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Slide Photograph Series in the Work of Charles and Ray Eames, 1885-1988, (bulk 1940-1978) (continued) | |||||||||||||
Eames Project Code: POL (Polaroid) (continued) | |||||||||||||
Sonar One Step SX-70 Detail/Taffy pull recording session, June 1978 (continued) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | AF's Bat, June 1978 | ||||||||||||
Call No.: LC-E14-POL001.001 to 010 | |||||||||||||
Extent: 10 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | SX-70 Details, June 1978 | ||||||||||||
Call No.: LC-E14-POL001.011 to 058 | |||||||||||||
Extent: 48 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Taffy-Pull for Sonar, June 1978 | ||||||||||||
Call No.: LC-E14-POL001.059 to 086 | |||||||||||||
Extent: 28 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Flowers- Home where taffy pull was shot, June 1978 | ||||||||||||
Call No.: LC-E14-POL001.087 to 094 | |||||||||||||
Extent: 8 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Sonar One Step Polaroid Recording, 1978 | ||||||||||||
Call No.: LC-E14-POL001.095 to 106 | |||||||||||||
Extent: 12 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Don Spechp? Recording from Sonar, 1978 | ||||||||||||
Call No.: LC-E14-POL001.107 to 116 | |||||||||||||
Extent: 10 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Ancient & Codex(?), Cemeteries, Fields & flowers [NO SLIDES], 1957 | ||||||||||||
Call No.: LC-E14-POL002.- | |||||||||||||
Eames Cross Reference: DAY OF THE DEAD FILM | |||||||||||||
BOX 307 | Bizarre, Posada & Don Juan, Bread selling & making [NO SLIDE, 1957 | ||||||||||||
Call No.: LC-E14-POL002.- | |||||||||||||
Eames Cross Reference: DAY OF THE DEAD FILM | |||||||||||||
BOX 307 | Metapec pottery, Paper making, Sugar making, Market [NO SLID, 1957 | ||||||||||||
Call No.: LC-E14-POL002.- | |||||||||||||
Eames Cross Reference: DAY OF THE DEAD FILM | |||||||||||||
BOX 307 | Selects from film - b/w negs made 5/30/76 [NO SLIDES], 1957 | ||||||||||||
Call No.: LC-E14-POL002.- | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Bobby Unser's Pit stop race in Houston, April 1978 | ||||||||||||
Call No.: LC-E14-POL002.001 to 074 | |||||||||||||
Extent: 74 slides (35mm) | |||||||||||||
Eames Cross Reference: INTRODUCTION TO FEEDBACK | |||||||||||||
BOX 307 | Aerials - trip to Houston for Pit Stop shoot, April 1978 | ||||||||||||
Call No.: LC-E14-POL002.075 to 099 | |||||||||||||
Extent: 25 slides (35mm) | |||||||||||||
Eames Cross Reference: INTRODUCTION TO FEEDBACK | |||||||||||||
BOX 307 | "Polaroid Lab" set-up in new building, April 1978 | ||||||||||||
Call No.: LC-E14-POL002.100 to 136 | |||||||||||||
Extent: 37 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Dick Donges in WWI costume, May 1978 | ||||||||||||
Call No.: LC-E14-POL002.137 to 150 | |||||||||||||
Extent: 14 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Susan & Park Meeke - photographer's studio, May 1978 | ||||||||||||
Call No.: LC-E14-POL002.151 to 170 | |||||||||||||
Extent: 20 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Deborah Sussman & flowers, May 1978 | ||||||||||||
Call No.: LC-E14-POL002.171 to 183 | |||||||||||||
Extent: 13 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Marny (movie set) tape measurement, May 1978 | ||||||||||||
Call No.: LC-E14-POL002.184 to 224 | |||||||||||||
Extent: 41 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Polaroid 2806 production - Marny-Marny, May 1978 | ||||||||||||
Call No.: LC-E14-POL002.225 to 235 | |||||||||||||
Extent: 11 slides (35mm) | |||||||||||||
Eames Cross Reference: SONAR ONE-STEP FILM | |||||||||||||
BOX 307 | Production-building hemet, Don Amundson, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.001 to 002 | |||||||||||||
Extent: 2 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Production-Camera Crew I setting up, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.003 to 017 | |||||||||||||
Extent: 15 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Production-Camera Crew I during shooting, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.018 to 026 | |||||||||||||
Extent: 9 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Production-Jeannine Oppewall & Park Meeke, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.027 to 029 | |||||||||||||
Extent: 3 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Merlin I, Jon Boorstin, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.030 to 052 | |||||||||||||
Extent: 23 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I, Cannibal Mask detail, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.053 | |||||||||||||
Extent: 1 slide (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Production-building set in shop, M. Russell, D.Donges,P.Meek, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.054 to 063 | |||||||||||||
Extent: 10 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Production-Dick Donges preparing set, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.064 to 069 | |||||||||||||
Extent: 6 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I-set, back room grate wall, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.070 to 074 | |||||||||||||
Extent: 5 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I set-alligator from above, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.075 to 077 | |||||||||||||
Extent: 3 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I set-back wall and details, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.078 to 088 | |||||||||||||
Extent: 11 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I- Merlin during shooting, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.089 to 101 | |||||||||||||
Extent: 13 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I set-back room with table thru columns, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.102 to 103 | |||||||||||||
Extent: 2 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
BOX 307 | Record I set-columns & back room & column details, November 1977 | ||||||||||||
Call No.: LC-E14-POL003.104 to 110 | |||||||||||||
Extent: 7 slides (35mm) | |||||||||||||
Eames Cross Reference: MERLIN & THE TIME MOBILE | |||||||||||||
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