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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Series 2: Biographical, 1870-2018 and undated | |||||||||||||
| The Biographical series consists of materials related to Hamady’s personal life, including his childhood and family history. | |||||||||||||
| Subseries 1: Photographs and Negatives, 1870-2005 and undated | |||||||||||||
| Subseries One consists of cased photographs, cartes-de-visites, 20th century photographs, negatives, contact sheets, photocopies and slides. Subjects include Hamady’s family history dating back to his grandparents, as well as his childhood, youth and nuclear family as an adult. | |||||||||||||
| In original order. | |||||||||||||
| BOX/FOLDER 2:1/1 | Photos by Joseph Blou and Patrick Flynn, 1996 | ||||||||||||
| WSHH in classroom 6451 at University of Wisconsin, Madison | |||||||||||||
| BOX/FOLDER 2:1/1a | Photos by Zane Williams, undated | ||||||||||||
| See also: Series 7, Subseries 1, Box 5, Folder 30 | |||||||||||||
| BOX/FOLDER 2:1/1b | Poster and process photos, undated | ||||||||||||
| BOX/FOLDER 2:1/2 | Assorted pictures, 1990 | ||||||||||||
| BOX/FOLDER 2:1/3 | Photos by Dennis Church, 1989 | ||||||||||||
| WSHH portraits and contact sheets | |||||||||||||
| BOX/FOLDER 2:1/4 | Photos by Jon Bolton, 1984 | ||||||||||||
| WSHH portraits and contact sheets | |||||||||||||
| BOX/FOLDER 2:1/5 | Assorted pictures, 1981-1997 | ||||||||||||
| BOX/FOLDER 2:1/6 | Assorted pictures, 1980 | ||||||||||||
| BOX/FOLDER 2:1/7 | Assorted pictures, 1976 | ||||||||||||
| BOX/FOLDER 2:1/8 | Photo by George Phillips in Old Komplin Farm, c. 1972-1973 | ||||||||||||
| Titled by creator | |||||||||||||
| BOX/FOLDER 2:1/9 | At 661 Van Dyke, Detroit, c. 1962-1964 | ||||||||||||
| Titled by creator | |||||||||||||
| BOX/FOLDER 2:1/10 | Copies of identification cards, 1961-1999 | ||||||||||||
| BOX/FOLDER 2:1/11 | WSHH assorted photographs, c. 1960-c. 2005 | ||||||||||||
| Includes a small album | |||||||||||||
| BOX/FOLDER 2:1/12 | Charlotte and Josephine Brinker, c. 1870s | ||||||||||||
| BOX/FOLDER 2:1/13 | Hamady in paper mill & corn crib, undated | ||||||||||||
| Titled by creator | |||||||||||||
| BOX/FOLDER 2:1/14 | WSHH with cat (2), undated | ||||||||||||
| BOX/FOLDER 2:1/15 | Ruth Evans Brinker Hamady, undated | ||||||||||||
| BOX/FOLDER 2:1/16 | Mary C. Filthian, undated | ||||||||||||
| BOX/FOLDER 2:1/17 | Sarah Ewing Filthian Sheppard, undated | ||||||||||||
| BOX/FOLDER 2:1/18 | Bessie Maud Brinker, undated | ||||||||||||
| BOX/FOLDER 2:1/19 | Michael Smith Brinker, undated | ||||||||||||
| BOX/FOLDER 2:1/20 | Ruth Mulford Sheppard Evans, undated | ||||||||||||
| BOX/FOLDER 2:1/21 | Jidu Hamady, undated | ||||||||||||
| BOX/FOLDER 2:1/22 | Family photographs - historical, undated | ||||||||||||
| Includes named and unnamed ancestors, images of a young WSHH | |||||||||||||
| BOX/FOLDER 2:1/23 | Assorted family photographs - maternal side, undated | ||||||||||||
| BOX/FOLDER 2:1/24 | Old negatives, undated | ||||||||||||
| Subseries 2: Family and Personal History, 1939-2018 and undated | |||||||||||||
| Subseries Two focuses on Hamady’s family history and includes genealogical information, official paperwork such as birth certificates, notes from his childhood and examples of his early poetry. | |||||||||||||
| In original order. | |||||||||||||
| BOX/FOLDER 2:1/25 | Paternal genealogy, undated | ||||||||||||
| BOX/FOLDER 2:1/26 | Maternal genealogy, undated | ||||||||||||
