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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1932-1995 (continued) | |||||||||||||
| Holograph Music, 1935-1990 (continued) | |||||||||||||
| Counterpoint exercises (continued) | |||||||||||||
| One exercise dated: 3 June, 1939 | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1089/1-4, 1092/11 | Orchestration exercises and harmony notebook | ||||||||||||
| Holograph exercises in pen and pencil ; [77] leaves and folder | |||||||||||||
| Works identified by JG and/or by caption titles | |||||||||||||
| JG speculates that "Allegro molto" may have been composed by LB | |||||||||||||
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Contents:
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| BOX-FOLDER 1059/6 | Harvard orchestration exercises | ||||||||||||
| Photocopy of scores ; [21] p. | |||||||||||||
| Titles include: Barnyard; At an old trysting-place; Allegro molto (used in Facsimile) | |||||||||||||
| Digital content available | |||||||||||||
| BOX-FOLDER 1059/6 | Harvard orchestration exercises | ||||||||||||
| Letter from Vivian Perlis re enclosed copies of LB manuscripts found in Aaron Copland’s files ; [6] p. | |||||||||||||
| Titles include: Very calm | |||||||||||||
| BOX-FOLDER 1059/7 | Hashkiveinu for Cantor, Choir and Organ (1945) | ||||||||||||
| Holograph full score in pencil ; 21 p. | |||||||||||||
| BOX-FOLDER 1059/8 | Hashkiveinu | ||||||||||||
| Holograph score in pencil, incomplete ; 3 p. | |||||||||||||
| Notes on verso re concert repertory | |||||||||||||
| BOX-FOLDER 1059/8 | Hashkiveinu | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| On verso: map of America by LB | |||||||||||||
| BOX-FOLDER 1059/9 | Heinz 52 | ||||||||||||
| Holograph sketch/piano-vocal score in pencil ; [1] p. | |||||||||||||
| Dedication: for HJK 11 Apr. ‘85 | |||||||||||||
| BOX-FOLDER 1059/10 | Historeconomy (A small canon for two great voices) | ||||||||||||
| Holograph vocal score in pencil and photocopy ; [1] p. each | |||||||||||||
| Inscribed: To Arthur [Schlesinger] and Ken [Galbraith] on their birthday 15 October 1979 | |||||||||||||
| BOX-FOLDER 1059/10 | Historeconomy (A small canon for two great voices) | ||||||||||||
| Holograph sketch in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1059/11 | The history of music from 1920 to 1945 in 20" for JB | ||||||||||||
| Copyist’s piano score in pencil ; [1] p. | |||||||||||||
| Holocaust opera | |||||||||||||
| Collaborators include Stephen Wadsworth Zinser and John Wells | |||||||||||||
| BOX-FOLDER 1060/1 | Opera 85 | ||||||||||||
| Holograph notes and music sketches in pencil and ink with post-it ; [4] p. | |||||||||||||
| Dated: "Positano 4 July ‘84" and "SWZ–27 July ‘84" | |||||||||||||
| BOX-FOLDER 1060/2 | Multi-language opera | ||||||||||||
| Manuscript/typescript notes, outlines, and correspondence in hands of LB and SWZ ; [49] p. | |||||||||||||
| Laid in: Lyric opera of Chicago 31st season advertisement, 1985-1986; manilla folder; envelope | |||||||||||||
| BOX-FOLDER 1060/3 | Multi-lingual cont’d (3 Jan ‘85) | ||||||||||||
| Manuscript/typescript notes, outlines and synopsis in hands of LB and SWZ ; [18] p. | |||||||||||||
| BOX-FOLDER 1060/4 | Saul/David/Jonathan triangle opera/and: S.D.J./Dybbuk "cycle" | ||||||||||||
| Correspondence with notes and outlines from John Wells ; [13] p. | |||||||||||||
| Laid in: holograph notes in pencil ; [2] p. | |||||||||||||
| BOX-FOLDER 1060/5 | Babel outline draft #1 | ||||||||||||
| Typescript by John Wells with LB annotations ; [70] p. | |||||||||||||
| Dated: "13 Jan 90" and "29 Jan 90" | |||||||||||||
| Laid in: folder marked "L’opera/script first drafts" | |||||||||||||
| All "Babel" material below was originally included in this folder | |||||||||||||
| BOX-FOLDER 1060/6 | Babel outline draft #2 | ||||||||||||
| Typescripts by John Wells with LB annotations in pencil ; 15 p. | |||||||||||||
| Dated: "20 Jan 90" | |||||||||||||
| BOX-FOLDER 1060/7 | Babel outline draft #3 | ||||||||||||
| Holograph notes in pencil and typescript by John Wells with LB annotations ; [11] p. | |||||||||||||
| Dated: "28 Jan ‘90" | |||||||||||||
| BOX-FOLDER 1060/8 | Babel outline draft #4 | ||||||||||||
| Typescript by John Wells with LB annotations ; 21 p. | |||||||||||||
| Dated: "February 1, 1990" | |||||||||||||
| BOX-FOLDER 1060/9 | L’opera/lyrics/notes/(Jan ‘90) | ||||||||||||
| Manuscript/typescript lyric sheets and notes by John Wells and LB ; [19] p. | |||||||||||||
