| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1926-1994 (continued) | |||||||||||||
| I'm Treatin' Myself to a Bird's-Eye View of Heaven, 1931 (continued) | |||||||||||||
| Printed piano-vocal score | |||||||||||||
| BOX-FOLDER 9/21 | It Makes Me Happy to Worry Over You, 1930 | ||||||||||||
| Printed piano-vocal score | |||||||||||||
| BOX-FOLDER 9/22 | Johnny's on a Journey, undated | ||||||||||||
| Holograph piano-vocal scores | |||||||||||||
| BOX-FOLDER 9/23 | Keep Paramount Friendly (Paramount Theme Song), undated | ||||||||||||
| Blue-line of piano-vocal score | |||||||||||||
| BOX-FOLDER 10/1 | Look Who's Here, 1932 | ||||||||||||
| Printed piano-vocal scores; printed score for piano | |||||||||||||
| BOX-FOLDER 10/2 | Love Was Gone, 1932 | ||||||||||||
| Printed piano-vocal score | |||||||||||||
| BOX-FOLDER 10/3 | Love You Are the Sunrise, undated | ||||||||||||
| Photocopy of vocal part | |||||||||||||
| BOX-FOLDER 10/4 | Lucky Little Accident, 1932 | ||||||||||||
| Photocopy of printed piano-vocal score | |||||||||||||
| BOX-FOLDER 10/5 | Makin' Wicky-Wacky Down in Waikiki, 1930 | ||||||||||||
| Negative photostat of piano-vocal score | |||||||||||||
| BOX-FOLDER 10/6 | The Movies Gonna Get Ya, undated | ||||||||||||
| Blue-line of piano-vocal score | |||||||||||||
| BOX-FOLDER 10/7 | A Rainy Afternoon, undated | ||||||||||||
| Holograph piano-vocal score; photocopy of printed piano-vocal score | |||||||||||||
| BOX-FOLDER 10/8 | The Rumbalero, undated | ||||||||||||
| Holograph draft of lead sheet | |||||||||||||
| BOX-FOLDER 10/9 | Stringing Along a Shoestring, 1933 | ||||||||||||
| Printed piano-vocal score | |||||||||||||
| BOX-FOLDER 10/10 | T'Aint No Use, 1936 | ||||||||||||
| Printed piano-vocal score | |||||||||||||
| BOX-FOLDER 10/11 | The Songs of Burton Lane, 1991 | ||||||||||||
| Song book | |||||||||||||
| Laid in: Photograph of Burton Lane | |||||||||||||
| BOX-FOLDER 10/12 | Take Me, undated | ||||||||||||
| Holograph piano-vocal score | |||||||||||||
| BOX-FOLDER 10/13 | That's Entertainment, 1992 | ||||||||||||
| Song book | |||||||||||||
| BOX-FOLDER 10/14 | Under Vesuvian Skies, 1930 | ||||||||||||
| Printed piano-vocal scores | |||||||||||||
| BOX-FOLDER 10/15 | The Venezuela, undated | ||||||||||||
| Blue-line of piano-vocal score | |||||||||||||
| BOX-FOLDER 10/16 | Where Have I Seen Your Face Before, 1986 and undated | ||||||||||||
| Holograph piano-vocal score; printed piano-vocal score; photocopy of printed piano-vocal score; typescript lyric sheet | |||||||||||||
| BOX-FOLDER 10/17 | Where Is the Right Prayer for Me, 1990 and undated | ||||||||||||
| Holograph piano-vocal scores; typescript lyric sheets | |||||||||||||
| BOX-FOLDER 10/18 | Who Says There Ain't No Santa Claus, undated | ||||||||||||
| Holograph piano-vocal score; photocopy of holograph piano-vocal score | |||||||||||||
| BOX-FOLDER 10/19 | You Say You're Sorry, 1990 and undated | ||||||||||||
| Holograph piano-vocal score; printed piano-vocal score; typescript lyric sheet | |||||||||||||
| BOX-FOLDER 10/20 | You'll Know It, undated | ||||||||||||
| Holograph piano-vocal scores | |||||||||||||
| BOX-FOLDER 10/21 | You've Got a Sweetness All Your Own, undated | ||||||||||||
| Blue-line of piano-vocal score | |||||||||||||
| BOX-FOLDER 14/4-5 | Lyric sheets, 1983, 1990, and undated | ||||||||||||
| Sketchbooks | |||||||||||||
| BOX-FOLDER 10/22 | 1965 October | ||||||||||||
| BOX-FOLDER 11/1 | Undated | ||||||||||||
| Laid in: Autograph lyric sheet for "Remembering' | |||||||||||||
| BOX-FOLDER 11/2 | Undated | ||||||||||||
| Contents: Spanish Fantasy; Unidentified | |||||||||||||
| Laid in: Sketches for A Better Way; Break My Heart Again; If I Were She; Unidentified | |||||||||||||
| BOX-FOLDER 11/3 | Undated | ||||||||||||
| Pocket-sized notebooks | |||||||||||||
| BOX 17-20 | Scripts, 1964-2009 | ||||||||||||
