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| Container | Contents | ||||||||||||
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| Music, 1932-1995 (continued) | |||||||||||||
| Holograph Music, 1935-1990 (continued) | |||||||||||||
| BOX-FOLDER 1058/5 | Harvard choruses (1957) | ||||||||||||
| Lyrics by Alan Jay Lerner | |||||||||||||
| The lonely men of Harvard (lament-march) | |||||||||||||
| Holograph short score in pencil ; 8 p. | |||||||||||||
| Became the "Sheeps Song" in the 1973 production of Candide | |||||||||||||
| Harvard music coursework | |||||||||||||
| BOX-FOLDER 1058/6 | Bluebook exams | ||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1058/7 | Division of music/examination B | ||||||||||||
| Printed musical examples with LB annotations in pencil | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1058/8 | Harmony exercises/counterpoint | ||||||||||||
| Holograph exercises in pencil and ink, annotations by professor in red ; [54] leaves, mostly 8" x 7" | |||||||||||||
| Mostly signed and dated between 1935-37 | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1058/9 | Harmony exercises/counterpoint | ||||||||||||
| Continuation of Box-Folder 1058/8, but larger items ; [14] items, [22] leaves, mostly 8 1⁄2" x 11" | |||||||||||||
| This batch includes string quartet exercises, exams with printed music where LB writes analysis below; one work is titled: "Gum-drop in E" | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/1 | Music notebook | ||||||||||||
| Schirmer’s harmony tablet, blue cover [55] p. ; 6 3/4" x 10", some pages have been removed | |||||||||||||
| Note on folder: "‘Poco piu mosso’ went into On the Town" | |||||||||||||
| Includes: Rhapsody in blue, arr. ; Poem re "Applebaum", signed A.B. Magil ; Anna ; Sonata in 2 movts for rec[order] + piano | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/2 | Music notebook: The student’s music pad | ||||||||||||
| Holograph sketches and scores in pencil and ink, bound, some p. missing, some loose at back ; [40] leaves, 6 3/4" x 10 5/8", signed on cover | |||||||||||||
| Includes: with utter sterility ; Prelude in B minor ; Love duet ; Trio C# minor ; Hora staccatto ; Prelude in C ; Daffodil in a slender silver vase | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/3 | Contemporary music: a defense | ||||||||||||
| Typescript of paper with musical examples in ink, and annotations in pencil ; [37] leaves | |||||||||||||
| Includes comments in pencil from professor, often extending to the verso of pages | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/4 | String trio, for 2 violins and viola | ||||||||||||
| Holograph score in pencil ; [21] p. | |||||||||||||
| Dated on p. [15]: "Nov. 30, 1937" | |||||||||||||
| In bound "Ditson music writing book," 9 3/8" x 7 1⁄2", p. [21] detached | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/5 | Trio c# minor for violin, cello and piano | ||||||||||||
| Holograph score in ink and pencil ; [56] p. | |||||||||||||
| Signed on cover and inscribed on p. [1]: "To the Madison Trio/M.S./D.R./S.K." | |||||||||||||
| In bound "Belwin music writing book," 9 1/4" x 7 3/4" | |||||||||||||
| Digital content available | |||||||||||||
| Harvard music coursework | |||||||||||||
| The contents below were found together in a box labeled: LB at Harvard, Music MS, Box One/Vault 1579/Examined by CH + JG 11.23.94/Box LB-48 /'At an Old Trysting Place' (O)/'Barnyard' (O)/Harvard species counterpoint exercises / Harvard orchestration exercises (orchestrations of works by various composers) | |||||||||||||
| BOX-FOLDER 1088/18 | Box contents list | ||||||||||||
| Typescript ; leaf [1] | |||||||||||||
| BOX-FOLDER 1088/18 | Barnyard | ||||||||||||
| Holograph orchestration exercise in pen ; leaves [2-5] | |||||||||||||
| BOX-FOLDER 1088/18 | At an old trysting place | ||||||||||||
| Holograph orchestration exercise in pen ; leaves [6-8] | |||||||||||||
| Note suggests that this work and "Barnyard" may have been composed when LB was at Curtis | |||||||||||||
| BOX-FOLDER 1088/18 | Species counterpoint exercises | ||||||||||||
| Holograph scores/exercises in pen and pencil ; [13] leaves | |||||||||||||
| Two and three-part counterpoint exercises | |||||||||||||
| One exercise is dated: Mar 9, 1938 | |||||||||||||
| BOX-FOLDER 1088/18, 1092/10 | Counterpoint exercises | ||||||||||||
| Holograph exercises in pen and pencil ; [15] leaves | |||||||||||||
| One exercise dated: 3 June, 1939 | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1089/1-4, 1092/11 | Orchestration exercises and harmony notebook | ||||||||||||
