| | | | | | | | | | | | | |
|
Music, 1914-1955
(continued) |
|
Années de pèlerinage, Première année: Suisse.
Au lac de Wallenstadt, undated
(continued) |
|
Title on score: Barcarole |
|
Arranged by Colin Taylor |
|
Manuscript score for two pianos; 2nd piano
part |
|
BOX-FOLDER 3/5 |
Hungarian Rhapsody no. 2,
undated
|
|
Arranged by Stephen Kovacs |
|
2nd piano part |
|
BOX-FOLDER 3/6 |
Liebestraum no. 3,
undated
|
|
Arranged by Ethel Bartlett and Rae
Robertson |
|
Manuscript score for two pianos |
|
Marken, Bob van |
|
BOX-FOLDER 3/7 |
Sonata no. 1 for Two Pianos, 1950
|
|
Holograph score for two pianos |
|
Mendelssohn, Felix |
|
BOX-FOLDER 3/8 |
Scherzo in E minor,
undated
|
|
Arranged by Ethel Bartlett? |
|
Manuscript score for two pianos |
|
BOX-FOLDER 3/9 |
Song Without Words, no. 18, op. 38, no. 6,
undated
|
|
Blank score |
|
Mozart, Wolfgang Amadeus |
|
BOX-FOLDER 3/10-11 |
Concerto for Two Pianos, K. 365/316a.
Cadenzas, undated
|
|
Realized by Ethel Bartlett? |
|
Three manuscript scores for two pianos; parts;
fragment |
|
BOX-FOLDER 3/12 |
Piano Sonata no. 11. Rondo alla Turca,
undated
|
|
Arranged by Stephen Kovacs |
|
Manuscript scores for two pianos; 2nd piano
part |
|
Owen, David |
|
BOX-FOLDER 3/13 |
David of the White Rose, 1918
|
|
Arranged by Ethel Bartlett |
|
Manuscript score for cello and
piano |
|
Peerson, Martin |
|
BOX-FOLDER 3/14 |
The Fall of the Leafe,
undated
|
|
Parts |
|
Portnoff, Mischa |
|
BOX-FOLDER 3/15 |
Polka American, 1938
|
|
Parts |
|
BOX-FOLDER 3/16 |
A Story My Music Box Told Me, 1940
|
|
2nd piano part |
|
Ravel, Maurice |
|
BOX-FOLDER 3/17 |
Miroirs. Alborada del gracioso,
undated
|
|
Arranged by Ethel Bartlett and Rae
Robertson |
|
Manuscript score for two pianos (incomplete);
1st piano part (incomplete) |
|
Robertson, Rae |
|
BOX-FOLDER 3/18 |
Down by the Salley Gardens,
undated
|
|
Manuscript score for voice and
piano |
|
BOX-FOLDER 3/18 |
The Falling of the Leaves,
undated
|
|
Manuscript score for voice and
piano |
|
BOX-FOLDER 3/19 |
Sorrow of Mydath,
undated
|
|
Manuscript score for tenor voice and
piano |
|
Rosenbloom, Sydney |
|
BOX-FOLDER 3/20 |
The Sprite, 1939
|
|
Holograph score for two pianos |
|
Schubert, Franz |
|
BOX-FOLDER 3/21 |
Auf den Wasser zu singen,
undated
|
|
Manuscript score for two pianos; 1st piano
part (incomplete) |
|
BOX-FOLDER 3/22 |
Die Forelle, undated
|
|
Manuscript score for two pianos; 1st piano
part (incomplete) |
|
Scriabin, Alexander |
|
BOX-FOLDER 3/23 |
Fantasy for Two Pianos,
undated
|
|
Parts |
|
Simmons, Homer |
|
BOX-FOLDER 3/24 |
Partita Americana no. 2. Blues,
undated
|
|
Holograph score for two pianos; 1st piano
part |
|
Strauss, Johann |
|
BOX-FOLDER 3/25 |
Der Fledermaus Waltz,
undated
|
|
Arranged by Stephen Kovacs |
|
Manuscript score for two pianos; 2nd piano
part |
|
Thatcher, Howard R. |
|
