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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1932-1995 (continued) | |||||||||||||
| Holograph Music, 1935-1990 (continued) | |||||||||||||
| BOX-FOLDER 1071/4 | The riobamba | ||||||||||||
| Holograph piano-vocal score in pencil ; 4 p. | |||||||||||||
| "Variation for arrangement" on verso of p. 4 | |||||||||||||
| On envelope: "(Danzon, Fancy Free)" | |||||||||||||
| BOX-FOLDER 1071/5 | Rondo (for Lifey) | ||||||||||||
| Holograph trumpet score in pencil ; 2 p. | |||||||||||||
| Inscribed and dated: Love to Lifey/NYC 1948 | |||||||||||||
| On envelope: from Five Brass Pieces; HGC note: LB evidently sent this copy to Judy Holiday (Lifey was her dog) in 1948. In June 1975 David Oppenheim brought this to LB (Judy was his first wife). | |||||||||||||
| BOX-FOLDER 1071/6 | Roundelay #23 | ||||||||||||
| Holograph piano-vocal score in pencil ; [1] p. | |||||||||||||
| Inscribed and dated: Mü La dü moöahs and moöahs Daddy/28 Feb (2 March) ‘85 | |||||||||||||
| BOX-FOLDER 1071/6 | Roundelay #23 | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| Caption title: Round for Nina’s 23rd B’day | |||||||||||||
| Dated: 2 March ‘85 | |||||||||||||
| BOX-FOLDER 1071/7 | Salomé (1955) | ||||||||||||
| Holograph full score in pencil ; 28 p. | |||||||||||||
| Laid in: original folder | |||||||||||||
| BOX-FOLDER 1071/8 | Salomé (1955) | ||||||||||||
| Holograph sketches in pencil ; [8] p. | |||||||||||||
| BOX-FOLDER 1071/9 | Sängerknaben | ||||||||||||
| Holograph sketches in pencil ; [4] p. | |||||||||||||
| Annotated copy of Shakespeare’s "Ariel’s songs" taped to inside front cover of folder | |||||||||||||
| Appears to be sketches for two separate works with the same title | |||||||||||||
| BOX-FOLDER 1085/9 | Scenes from the city of sin | ||||||||||||
| Holograph piano 4-hand score in ink ; [6] p. | |||||||||||||
| Includes: I. Job (to Charlie Chaplin)/II. No Job (to Honneger, etc.)/(IIA What’s it all amount to?)/III. Skyscraper (to the K. twins)/IV Café society (to Shirley)/Suite II/I Radical in St. Thomas church/II. Radical in intermission of concert/III Can’t keep out of church/Being one of the masses | |||||||||||||
| Inscribed and dated: for Gov Dickinson/28 August 1939, evening | |||||||||||||
| BOX-FOLDER 1071/10 | Screwed on wrong | ||||||||||||
| Holograph piano-vocal score in pencil ; 5 p. | |||||||||||||
| A blues song for for Jamie and David and Stuart and the Krokodiloes | |||||||||||||
| Dated: 30 Sept ‘80 | |||||||||||||
| BOX-FOLDER 1071/10 | Screwed on wrong | ||||||||||||
| Ozalid with annotations in red pencil ; 9 p. | |||||||||||||
| BOX-FOLDER 1071/11 | Sean song | ||||||||||||
| Holograph score in pencil ; 4 p. | |||||||||||||
| For soprano, violin solo, viola, cello and harp...Words by Yoko and Sean Ono | |||||||||||||
| Inscribed: "Remembering John L., 8 Dec. ‘86" | |||||||||||||
| Dated: "Fairfield 10 Dec 86" | |||||||||||||
| On envelope: used in "Opening Prayer" | |||||||||||||
| BOX-FOLDER 1071/11 | Sean song | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1071/11 | Sean song | ||||||||||||
