|
|
By Louise Baranger; Bob Bockholt,
copyist |
|
Two full scores for orchestra |
|
BOX-FOLDER 89/2 |
Sarah's Song,
undated
|
|
Score for voice and piano |
|
Note: For Sarah Vaughan |
|
BOX-FOLDER 94/5 |
Sketches on Original,
undated
|
|
Sketch |
|
BOX-FOLDER 89/3 |
Sleepy Village, 1967
|
|
Score for string orchestra; parts |
|
BOX-FOLDER 96/3 |
Small Talk, undated
|
|
Ozalid of arranger's holograph score for strings
and rhythm section; parts |
|
Note: Stamped "Count Basie
Orchestra" |
|
BOX-FOLDER 93/1-2 |
So Many Stars,
1997
|
|
By Sergio Mendez, Alan Bergman, and Marilyn
Bergman |
|
Two photocopies of arranger's holograph full
score for solo guitar and orchestra |
|
BOX-FOLDER 89/4 |
Sorta Blues,
undated
|
|
By Billy May; lyrics by Ray Brenner |
|
Ozalid of copyist score for piano; Ozalid of
copyist lead sheet |
|
BOX-FOLDER 89/5 |
The Spin Doctor,
undated
|
|
Score for piano |
|
BOX-FOLDER 89/6 |
Strollin' with Sammy, 1991
|
|
By Antonio J. García |
|
Photocopy of manuscript vocal score for SATB
chorus |
|
BOX-FOLDER 89/7 |
A Study in Contrasts, 1964
|
|
Score for string orchestra; parts |
|
BOX-FOLDER 89/8 |
A Study in Contrasts, 1964
|
|
Score for clarinet choir; parts |
|
BOX-FOLDER 89/7 |
A Study in Contrasts, 1964
|
|
Score for clarinet quartet; parts |
|
BOX-FOLDER 89/9 |
A Study in Contrasts, 1964
|
|
Score for saxophone quartet; parts |
|
BOX-FOLDER 94/6 |
Thanks for the Memories,
undated
|
|
Ozalid of manuscript score for strings, harp,
and celeste |
|
Note: For US Air Force
Orchestra |
|
BOX-FOLDER 93/4 |
That Old Black Magic,
1995
|
|
By Harold Arlen; lyrics by Johnny Mercer |
|
Photocopy of arranger's holograph full score for
orchestra |
|
Note: For Keith Lockhart and the Boston
Pops |
|
BOX-FOLDER 89/11 |
That Warm Feeling,
undated
|
|
Holograph short score for jazz
ensemble |
|
BOX-FOLDER 89/12 |
Tombstone. Film cues, circa 1993
|
|
By Bruce Broughton |
|
Viola part |
|
BOX-FOLDER 93/7 |
Tribute to Harry James,
1998
|
|
Photocopy of arranger's holograph full score for
orchestra |
|
Contents: Ciribiribin; The Mole; You
Made Me Love You; Trumpet Rhapsody and Cantabile |
|
BOX-FOLDER 89/13 |
Vaquero, 1968
|
|
Condensed score for marching band;
parts |
|
BOX-FOLDER 89/14 |
Volga Boat Song, 1968
|
|
Condensed score for augmented jazz
ensemble |
|
BOX-FOLDER 94/10 |
Whistle While You Work,
undated
|
|
Photocopy of arranger's holograph full score for
orchestra |
|
Note: Stamped "USAF Orchestra, Air Force
Band, Washington, D. C." |
|
BOX-FOLDER 90/1 |
Ya Gotta Try, 1997
|
|
Full score for marching band; parts |
|
BOX-FOLDER 90/2 |
Yankee Doodle Boy, 1989
|
|
Full score for marching band; parts |
|
BOX-FOLDER 90/3 |
You Can Make It, 1978
|
|
Full score for marching band; parts |
|
BOX-FOLDER 90/4 |
Zoot, 1993
|
|
By Johnny Mandel |
|
Lead sheet |
|
BOX-FOLDER 90/6 |
Unidentified,
undated
|
|
Score for jazz ensemble; score for two violins,
tenor saxophone, and two cellos; trumpet and vibraphone parts
(incomplete) |
|
BOX-FOLDER 94/7 |
Unidentified,
undated
|
|
Sketch |
|
BOX-FOLDER 94/8 |
Unidentified,
undated
|
|
Sketch |
|
BOX-FOLDER 90/5 |
Unidentified film cue,
undated
|
|
Photocopy of copyist score |
|
|
Appendix A
|
|
A table of many of the
works Sammy Nestico recorded on his solo/feature albums
provides an alphabetical listing of the tunes, the albums on which they appeared, date, recording label, and Grammy award nomination (if applicable). This partial discography was created to assist with processing the Sammy Nestico Papers.
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