BOX-FOLDER 3/26 |
Marionettes, undated
|
|
2nd piano part |
|
Thomás, Joan M. |
|
BOX-FOLDER 3/27 |
Bolero barbaro, 1937
|
|
Manuscript score for piano |
|
Traditional |
|
BOX-FOLDER 4/1 |
Black Is the Colour of My True Love's Hair,
undated
|
|
Arranged by Raymond McFeeters |
|
Manuscript score for voice and
piano |
|
Wal, A. de (Albert Johannes) |
|
BOX-FOLDER 4/2 |
Adagio, undated
|
|
Two manuscript scores for two
pianos |
|
Weber, Carl Maria von |
|
BOX-FOLDER 4/3 |
Piano Sonata no. 1. Movement 4, Perpetuum
mobile, undated
|
|
Arranged by Stephen Kovacs |
|
2nd piano part |
|
Unidentified composers |
|
BOX-FOLDER 4/4 |
Waltz, undated
|
|
Manuscript score for two pianos |
|
BOX-FOLDER 4/5 |
Unidentified,
undated
|
|
Manuscript short score for two pianos and
orchestra (fragment) |
|
BOX-FOLDER 4/6 |
Unidentified,
undated
|
|
Manuscript score for two pianos |
|
BOX-FOLDER 4/7 |
Unidentified,
undated
|
|
Manuscript score for two pianos
(incomplete) |
|
BOX-FOLDER 4/8-10 |
Unidentified,
undated
|
|
Fragments |
|
BOX-FOLDER 4/11 |
Unidentified,
undated
|
|
Errata sheet |
|
BOX 4-5 |
Writings, 1945-1955
|
|
This series consists of published and unpublished writings as well as scripts and
transcripts for lecutres and talks by Bartlett, Robertson, and others. |
|
Arranged alphabetically by author and title therein. |
|
Bartlett, Ethel |
|
BOX-FOLDER 5/1 |
Unidentified,
undated
|
|
Bartlett, Ethel and Rae Robertson |
|
BOX-FOLDER 5/2 |
"About Music for One Piano-Four Hands", 1952
|
|
BOX-FOLDER 5/3 |
"Perfecting Piano Technique", 1946
|
|
BOX-FOLDER 5/4 |
"The Two-Piano Repertory",
undated
|
|
BOX-FOLDER 5/5 |
"Two Pianos-Four Hands",
undated
|
|
Robertson, Rae |
|
BOX-FOLDER 4/12, 5/6 |
"Arrangements: Are They a Crime?", 1945 and undated
|
|
BOX-FOLDER 5/7 |
"On the Special Difficulties of Two-Piano
Ensemble Playing", undated
|
|
BOX-FOLDER 5/8 |
"Opening Address to Los Angeles
Master-Class", 1955
|
|
Sabin, Robert |
|
BOX-FOLDER 4/13 |
"Two Piano Playing Is Chamber Music", 1946
|
|
Unidentified authors |
|
BOX-FOLDER 5/9 |
"Beethoven", undated
|
|
BOX-FOLDER 5/10 |
Interview questions,
undated
|
|
BOX-FOLDER 5/11 |
"Johannes Brahms",
undated
|
|
BOX-FOLDER 5/12 |
Notebook, undated
|
|
Contents:
- "Beethoven"
- "How Matthay Revolutionised Piano Playing and Technique"
- "Lesser Known Music for Two Pianos and One Piano, Four Hands"
|
|
BOX-FOLDER 5/13 |
"On Harmony and its Relation to the
Intepretation of Piano Music", undated
|
|
BOX-FOLDER 5/14 |
"On Melody", undated
|
|
BOX-FOLDER 5/15 |
"On Rhythm", undated
|
|
BOX-FOLDER 5/16 |
"On Schubert",
undated
|
|
BOX-FOLDER 5/17 |
"On the Playing of Mozart's Piano Music",
1955
|
|
BOX-FOLDER 5/18 |
"Schumann", undated
|
|
BOX-FOLDER 5/19 |
"A Short Note on the Beginnings and
Development of the Piano", undated
|
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