| Typescript letter and photocopy with annotations ; [3] p. | |||||||||||||
| BOX-FOLDER ML30.3c.B45 | Serenade, after Plato's "Symposium" ( 1954 ) | ||||||||||||
| Holograph full score in pencil ; [175] p. | |||||||||||||
| Includes: I. Phaedrus: Pausanias; II. Aristophanes; III. Eryximachus; IV. Agathon; V. Socrates: Alibiades | |||||||||||||
| Part of the Serge Koussevitzky Archive | |||||||||||||
| BOX-FOLDER 1071/12 | Seven anniversaries | ||||||||||||
| Holograph piano score in ink with annotations in pencil ; 13 p. | |||||||||||||
| Title page: Six piano pieces | |||||||||||||
| Includes: I. For Aaron Copland; II. For my sister Shirley; IV. For Paul Bowles; V. In memoriam: Nathalie Koussevitzky; VI. For Sergei Koussevitzky; VII. For William Schumann | |||||||||||||
| Dated: "1942" | |||||||||||||
| BOX-FOLDER 1084/19 | Seven anniversaries | ||||||||||||
| Holograph/ozalid piano score with annotations in pencil ; [16] p. | |||||||||||||
| Includes: I. For Aaron Copland; II. For my sister Shirley; III. In memoriam: Alfred Eisner; IV. For Paul Bowles; V. In memoriam: Nathalie Koussevitzky; VI. For Sergei Koussevitzky; VII. For William Schumann | |||||||||||||
| Dated: "1942" | |||||||||||||
| BOX-FOLDER 1071/13 | Seven anniversaries | ||||||||||||
| Ozalid piano score with annotations in pencil ; 10 p. | |||||||||||||
| Laid in: holograph piano score/sketches ; [7] p. | |||||||||||||
| BOX-FOLDER 1071/14 | Shivaree: for two bands | ||||||||||||
| Holograph score in pencil ; 8 p. | |||||||||||||
| Inscribed: Commissioned by and dedicated to the Metropolitan Museum of Art in honor of its Centenary | |||||||||||||
| Dated: N.Y.C. 30 Oct ‘69 | |||||||||||||
| On envelope: "Also known as "Double fanfare"/This music later used in Mass" | |||||||||||||
| BOX-FOLDER 1071/14 | Shivaree: for two bands | ||||||||||||
| Holograph sketches in pencil ; [3] p. | |||||||||||||
| BOX-FOLDER 1071/14 | Shivaree: for two bands | ||||||||||||
| Ozalid (blue) score with annotations in red pencil ; 8 p. | |||||||||||||
| On envelope: "Arnold Arnstein’s copy" | |||||||||||||
| BOX-FOLDER 1071/15 | Short poem (Wm Carlos Wms) | ||||||||||||
| Holograph piano-vocal score/sketch in pencil ; [1] p. | |||||||||||||
| Dated: "67?" | |||||||||||||
| BOX-FOLDER 1071/16 | Silhouette (Galilee) | ||||||||||||
| Holograph piano-vocal score/sketch in pencil, no lyric ; [2] p. | |||||||||||||
| BOX-FOLDER 1071/17 | Silhouette (Galilee) | ||||||||||||
| Copyist’s manuscript piano-vocal score in ink with engraver’s annotations in red and blue ink ; 6 p. | |||||||||||||
| Inscribed: "For Jennie’s birthday in Israel with Love from Lenny/Feb. 1, 1951" | |||||||||||||
| Laid in : folder | |||||||||||||
| BOX-FOLDER 1071/18 | Simchu Na | ||||||||||||
| Holograph sketches in pencil ; [6] p. | |||||||||||||
| Signed: "Sketches for ‘Simchu Na’ Hora for chorus and orch. (arr. Leonard Bernstein) April, 1948/N.Y." | |||||||||||||
| BOX-FOLDER 1071/19 | Simonetta | ||||||||||||
| Holograph sketch and notes in pencil ; [3] p. | |||||||||||||
