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Biographical Materials, 1933-2016
(continued) |
BOX-FOLDER 48/19 |
Select service system
registration, 1964
|
|
Writings about
Davidovsky |
BOX-FOLDER 48/20 |
"An Analysis of Mario
Davidovsky's Synchronisms no. 6 for Piano and Electronic Sounds", 1980
|
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By Helen Siemens Walker |
BOX-FOLDER 48/21 |
"Angled Response: Structural
Pairing in Mario Davidovsky's Quartetto", 2001
|
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By Steven Leon Ricks |
BOX-FOLDER 48/22-23 |
"Cadential Procedures in
Mario Davidovsky's Divertimento for cello and orchestra", 1998
|
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By Christopher G. Malloy |
BOX-FOLDER 48/24 |
"Focus on: Mario
Davidovsky", 1996
|
|
By Hayes Biggs |
BOX-FOLDER 48/25 |
"Mario Davidovsky: An
introduction to the music", 1997
|
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By Eric Chaslow |
BOX-FOLDER 49/1 |
"Mario Davidovsky: Scenes
from Shir Hashirim", 1999
|
|
By Meir Serrouya |
BOX-FOLDER 49/2 |
"Stratification and
Synthesis in Mario Davidovsky's Synchronisms no. 6", 1978
|
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By Stephen M. Gryč |
BOX-FOLDER 49/3 |
"Symmetry and Interval
Cycles in the Quartettos of Mario Davidovsky", 2016
|
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By Inés Thiebaut Lovelace |
BOX-FOLDER 49/4-5 |
"Synchronisms no. 10 for
Guitar and Electronic Sounds and Festino: Seminal Works Featuring the Guitar
by Mario Davidovsky", 2006
|
|
By Daniel Lippel |
BOX 50-51 |
Clippings and Articles, 1954-2014
|
|
The newspaper and journal articles and pamphlets in this series provide evidence
of Davidovsky’s work as a composer from his early years in Argentina to several
years prior to his death. |
|
Arranged chronologically. |
BOX-FOLDER 50/4 |
1954-1965 |
BOX-FOLDER 50/5-6 |
1966-1968 |
BOX-FOLDER 50/7-8 |
1970-1973 |
BOX-FOLDER 51/1 |
1974-1976 |
BOX-FOLDER 51/2 |
1977-1979 |
BOX-FOLDER 51/3 |
1970s? |
BOX-FOLDER 51/4 |
1981-1986 |
BOX-FOLDER 51/5 |
1991-1998 |
BOX-FOLDER 51/6 |
2000-2014 |
BOX-FOLDER 51/7 |
Undated |
BOX 52-53 MAPCASE FOLDER 2-3 |
Programs and Promotional
Materials, 1957-2018
|
|
The concert programs, flyers, and other promotional materials in this series date
from Davidovsky’s first experiences in the United States when he studied at the
Berkshire Music Center (Tanglewood) to performances of his works throughout his
career. |
|
Arranged chronologically. |
|
Programs |
BOX-FOLDER 52/1 |
1957-1959 |
BOX-FOLDER 52/2 |
1961-1968 |
BOX-FOLDER 52/3 |
1970-1972 |
BOX-FOLDER 52/4 |
1973-1974 |
BOX-FOLDER 52/5 |
1975-1976 |
BOX-FOLDER 52/6 |
1977-1979 |
BOX-FOLDER 53/1 |
1980-1989 |
BOX-FOLDER 53/2 |
1990-1999 |
BOX-FOLDER 53/3 |
2000-2010 |
BOX-FOLDER 53/4 |
2011-2018 |
BOX-FOLDER 53/5 |
Undated |
BOX 53 |
Promotional
materials |
MAPCASE FOLDER 2 |
Concert posters, 1975-1989, 2006, and
undated
|
MAPCASE FOLDER 3 |
Concert posters, 1962-1966, 2014, and
undated
|
BOX-FOLDER 53/6 |
Miscellany, 1962-1979 and undated
|
|
Composer information brochures; press
packets |
BOX 53 |
Miscellaneous Writings by Others,
2001 and undated
|
|
The materials in this series are writings about contemporary music topics,
including an article by Harvey Sollberger and an interview with Reinhold
Brinkmann. |
|
Arranged alphabetically by subject. |
BOX-FOLDER 53/7 |
The Advancing Moment, undated
|
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By Harvey Sollberger |
|
Program notes |
BOX-FOLDER 53/8 |
"Eavesdropping on the Sound of
an Era," 2001
|
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Interview transcript |
|
Note: Interview with Reinhold Brinkmann by Max
Nyffeler |
BOX-FOLDER 53/9 |
Nighttime, Enigma, and Nostalgia, undated
|
|
By Robert Martin |
|
Program notes |
|
Note: Inscription to Davidovsky on first
page |
BOX-FOLDER 53/10 |
"Two Hours",
undated
|
|
Typed short story |
|
Note: No author listed |
DF
|
Digital Files, 2009-2018
|
|
Digital ID: DavidovskyM_MUS_2022_107_001 |
|
Digital ID: DavidovskyM_MUS_2022_107_002 |
|
This series consists of files contained on Mario Davidovsky's computer hard
drives. There are photographs primarily depicting his travel to Médanos,
Argentina, as well as members of his family. Other personal information found in
this series includes address and telephone lists, legal and financial information,
and travel documents. Correspondence, primarily email, comprises a large portion
of the professional material in this series. Notable correspondents include
Midori, Eric Chasalow, Chen Yi, and Augusta "Gusty" Read Thomas. There is also
publisher correspondence and permission agreements, concert reviews,
recommendation letters, and writings by Davidovsky and others. There is a small
amount of sound recordings and a score by Diego Tedesco. Correspondence and
documents pertaining to the Association for the Promotion of New Music (APNM) can
also be found here, as well as materials pertaining to the Composers Conference,
chiefly documents such as fellow/applicant lists and information about the Robert
Miller Fund. |
|
Principal file formats: .mp3, jpg, .tiff, .docx, .pdf, .rtf, and .txt, among
others. |
|
Original file order has been maintained. |