| Caption titles: 200%; Old lady's song; Flashback dream; Coca-cola; The chosen people syndrome | |||||||||||||
| BOX-FOLDER 1060/10 | Babel–outline draft by John Wells | ||||||||||||
| Typescript with various LB annotations ; [23] p. | |||||||||||||
| On folder: L’opera/rejected scenes/Jan ‘90 | |||||||||||||
| BOX-FOLDER 1061/1 | Holocaust opera "set" + "characters" | ||||||||||||
| 8 set pieces–photocopies of photographs mounted on cardboard | |||||||||||||
| On envelope: "by John Wells, (January 1990, Key West, FL)" | |||||||||||||
| BOX-FOLDER 1061/1 | Holocaust opera "set" + "characters" | ||||||||||||
| 10 characters/caricatures in ink and cut from heavy paper | |||||||||||||
| BOX-FOLDER 1061/2 | Research | ||||||||||||
| Photocopied articles, and libretto for "Le Sorelle Bronte", etc. ; approximately 12 items | |||||||||||||
| BOX-FOLDER 1061/3 | Research | ||||||||||||
| Brochures and other materials from Auschwitz Memorial Pavilion and the Museum of Jewish Heritage | |||||||||||||
| BOX-FOLDER 1062/1 | I beat the rap | ||||||||||||
| Holograph sketch for song in pencil ; [1] p. | |||||||||||||
| On envelope: from folder "Opera Tunes" (Fairfield)/1990! | |||||||||||||
| I can love a woman see Pass the football from Wonderful town |
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| BOX-FOLDER 1062/2 | I hate music (1943) | ||||||||||||
| Holograph piano vocal score in ink on transparencies ; 12 p. | |||||||||||||
| Includes: 1. My Name is Barbara ; 2. Jupiter Has Seven Moons ; 3. I Hate Music ; 4. A Big Indian and a Little Indian (Riddle Song) ; 5. I’m a Person Too | |||||||||||||
| Cover title: Kid songs | |||||||||||||
| BOX-FOLDER 1062/3 | I know a fellow | ||||||||||||
| Holograph piano-vocal score/sketch in pencil and photocopy; [1] p. each | |||||||||||||
| According to catalog, lyric by Betty Comden, written in the 1940s | |||||||||||||
| BOX-FOLDER 1062/4 | I know a fellow | ||||||||||||
| Holograph lyric sketch and melody in pencil ; [2] p. | |||||||||||||
| BOX-FOLDER 1062/5 | I owe Sam a nickel | ||||||||||||
| Holograph lyric and music sketch in pencil ; [1] p.; 7 1⁄2" x 10 1⁄2", torn | |||||||||||||
| Caption title: Nursery garden (hornpipe) | |||||||||||||
| On envelope: orig in Brecht material | |||||||||||||
| BOX-FOLDER 1062/6 | I wanna grow up to be yours (circa 1942) lyrics by Charlie Stern | ||||||||||||
| Holograph piano-vocal score in ink, lyric in pencil ; 9 p. | |||||||||||||
| Composer name on title page: Lenny Amber | |||||||||||||
| BOX-FOLDER 1062/7 | Ich war jung | ||||||||||||
| Holograph sketch in pencil ; [2] p. | |||||||||||||
| On envelope: From "Opera Tunes" folder (Fairfield)/ca 1989? | |||||||||||||
| BOX-FOLDER 1085/6 | Imaginary playmate | ||||||||||||
| Holograph full score for ballet in pencil, incomplete ; 2 p. | |||||||||||||
| Title page: Start of ballet...first orchestral attempt/(1939) | |||||||||||||
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In memory of HJR
see Afterthought |
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| BOX-FOLDER 1062/8 | In our time | ||||||||||||
| Reverse photocopy on transparency of piano-vocal score ; [3] p. | |||||||||||||
| BOX-FOLDER 1062/9 | It's gotta be bad to be good | ||||||||||||
| Ozalid of piano-vocal score and reverse photocopy on transparency; [3] p. each | |||||||||||||
| Lyric by Hughie Prince | |||||||||||||
| BOX-FOLDER 1062/10 | It’s not so hotsy totsy being a nazi (1942) | ||||||||||||
| Holograph piano-vocal score in ink, lyric in red pencil ; [10] p. | |||||||||||||
| Composer name taped to front reads "Bernstern" [sic] | |||||||||||||
| BOX-FOLDER 1062/11 | It's the dame | ||||||||||||
| Holograph piano-vocal score/sketch in pencil ; 2 p. | |||||||||||||
| On envelope by JG: later used in 1600 | |||||||||||||
| BOX-FOLDER 1062/11 | It's the dame | ||||||||||||
| Holograph lyric sketch in pencil on yellow legal paper ; [1] p. | |||||||||||||
| BOX-FOLDER 1062/12 | It's the Jews | ||||||||||||
| Holograph piano-vocal score/sketch in pencil ; [2] p. | |||||||||||||
| On envelope: "East Side Story?" | |||||||||||||
| Became "Bright and black" in 1600 Pennsylvania Avenue | |||||||||||||
| BOX-FOLDER 1062/13 | It's the Jews | ||||||||||||
| Photocopy of piano-vocal score/sketch ; [3] p. | |||||||||||||
| BOX-FOLDER 1062/14 | It's warm | ||||||||||||
| Holograph piano-vocal sketch in pencil ; [1] p. | |||||||||||||
| BOX-FOLDER 1062/15 | I've got no tears left | ||||||||||||
| Holograph lead sheet in pencil ; [2] p. | |||||||||||||
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