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| Container | Contents | ||||||||||||
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| Music, 1932-1995 (continued) | |||||||||||||
| Holograph Music, 1935-1990 (continued) | |||||||||||||
| B'day serenata (continued) | |||||||||||||
| Holograph sketch in pencil ; [1] leaf, torn in half | |||||||||||||
| BOX-FOLDER 1046/7 | Beginning of hymn to Nidom | ||||||||||||
| Photocopy of 7-note melody with lyrics ; [1] p. | |||||||||||||
| To hotel in Sapporo; dated : "July 1990"; possibly last piece by LB | |||||||||||||
| BOX-FOLDER 1046/8 | Ben Mauceri’s third birthday present | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| Dated: 29 Aug. 1980 | |||||||||||||
| BOX-FOLDER 1046/9 | Berceuse | ||||||||||||
| Holograph piano score sketch in pencil ; [2] p. | |||||||||||||
| Crossed out sketch on top, possibly labeled "New opening (here come the Jets)," Jack Gottlieb suggests may be a reject from West Side Story; someone else suggests it may be "Here Comes the Sun" and have been for The Skin of Our Teeth | |||||||||||||
| BOX-FOLDER 1046/10 | The birds | ||||||||||||
| Holograph full score in pencil with annotations ; 52 p. | |||||||||||||
| Includes: I. Prelude ; III. Fanfare ; IV. Hoopoe’s serenade ; V. Nightingale flourish ; III. Introduction to Act I ; VI. Invocation of the Birds ; VII. Ensemble ; VIII. Acceptance of man ; X. Serenade to Pracne ; XI. Parabasis ; XII. Introduction/Act II ; XIII Hymn-parody ; XIV. Jazz-poet ; XV. Chorus ; XVI. Warsong and Iris music ; XVII. Chorus ; XVIII Finale | |||||||||||||
| BOX-FOLDER 1046/11 | The birds | ||||||||||||
| Manuscript parts in ink with annotations in pencil and pasteovers ; [50] p. | |||||||||||||
| Parts appear to be in the hand of someone with the initials R.RB. | |||||||||||||
| BOX-FOLDER 1046/12 | Ein Blueslein zu Singen | ||||||||||||
| Photocopy of holograph piano-vocal score ; 3 p. | |||||||||||||
| Inscribed: For Dietrich Fischer Dieskau on his 60th birthday | |||||||||||||
| Dated: "12 Feb. ‘85" | |||||||||||||
| BOX-FOLDER 1046/13 | La Bonne Cuisine (1947) | ||||||||||||
| Holograph piano-vocal scores in ink on onionskin ; [13] p. | |||||||||||||
| Includes: (1) Plum–pudding; (2) Quened de bouef; (3) Tavouk Guenksis [The bottom third of p.2 has been torn off]; (4) Civet a toute vitesse | |||||||||||||
| BOX-FOLDER 1046/14 | La Bonne Cuisine (1947) | ||||||||||||
| Holograph sketches in pencil ; [15] p. sketchbook, 8 1/4" x 5 3/4" | |||||||||||||
| According to envelope includes sketch for David Diamond Anniversary | |||||||||||||
| BOX-FOLDER 1046/15 | Boston Latin School school anthem | ||||||||||||
| Holograph piano-vocal score in ink ; [2] leaves | |||||||||||||
| Title page: School anthem ; tercentenary year | |||||||||||||
| Found in Jennie Bernstein’s apartment; dated "‘35" | |||||||||||||
| BOX-FOLDER 1046/16 | Brass music | ||||||||||||
| Holograph sketches in pencil ; [41] p. | |||||||||||||
| Caption titles: Brass I (sketchbook) ; Brass II (sketchbook) ; Fanfare | |||||||||||||
| Fair copy manuscript was given to Juilliard | |||||||||||||
|
Brass quintet
see Tpt (feroce) and Trumpet ideas |
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| BOX-FOLDER 1046/17 | Bridal suite (1960) | ||||||||||||
| Holograph 2-piano score in pencil ; [24] p. | |||||||||||||
| Caption titles: Prelude (pasteovers of printed Bach prelude) ; Three variations of A F# G/1. Love song ; Var. 2. Chaplinesque ; Var. 3: Chaplinade ; Waiting for the bell ; Three wedding dances/1. The first waltz (canon) ; 2. Cha-cha-cha ; 3. Hora ; Three encores (obligatory)/Encore #1: Modern music ; Encore #2: Old music ; Encore #3: Magyar lullaby | |||||||||||||
| BOX-FOLDER 1046/18 | Bridal suite, 1960 | ||||||||||||
| Holograph sketches ; [8] p. | |||||||||||||
| Folder with notes in pencil | |||||||||||||
| On envelope: "includes vastly different obligato for Bach prelude, and included Var. II "Sekki" ("Kikes")" | |||||||||||||
| BOX-FOLDER 1046/19 | Calypso | ||||||||||||
| Holograph piano-vocal score/sketch in pencil ; 1 p. | |||||||||||||
| Dated: "’67?" | |||||||||||||
| BOX 1047-1049 | Candide (1956) | ||||||||||||
| Lyrics by Richard Wilbur, John Latouche, Dorothy Parker, Lillian Hellman, and LB | |||||||||||||
| BOX-FOLDER 1047/1 | All at sea | ||||||||||||
| Holograph sketch in pencil ; [3] p. | |||||||||||||
| The music for "All at sea" is the same as "Barcarolle" and "King’s Barcarolle" | |||||||||||||
| BOX-FOLDER 1047/1 | All at sea | ||||||||||||