| See also: Series 7, Subseries 1, Box 1, Folder 4 (History of surnames Brinker and Hart) | |||||||||||||
| BOX/FOLDER 2:1/27 | Ruth Evans Brinker, undated | ||||||||||||
| BOX/FOLDER 2:1/28 | Hamady/Brinker marriage license, July 17, 1939 | ||||||||||||
| BOX/FOLDER 2:1/29 | Legal documents, assorted, undated | ||||||||||||
| BOX/FOLDER 2:1/30 | Walter's earliest poems, undated | ||||||||||||
| BOX/FOLDER 2:1/31 | WSHH early correpondence, 1947-1958 | ||||||||||||
| BOX/FOLDER 2:1/32 | Walter's remembrance of Anna, 2018 | ||||||||||||
| BOX/FOLDER 2:1/33 | Anna Hamady's last will, 2017 | ||||||||||||
| Subseries 3: Personal Ephemera, 1897-2008 and undated | |||||||||||||
| Subseries Three consists of Hamady’s personal realia, including the boards from a family bible, a beloved copy of Grey’s Anatomy given to him by his mother, Ruth, guidebooks related to his travel in Europe, clipped items intended for future collages, and hats worn in professional portraits. | |||||||||||||
| Arranged by material type. | |||||||||||||
| BOX/FOLDER 2:1/34 | Family Bible, undated | ||||||||||||
| Boards from old family Bible | |||||||||||||
| BOX/FOLDER 2:1/35 | Sheets from family Bible, undated | ||||||||||||
| Pages noting dates of births, marriages, etc. | |||||||||||||
| BOX/FOLDER 2:1/36 | Hayes, Bill - The Anatomist, 2008 | ||||||||||||
| BOX/FOLDER 2:1/37 | Baedeker's Switzerland, Baedeker's Southern Germany, 1897-1902 | ||||||||||||
| BOX/FOLDER 2:1/38 | Goss, Charles Mayo - A Brief History of Henry Gray and his Anatomy, 1959 | ||||||||||||
| BOX/FOLDER 2:1/39 | Ephemera related to WSHH, undated | ||||||||||||
| BOX/FOLDER 2:1/40 | Gray's Anatomy cuttings, undated | ||||||||||||
| Creator's note: Organized by area | |||||||||||||
| BOX/FOLDER 2:1/41 | Cutting dies and templates, undated | ||||||||||||
| BOX/FOLDER 2:1/42 | Metal sign, undated | ||||||||||||
| BOX 2:2 | Gray's Anatomy, undated | ||||||||||||
| With note of explanation and images of Ruth, WSHH's mother | |||||||||||||
| BOX 2:2 | S.S. United States box, undated | ||||||||||||
| See also: Series 3, Subseries 8, Box 53, Folder 7 With explanatory letter | |||||||||||||
| BOX 2:2 | Hats (3), undated | ||||||||||||
| Used in portraits by Zane Williams | |||||||||||||
| Series 3: Professional Files, 1950-2018 | |||||||||||||
| The Professional Files series concerns Hamady’s work as an artist, publisher and book arts professor. It is arranged into eight subseries organized by undertaking and material type. | |||||||||||||
| Subseries 1: Perishable Press Project Files, 1959-2017 and undated | |||||||||||||
| Originally accessioned as Series 2, this subseries consists of project
files related to the Perishable Press, Limited. The series includes
documentation of book projects, from inception to completion, as well as
reference materials and correspondence with collaborators. Material types include correspondence, exhibition catalogs, mock-ups, contact sheets, negatives, photographs, supply catalogs, price lists, inventories, display materials, Perishable Press ephemera, broadsides, letterheads, greeting cards, C.V.s and financial information. |
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| In original order. | |||||||||||||
| BOX/FOLDER 3:1/1 | The Quartz Crystal History of Perry Township, 1979 | ||||||||||||
| Removed from frame, item #64 | |||||||||||||
| BOX/FOLDER 3:1/1a | Clarence Major, Parking Lots, 1988-1991 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folder 7 | |||||||||||||
| BOX/FOLDER 3:1/2 | Clarence Major, Parking Lots, 1991-1992 | ||||||||||||
