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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Writings, 1928-1991 (continued) | |||||||||||||
| Television Scripts (continued) | |||||||||||||
| Young People's Concerts Television Scripts (continued) | |||||||||||||
| Musical Atoms: A Study of Intervals (continued) | |||||||||||||
| Typescript in blue paper; 23/22 and 35/36 mimeo on white; emendations in red black and blue pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | Musical Atoms: A Study of Intervals ["Rundown"; "Music Cues"] | ||||||||||||
| Mimeograph on pink paper; typescript on white paper with emendations in blue pencil | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 110/4-5 | The sound of an orchestra, 1965 December 14 | ||||||||||||
| DF | The Sound of an Orchestra [Outline/Notes] | ||||||||||||
| Pencil on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Sound of an Orchestra | ||||||||||||
| Pencil on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Sound of an Orchestra | ||||||||||||
| Typescript on blue paper with emendations in red, blue, and black pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Sound of an Orchestra ["Cue Sheets"] | ||||||||||||
| Typescript with emendations in red and blue pencil | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 110/6 | A birthday tribute to Shostakovich, 1966 January 5 | ||||||||||||
| BOX-FOLDER 110/7 | Young performers: Pictures at an Exhibition, 1966 February 22 | ||||||||||||
| BOX-FOLDER 111/1-2 | What is a mode?, 1966 November 23 | ||||||||||||
| DF | What Is a Mode? [Outline/Notes] | ||||||||||||
| Pencil on yellow legal pad paper, first page torn in half | |||||||||||||
| Digital content available | |||||||||||||
| DF | What Is a Mode? | ||||||||||||
| Pencil on yellow legal pad paper with emendations in red pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | What Is a Mode? ["Revised"] | ||||||||||||
| Pencil on yellow legal pad paper pad paper and mimeo on blue with emendations in colored pencils; mimeo is torn | |||||||||||||
| Digital content available | |||||||||||||
| DF | What Is a Mode? | ||||||||||||
| Typescript on pink paper with emendations in red, black, and blue pencil, and red ink] | |||||||||||||
| Digital content available | |||||||||||||
| DF | What Is a Mode? ["Rehearsal Schedule"; "Music Cues"] | ||||||||||||
| Mimeograph/typescript with emendations in red pencil | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 111/3 | Young performers, 1967 January 27 | ||||||||||||
| BOX-FOLDER 111/4 | Charles Ives: American pioneer, 1967 February 23 | ||||||||||||
| BOX-FOLDER 111/5 | Alumni reunion, 1967 April 19 | ||||||||||||
| BOX-FOLDER 111/6-7 | A toast to Vienna in 3/4 time, 1967 December 25 | ||||||||||||
| DF | A Toast to Vienna in 3/4 Time [Notes] | ||||||||||||
| Pencil and ink on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | A Toast to Vienna in 3/4 Time | ||||||||||||
| Pencil on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | A Toast to Vienna in 3/4 Time | ||||||||||||
| Typescript on pink paper with emendations in pencil and red ink; revised pages are mimeos on pink | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 112/1 | Forever Beethoven!, 1968 January 28 | ||||||||||||
| BOX-FOLDER 112/2 | Young performers, 1968 March 31 | ||||||||||||
| BOX-FOLDER 112/3-4 | Quiz-concert: How musical are you?, 1968 May 26 | ||||||||||||
| DF | Quiz Concert: How Musical Are You? [Notes] | ||||||||||||
| Pencil on lined white paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | Quiz Concert: How Musical Are You? | ||||||||||||
| Pencil on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | Quiz Concert: How Musical Are You? | ||||||||||||
| Typescript on pink paper with emendations in pencil | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 112/5-6 | Fantastic Variations (Don Quixote), 1968 December 25 | ||||||||||||
| DF | Fantastic Variations (Don Quixote) | ||||||||||||
| Pencil on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | Fantastic Variations (Don Quixote) | ||||||||||||
| Typescript on pink paper with emendations in pencil; 7 revised pages on white paper | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 112/7 | Bach transmogrified, 1969 April 27 | ||||||||||||
| BOX-FOLDER 113/1 | Berlioz takes a trip, 1969 May 25 | ||||||||||||
| BOX-FOLDER 113/2 | Two ballet birds, 1969 September 14 | ||||||||||||
| BOX-FOLDER 113/3 | Fidelio: A celebration of life, 1970 March 29 | ||||||||||||
| BOX-FOLDER 113/4-5 | The anatomy of a symphony orchestra, 1970 May 24 | ||||||||||||
| DF | The Anatomy of a Symphony Orchestra [Outline/Draft] | ||||||||||||
| Pencil on yellow legal pad paper with emendations in red and blue pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Anatomy of a Symphony Orchestra | ||||||||||||
| Pencil on yellow legal pad paper with emendations in red pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Anatomy of a Symphony Orchestra | ||||||||||||
| Typescript on pink paper with emendations in red, blue, and black pencil; 24/25 and 41 are mimeo | |||||||||||||
| Digital content available | |||||||||||||
| DF | The Anatomy of a Symphony Orchestra [Music Cues] | ||||||||||||
| Typescript with emendations in red and black pencil and ink | |||||||||||||
| Digital content available | |||||||||||||
| DF | Liszt and the Devil [Outline/Notes] | ||||||||||||