| Typescript letter/lyric sheet with annotations in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1047/1 | All at sea | ||||||||||||
| Holograph note in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1047/2 |
Auto da fé (What a day) see also Lisbon sequence |
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| Holograph piano-vocal score in pencil ; 19 p. | |||||||||||||
| Title page: The inquisition | |||||||||||||
| BOX-FOLDER 1047/3 | The ballad of Eldorado | ||||||||||||
| Holograph piano-vocal score in pencil ; 6 p. | |||||||||||||
| BOX-FOLDER 1088/4 | The ballad of Eldorado | ||||||||||||
| Holograph sketch in pencil ; [4] p. | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1088/4 | The ballad of Eldorado | ||||||||||||
| Lyric sheets and lyric sketches ; [8] p. | |||||||||||||
| BOX-FOLDER 1088/5 | Barcarolle | ||||||||||||
| Holograph piano-vocal score in pencil ; 6 p. | |||||||||||||
| BOX-FOLDER 1047/4 | Battle music (fragment)/Act I, Sc. 1 | ||||||||||||
| Holograph piano score in pencil ; 3 p. | |||||||||||||
| BOX-FOLDER 1088/6 | Battle scene | ||||||||||||
| Holograph piano score in pencil ; 3 p. | |||||||||||||
| BOX-FOLDER 1047/5 | Battle scene | ||||||||||||
| Holograph piano-vocal score sketch in pencil ; 9 p. | |||||||||||||
| Includes: Insert A ; [1] p. | |||||||||||||
| Much of music based on "The best of all possible worlds" | |||||||||||||
| BOX-FOLDER 1047/6 | The best of all possible worlds | ||||||||||||
| Holograph piano-vocal score in pencil ; 19 p. | |||||||||||||
| Title page: Opening ensem10ble | |||||||||||||
| BOX-FOLDER 1088/7 | The best of all possible worlds | ||||||||||||
| Holograph piano-vocal score in pencil ; 9 p. | |||||||||||||
| BOX-FOLDER 1047/7 | The best of all possible worlds | ||||||||||||
| Holograph piano-vocal score in pencil ; 6 p. | |||||||||||||
| Title page: Reprise/(finale after curtain) | |||||||||||||
| BOX-FOLDER 1047/7 | The best of all possible worlds | ||||||||||||
| Mimeograph of typescript lyric sheet ; 2 p. | |||||||||||||
| Titled: Finale (reprise: best of all possible worlds) | |||||||||||||
| Version unused in any known production | |||||||||||||
| BOX-FOLDER 1047/8 | The best of all possible worlds | ||||||||||||
| Holograph sketches in pencil ; [5] p. | |||||||||||||
| Subtitled: New opening ; (Chorales) | |||||||||||||
| Dated: 24 June ‘56 | |||||||||||||
| p. [2] unidentified sketch, perhaps titled "Blues" [sic] | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1047/8 | The best of all possible worlds | ||||||||||||
| Typescript lyric sheets with annotations in pencil ; 2 p. | |||||||||||||
| Titled: Westphalia opening | |||||||||||||
| BOX-FOLDER 1047/9 | The best of all possible worlds | ||||||||||||
| Manuscript/typescript lyric sheets in hands of LB and Richard Wilbur ; [7] p. | |||||||||||||
| Caption titles: The worst of all possible worlds; Candide agonistas; Coda | |||||||||||||
| BOX-FOLDER 1047/10 | The best of all possible worlds | ||||||||||||
| Holograph sketch in pencil ; 2 p. | |||||||||||||
| Caption title: Lesson song | |||||||||||||
| BOX-FOLDER 1047/10 | The best of all possible worlds | ||||||||||||
| Typescript lyric sheets with annotations in ink and pencil ; 2 p. | |||||||||||||
| Caption title: Lesson scene | |||||||||||||
| BOX-FOLDER 1047/11 | Bon voyage | ||||||||||||
| Holograph piano-vocal score ; 15 p. | |||||||||||||
| BOX-FOLDER 1047/12 | Bon voyage | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| Title page: Schottische (Bon voyage chorus) ; Goodbye chorus? | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1047/12 | Bon voyage | ||||||||||||
| Typescript lyric sheet with annotations in pencil ; [1] p. | |||||||||||||
| Titled: Farewell number | |||||||||||||
| BOX-FOLDER 1047/13 | Buenes Aires | ||||||||||||
| Notes re scene breakdown and timings, inside folder ; [1] p. | |||||||||||||
| Folder had also contained "Iago’s litany," "Soldiers greeting," "Quartet" | |||||||||||||
| BOX-FOLDER 1047/14 | Candide's lament see also Six sabras |
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| Holograph piano-vocal score in pencil ; 6 p. | |||||||||||||
| BOX-FOLDER 1047/15 | Candide's lament | ||||||||||||
| Holograph piano-vocal score sketch in pencil ; 5 p. | |||||||||||||
| BOX-FOLDER 1047/16 | Candide's lament | ||||||||||||
| Typescript lyric sheet ; [1] p. | |||||||||||||
| Lyric unused | |||||||||||||
| BOX-FOLDER 1047/17 | Complaints | ||||||||||||
| Holograph sketches in pencil ; 6 p. + [3] p. | |||||||||||||
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