| Includes: letter, synopsis and script pages from Jacques Levy dated January and April 1979 ; [13] p. | |||||||||||||
| BOX-FOLDER 1071/20 | Six Sabras | ||||||||||||
| Holograph piano score in pencil ; 8 p. | |||||||||||||
| On envelope: Related to trip to Israel 1954? | |||||||||||||
| BOX-FOLDER 1071/20 | Six Sabras | ||||||||||||
| Holograph sketches in pencil ; [5] p. | |||||||||||||
| Caption titles: The tired woodpecker; Disappointment; Cesarino Riso (3 Nov. 1939) | |||||||||||||
| Cesarino riso became "Candide’s Lament" | |||||||||||||
| BOX-FOLDER 1071/21 | SJB 70th birthday piece | ||||||||||||
| Holograph sketch in pencil ; [2] p. | |||||||||||||
| On envelope: "Used in Kaddish" | |||||||||||||
| BOX-FOLDER 1071/22 | The Skin of Our Teeth | ||||||||||||
| Holograph music and lyric sketches in pencil ; [50] p. | |||||||||||||
| Titles include: Oh oh oh/Sabina’s opening air; Rolling on; War song; It’s cold; Chorale (save the human race) (today); Fanfares ; Canon; Opening?; Save the human race; Teen faggot; Hooray today; Enjoy (waltz) (later march); Opening (segue from Prelude); Funerailles; Plaintive round | |||||||||||||
| BOX-FOLDER 1071/23 | The Skin of Our Teeth | ||||||||||||
| Holograph/manuscript/typescript lyric sheets in pencil in hands of LB, Comden and Green ; [22] p. | |||||||||||||
| Titles or first lines include: Bayonet drill; What a perfect model family; Before S’s aria; Then came Gladys, her Daddy’s (pride and) joy; I have served this bloomin’ family; And here they are on their wedding day; (Six-o-five); The father: George Adam Antrobus; list of numbers; George–; Help help hooray; Oh oh oh–it’s six o’clock!; Enjoy your ice cream while it’s on your plate; Me; Spring; Opening; Sabina; Oh oh oh! : Sabina’s opening number | |||||||||||||
| BOX-FOLDER 1095/2 | Slava! | ||||||||||||
| Manuscript full score in pencil ; 33 p. | |||||||||||||
| Some parts are in LB's hand | |||||||||||||
| Dated: Revised Jan. 1979 | |||||||||||||
| BOX-FOLDER 1072/1 | Slava! | ||||||||||||
| Holograph short score in pencil ; 11 p. | |||||||||||||
| Dated: NYC 1 Oct '77 | |||||||||||||
| BOX-FOLDER 1072/2 | Slava! | ||||||||||||
| Holograph music and lyric sketches in pencil ; [3] p. | |||||||||||||
| Title page: Puk (Slava or.) Puk was Rostropovich’s dog, and LB considered as possible title to work | |||||||||||||
| BOX-FOLDER 1072/3 | Slava! | ||||||||||||
| Holograph piano-vocal score/sketch in pencil ; 4 p. | |||||||||||||
| Annotations in red ink | |||||||||||||
| Title page: Rehearsing (new opening) | |||||||||||||
| Laid in: typescript lyric sheet with annotations in red pencil ; 3 p. | |||||||||||||
| BOX-FOLDER 1072/3 | Slava! | ||||||||||||
| Holograph sketches in pencil ; [3] p. | |||||||||||||
| Title page: A new century | |||||||||||||
| Laid in: holograph and typescript lyric sheets ; [2] p. | |||||||||||||
| BOX-FOLDER 1072/3 | Slava! | ||||||||||||
| Ozalid of piano-vocal score ; 4 p. | |||||||||||||
| No lyric | |||||||||||||
| Annotations in pencil | |||||||||||||
| BOX-FOLDER 1072/4 | So pretty | ||||||||||||
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