| This series primarily contains typed scripts for musical theater productions, some of which are annotated. Productions include those for which Burton Lane composed the music, as well as events in celebration of his music or scripts for his review. There are multiple versions of scripts for Finian's Rainbow and On a Clear Day You Can See Forever, some of which are for posthumous productions that were provided to his widow Lynn. Differences between these versions are noted when that information is available. | |||||||||||||
| Arranged alphabetically. | |||||||||||||
| BOX-FOLDER 17/1 | As Luck Would Have It, 1989 | ||||||||||||
| Music by Joe Raposo; book and lyrics by Sheldon Harnick | |||||||||||||
| Note: Based on Isaac Bashevis Singer's "Mazel and Shlimazel" | |||||||||||||
| BOX-FOLDER 17/2-3 |
Carmelina, 1979
see also Someone in April |
||||||||||||
| Book by Alan Jay Lerner and Joseph Stein | |||||||||||||
| Note: Stamped "Roger L. Stevens" | |||||||||||||
| BOX-FOLDER 17/4 | An Evening with Burton Lane, 1981 | ||||||||||||
| Note: From the CBS cable series The Songwriters | |||||||||||||
| BOX-FOLDER 17/5 | An Evening with Burton Lane, 1995 | ||||||||||||
| By Maurice Levine | |||||||||||||
| Note: From Lyrics and Lyricists, 25th anniversary season, program 3 | |||||||||||||
| Finian's Rainbow | |||||||||||||
| Book by E. Y. (Edgar Yipsel) Harburg and Fred Saidy | |||||||||||||
| BOX-FOLDER 17/6-7 | 1980 | ||||||||||||
| Note: December 1980 revisions by E. Y. (Edgar Yipsel) Harburg | |||||||||||||
| BOX-FOLDER 17/8 | 1986 April 15 | ||||||||||||
| BOX-FOLDER 17/9 | 1986 September 23 | ||||||||||||
| BOX-FOLDER 17/10 | 1999 May 6 | ||||||||||||
| BOX-FOLDER 18/1 | 1999 August 31 | ||||||||||||
| Note: Rodger Hess Productions | |||||||||||||
| BOX-FOLDER 18/2 | 2001 | ||||||||||||
| Includes: Correspondence with John Flaxman | |||||||||||||
| BOX-FOLDER 18/3 | 2004 | ||||||||||||
| Note: Premiered at Irish Repertory Theatre in New York City | |||||||||||||
| BOX-FOLDER 18/4 | 2005 | ||||||||||||
| Additional book by M. Kilburg Reedy | |||||||||||||
| BOX-FOLDER 18/5 | 2009 | ||||||||||||
| Rehearsal script | |||||||||||||
| BOX-FOLDER 18/6 | undated | ||||||||||||
| Book revised by Arthur Perlman and George C. Wolfe | |||||||||||||
| BOX-FOLDER 18/7 | undated | ||||||||||||
| Synopsis | |||||||||||||
| BOX-FOLDER 18/8-9 | Harburg in Hollywood, 1982 | ||||||||||||
| BOX-FOLDER 18/10 | Laffing Room Only, undated | ||||||||||||
| Book by Ole Olsen, Chic Johnson, and Eugene Conrad | |||||||||||||
| BOX-FOLDER 18/11 | Mastergate, a Play on Words, 1992 | ||||||||||||
| By Larry Gelbart | |||||||||||||
| BOX-FOLDER 18/12 | Mighty Fine Music! A Revue of the Songs of Burton Lane, 1981 | ||||||||||||
| By Brent Wagner | |||||||||||||
| Note: Originally produced by the Syracuse University drama department | |||||||||||||
| BOX-FOLDER 19/1 | Mr. Gershwin Goes to Washington, 1997 | ||||||||||||
| By Laurence Malson, based on the libretti by George S. Kaufman and Morrie Ryskind | |||||||||||||
| Note: As performed at Carnegie Hall's Weill Recital Hall | |||||||||||||
| On a Clear Day You Can See Forever | |||||||||||||
| Book and lyrics by Alan Jay Lerner | |||||||||||||
| BOX-FOLDER 19/2 | 1964 | ||||||||||||
| BOX-FOLDER 19/3 | 1966 | ||||||||||||
| BOX-FOLDER 19/4 | 1991 | ||||||||||||
| Adaptation and additional lyrics by Sharon B. Kling and Robert Allenberg | |||||||||||||
| BOX-FOLDER 19/5 | 2009 | ||||||||||||
| BOX-FOLDER 19/6 | Undated | ||||||||||||
| BOX-FOLDER 19/7 | On a Clear Day You Can See Forever: The Reincarnation, undated | ||||||||||||
| Adaptation by Ronald Palillo and Michael Whaley | |||||||||||||
| BOX-FOLDER 19/8 | R.S.V.P., undated | ||||||||||||
| Libretto by Julie Gilbert | |||||||||||||
| Note: Based on the play Dinner at Eight by George S. Kaufman and Edna Ferber | |||||||||||||
|
Someone
in April
see also Carmelina |
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| BOX-FOLDER 19/9 | 1986 | ||||||||||||
| BOX-FOLDER 20/1 | 1986-1987 | ||||||||||||
| BOX-FOLDER 20/2 | undated | ||||||||||||
| BOX-FOLDER 20/3 | The Songs of Burton Lane, 1991 | ||||||||||||
| Note: Performed at the Metropolis Country Club in White Plains, New York | |||||||||||||
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