| Holograph exercises in pen and pencil ; [77] leaves and folder | |||||||||||||
| Works identified by JG and/or by caption titles | |||||||||||||
| JG speculates that "Allegro molto" may have been composed by LB | |||||||||||||
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| BOX-FOLDER 1059/6 | Harvard orchestration exercises | ||||||||||||
| Photocopy of scores ; [21] p. | |||||||||||||
| Titles include: Barnyard; At an old trysting-place; Allegro molto (used in Facsimile) | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/6 | Harvard orchestration exercises | ||||||||||||
| Letter from Vivian Perlis re enclosed copies of LB manuscripts found in Aaron Copland’s files ; [6] p. | |||||||||||||
| Titles include: Very calm | |||||||||||||
| BOX-FOLDER 1059/7 | Hashkiveinu for Cantor, Choir and Organ (1945) | ||||||||||||
| Holograph full score in pencil ; 21 p. | |||||||||||||
| BOX-FOLDER 1059/8 | Hashkiveinu | ||||||||||||
| Holograph score in pencil, incomplete ; 3 p. | |||||||||||||
| Notes on verso re concert repertory | |||||||||||||
| BOX-FOLDER 1059/8 | Hashkiveinu | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| On verso: map of America by LB | |||||||||||||
| BOX-FOLDER 1059/9 | Heinz 52 | ||||||||||||
| Holograph sketch/piano-vocal score in pencil ; [1] p. | |||||||||||||
| Dedication: for HJK 11 Apr. ‘85 | |||||||||||||
| BOX-FOLDER 1059/10 | Historeconomy (A small canon for two great voices) | ||||||||||||
| Holograph vocal score in pencil and photocopy ; [1] p. each | |||||||||||||
| Inscribed: To Arthur [Schlesinger] and Ken [Galbraith] on their birthday 15 October 1979 | |||||||||||||
| BOX-FOLDER 1059/10 | Historeconomy (A small canon for two great voices) | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1059/11 | The history of music from 1920 to 1945 in 20" for JB | ||||||||||||
| Copyist’s piano score in pencil ; [1] p. | |||||||||||||
| Holocaust opera | |||||||||||||
| Collaborators include Stephen Wadsworth Zinser and John Wells | |||||||||||||
| BOX-FOLDER 1060/1 | Opera 85 | ||||||||||||
| Holograph notes and music sketches in pencil and ink with post-it ; [4] p. | |||||||||||||
| Dated: "Positano 4 July ‘84" and "SWZ–27 July ‘84" | |||||||||||||
| BOX-FOLDER 1060/2 | Multi-language opera | ||||||||||||
| Manuscript/typescript notes, outlines, and correspondence in hands of LB and SWZ ; [49] p. | |||||||||||||
| Laid in: Lyric opera of Chicago 31st season advertisement, 1985-1986; manilla folder; envelope | |||||||||||||
| BOX-FOLDER 1060/3 | Multi-lingual cont’d (3 Jan ‘85) | ||||||||||||
| Manuscript/typescript notes, outlines and synopsis in hands of LB and SWZ ; [18] p. | |||||||||||||
| BOX-FOLDER 1060/4 | Saul/David/Jonathan triangle opera/and: S.D.J./Dybbuk "cycle" | ||||||||||||
| Correspondence with notes and outlines from John Wells ; [13] p. | |||||||||||||
| Laid in: holograph notes in pencil ; [2] p. | |||||||||||||
| BOX-FOLDER 1060/5 | Babel outline draft #1 | ||||||||||||
| Typescript by John Wells with LB annotations ; [70] p. | |||||||||||||
| Dated: "13 Jan 90" and "29 Jan 90" | |||||||||||||
| Laid in: folder marked "L’opera/script first drafts" | |||||||||||||
| All "Babel" material below was originally included in this folder | |||||||||||||
| BOX-FOLDER 1060/6 | Babel outline draft #2 | ||||||||||||
| Typescripts by John Wells with LB annotations in pencil ; 15 p. | |||||||||||||
| Dated: "20 Jan 90" | |||||||||||||
| BOX-FOLDER 1060/7 | Babel outline draft #3 | ||||||||||||
| Holograph notes in pencil and typescript by John Wells with LB annotations ; [11] p. | |||||||||||||
| Dated: "28 Jan ‘90" | |||||||||||||
| BOX-FOLDER 1060/8 | Babel outline draft #4 | ||||||||||||
| Typescript by John Wells with LB annotations ; 21 p. | |||||||||||||
| Dated: "February 1, 1990" | |||||||||||||
| BOX-FOLDER 1060/9 | L’opera/lyrics/notes/(Jan ‘90) | ||||||||||||
| Manuscript/typescript lyric sheets and notes by John Wells and LB ; [19] p. | |||||||||||||
| Caption titles: 200%; Old lady's song; Flashback dream; Coca-cola; The chosen people syndrome | |||||||||||||
| BOX-FOLDER 1060/10 | Babel–outline draft by John Wells | ||||||||||||
| Typescript with various LB annotations ; [23] p. | |||||||||||||
| On folder: L’opera/rejected scenes/Jan ‘90 | |||||||||||||
| BOX-FOLDER 1061/1 | Holocaust opera "set" + "characters" | ||||||||||||
| 8 set pieces–photocopies of photographs mounted on cardboard | |||||||||||||
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