| BOX/FOLDER 3:1/3 | Clarence Major, Parking Lots, 1992 | ||||||||||||
| BOX/FOLDER 3:1/4 | Clarence Major, Parking Lots proofs, undated | ||||||||||||
| BOX/FOLDER 3:1/5 | Clarence Major, Parking Lots binding, 1992 | ||||||||||||
| BOX/FOLDER 3:1/6 | Parking Lots distribution and post publication, 1992-1993 | ||||||||||||
| BOX/FOLDER 3:1/7 | Parking Lots Arcus Ticket Company calendar, 1993 | ||||||||||||
| BOX/FOLDER 3:1/8 | Clarence Major, Parking Lots 35mm slides of process photos, undated | ||||||||||||
| BOX/FOLDER 3:1/9 | Jonathan Williams MS, 1987-1990 | ||||||||||||
| BOX/FOLDER 3:1/10 | Jonathan Williams, No-No Nse-Nse, 1991-1992 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folders 8 & 9 | |||||||||||||
| BOX/FOLDER 3:1/11 | Jonathan Williams Drescher illustrations to go to Royal Engraving, April 12, 1993 | ||||||||||||
| BOX/FOLDER 3:1/12 | Jonathan Williams, No-No Nse-Nse, 1993 | ||||||||||||
| See also: Series 7, Subseries 1, Box 5, Folder 2 (Limericks, Metaphors) | |||||||||||||
| BOX/FOLDER 3:1/13 | Jonathan Williams, No-No Nse-Nse post-partum, 1993-2001 | ||||||||||||
| BOX/FOLDER 3:1/14 | Jonathan Williams, mock-up and proofs No-No Nse-Nse, undated | ||||||||||||
| BOX/FOLDER 3:1/15 | Jonathan Williams, 1994 | ||||||||||||
| BOX/FOLDER 3:1/16 | Guy Davenport correspondence, 1993-1997 | ||||||||||||
| Regarding Williams' No-No Nse-Nse | |||||||||||||
| BOX/FOLDER 3:1/16a | Joel Oppenheimer Del Quien Lo Tomo: A Suite, 1982 | ||||||||||||
| Removed from frame, item #68 | |||||||||||||
| BOX/FOLDER 3:1/17 | Joel Oppenheimer, 1985-1990 | ||||||||||||
| Creator's note: Post 'Notes Towards the Definition of David' See also: Series 7, Subseries1, Box 1, Folder 5 (Joel Oppenheimer Granite) | |||||||||||||
| BOX/FOLDER 3:1/18 | Joel Oppenheimer New Hampshire Journal dummy and mock-ups, undated | ||||||||||||
| BOX/FOLDER 3:1/19 | Joel Oppenheimer New Hampshire Journal proof and correspondence, 1991-1993 | ||||||||||||
| BOX/FOLDER 3:1/20 | New Hampshire Journal misc. correspondence, 1993-1994 | ||||||||||||
| BOX/FOLDER 3:1/21 | New Hampshire Journal binding samples, 1994 | ||||||||||||
| BOX/FOLDER 3:2/1 | Joel Oppenheimer New Hampshire Journal mock-up, 1994 | ||||||||||||
| BOX/FOLDER 3:2/2 | New Hampshire Journal misc. correspondence, 1993 | ||||||||||||
| BOX/FOLDER 3:2/3 | New Hampshire Journal misc. correspondence, 1994-1998 | ||||||||||||
| Page spreads enclosed | |||||||||||||
| BOX/FOLDER 3:2/4 | Joel Oppenheimer New Hampshire Journal binding samples, 1994 | ||||||||||||
| BOX/FOLDER 3:2/5 | Joel Oppenheimer New Hampshire Journal, 1994 | ||||||||||||
| BOX/FOLDER 3:2/6 | Bobby Byrd correspondence, 1985-1994 | ||||||||||||
| BOX/FOLDER 3:2/7 | Mclimans/Byrd Art in America, 1992-1998 | ||||||||||||
| BOX/FOLDER 3:2/8 | Mclimans/Byrd Art in America, 1997 | ||||||||||||
| BOX/FOLDER 3:2/9 | Mclimans/Byrd Art in America, December 1997-February 1998 | ||||||||||||
| See also: Series 7, Subseries 1, Box 1, Folder 6 (two sheets from Royal Graphix); Series 7, Subseries 1, Box 5, Folder 3 | |||||||||||||
| BOX/FOLDER 3:2/10 | Art in America mock-up dummy, 1998 | ||||||||||||
| BOX/FOLDER 3:2/11 | Bobby Byrd Art in America three proof copies, undated | ||||||||||||
| BOX/FOLDER 3:2/12 | Bobby Byrd Art in America, March 1998-June 1998 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folder 12 | |||||||||||||
| BOX/FOLDER 3:2/13 | Bobby Byrd Art in America post-partum, June 1998-August 1998 | ||||||||||||
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