| Pencil and blue pencil; 2 pages on 4 x6 in.; 5 pages on yellow legal pad paper | |||||||||||||
| Digital content available | |||||||||||||
| DF | Liszt and the Devil | ||||||||||||
| Pencil on yellow legal pad paper with emendations in red and blue pencil | |||||||||||||
| Digital content available | |||||||||||||
| DF | Liszt and the Devil | ||||||||||||
| Typescript on white paper | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 113/6 | A Copland celebration, 1970 December 27 | ||||||||||||
| BOX-FOLDER 113/7 | Thus spake Richard Strauss, 1971 April 4 | ||||||||||||
| BOX-FOLDER 114/1-2 | Liszt and the devil, 1972 February 13 | ||||||||||||
| BOX-FOLDER 114/3 | Holst: The Planets, 1972 March 26 | ||||||||||||
| BOX 161-165 | Bound Television Scripts | ||||||||||||
| BOX 161 | Lincoln Presents: Beethoven's Ninth Symphony; Jazz in serious music; The infinite variety of music | ||||||||||||
| BOX 162 | Lincoln Presents: The humors of music | ||||||||||||
| BOX 162 | Ford Presents: Leonard Bernstein and the New York Philharmonic in Moscow; Leonard Bernstein and the New York Philharmonic in Venice | ||||||||||||
| BOX 163 | Ford Presents: The creative performer; Rhythm; Leonard Bernstein and the New York Philharmonic in Berlin | ||||||||||||
| BOX 164 | Ford Presents: Christmas startime (1960 December 25); Romanticism in music; Drama into opera: Oedipus Rex | ||||||||||||
| BOX 165 | Ford Presents: A joyful noise; Leonard Bernstein and the New York Philharmonic in Japan; The drama of Carmen | ||||||||||||
| BOX 166-176 | Television Scripts Collections - Notebooks | ||||||||||||
| BOX 166 | Omnibus: What makes opera grand? | ||||||||||||
| BOX 166 | Lincoln Presents: Beethoven's Ninth Symphony; Jazz in serious music; The infinite variety of music; The humors of music | ||||||||||||
| BOX 166 | Ford Presents: Leonard Bernstein and the New York Philharmonic in Moscow; Leonard Bernstein and the New York Philharmonic in Venice; The creative performer; Rhythm; Leonard Bernstein and the New York Philharmonic in Berlin; Christmas Startime (1960 December 25); Romanticism in music; A joyful noise; Leonard Bernstein and the New York Philharmonic in Japan | ||||||||||||
| BOX 167 | Young People's Concerts: What does music mean?; What is American music?; What is orchestration?; What makes music symphonic?; What is classical music?; Humor in music; What is a concerto? | ||||||||||||
| BOX 168 | Young People's Concerts: Young performers (1961 March 19); Folk music in the concert hall; What is impressionism?; The road to Paris; Happy birthday, Igor Stravinsky; Young performers (1963 January 15); The Latin American spirit; Atribute to teachers; Young performers (1963 December 23) | ||||||||||||
| BOX 169 | Young People's Concerts: The genius of Paul Hindemith; Jazz in the concert hall; What is a mode?; Young performers (1967 January 27); Charles Ives: American pioneer; Alumni reunion; A toast to Vienna in 3/4 time; Forever Beethoven!; Young performers (1968 March 31); Quiz-concert: How musical are you? | ||||||||||||
| BOX 170 | Young People's Concerts: Fantastic Variations; Bach transmogrified; Berlioz takes a trip; Two ballet birds; Fidelio: A celebration of life; The anatomy of a symphony orchestra; A Copland celebration; Thus spake Richard Strauss; Liszt and the devil; Holst: The Planets | ||||||||||||
| BOX 171 | Young People's Concerts [as broadcast]: What is a concerto?; Who is Gustav Mahler?; Unusual instruments of present, past and future; Overtures and preludes; Aaron Copland birthday party; The road to Paris; Happy birthday, Igor Stravinsky; The sound of a hall; The Latin American spirit; The genius of Paul Hindemith; Jazz in the concert hall; What is sonata form?; Farewell to nationalism; A tribute to Sibelius; The sound of an orchestra | ||||||||||||
| BOX 172 | Young People's Concerts [as broadcast]: A birthday tribute to Shostakovich; What is a mode?; Charles Ives: American pioneer; A toast to Vienna in 3/4 time; Forever Beethoven!; Quiz-concert: How musical are you?; Fantastic Variations; Bach transmogrified; Berlioz takes a trip; Two ballet birds; Fidelio: A celebration of life; The anatomy of a symphony orchestra; A Copland celebration; Thus spake Richard Strauss; Liszt and the devil | ||||||||||||
| BOX 173 | Bernstein/Beethoven series [excerpts from various scripts and writings, for possible use in the TV series; projected broadcast schedule; format production plan], 1978 | ||||||||||||
| BOX 173 | Bernstein/Beethoven series [Leonard Bernstein's speaking parts and H. C. Robbins Landon narration; program formats; list of music to be used], 1980 | ||||||||||||
| BOX 174 | Bernstein/Beethoven series [including the Robbins Landon narration], 1981 January 7 | ||||||||||||
| BOX 174 | Bernstein/Beethoven series [for Maximilian Schell], 1981 February | ||||||||||||
| English (programs 1-5, 8, 11) and German (programs 1-4, 11) | |||||||||||||
| BOX 174 | Bernstein/Beethoven series [final form], 1981 June-August | ||||||||||||
| BOX 175 | Bernstein/Beethoven series [Leonard Bernstein's non-music commentary only (original version, revisions A, B, and C, and final version); program outlines; correspondence and notes from Humphrey Burton and Harry Kraut], 1979-1981 | ||||||||||||
| 3 notebooks; English and German | |||||||||||||
| BOX 176 | Bernstein/Beethoven series, undated | ||||||||||||
| Annotated score and parts for String Quartet, op. 131, photocopies | |||||||||||||
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