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Series 3: Professional Files, 1950-2018 | |||||||||||||
The Professional Files series concerns Hamady’s work as an artist, publisher and book arts professor. It is arranged into eight subseries organized by undertaking and material type. | |||||||||||||
Subseries 1: Perishable Press Project Files, 1959-2017 and undated | |||||||||||||
Originally accessioned as Series 2, this subseries consists of project
files related to the Perishable Press, Limited. The series includes
documentation of book projects, from inception to completion, as well as
reference materials and correspondence with collaborators. Material types include correspondence, exhibition catalogs, mock-ups, contact sheets, negatives, photographs, supply catalogs, price lists, inventories, display materials, Perishable Press ephemera, broadsides, letterheads, greeting cards, C.V.s and financial information. |
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In original order. | |||||||||||||
BOX/FOLDER 3:1/1 | The Quartz Crystal History of Perry Township, 1979 | ||||||||||||
Removed from frame, item #64 | |||||||||||||
BOX/FOLDER 3:1/1a | Clarence Major, Parking Lots, 1988-1991 | ||||||||||||
See also: Series 3, Subseries 8, Box 51, Folder 7 | |||||||||||||
BOX/FOLDER 3:1/2 | Clarence Major, Parking Lots, 1991-1992 | ||||||||||||
BOX/FOLDER 3:1/3 | Clarence Major, Parking Lots, 1992 | ||||||||||||
BOX/FOLDER 3:1/4 | Clarence Major, Parking Lots proofs, undated | ||||||||||||
BOX/FOLDER 3:1/5 | Clarence Major, Parking Lots binding, 1992 | ||||||||||||
BOX/FOLDER 3:1/6 | Parking Lots distribution and post publication, 1992-1993 | ||||||||||||
BOX/FOLDER 3:1/7 | Parking Lots Arcus Ticket Company calendar, 1993 | ||||||||||||
BOX/FOLDER 3:1/8 | Clarence Major, Parking Lots 35mm slides of process photos, undated | ||||||||||||
BOX/FOLDER 3:1/9 | Jonathan Williams MS, 1987-1990 | ||||||||||||
BOX/FOLDER 3:1/10 | Jonathan Williams, No-No Nse-Nse, 1991-1992 | ||||||||||||
See also: Series 3, Subseries 8, Box 51, Folders 8 & 9 | |||||||||||||
BOX/FOLDER 3:1/11 | Jonathan Williams Drescher illustrations to go to Royal Engraving, April 12, 1993 | ||||||||||||
BOX/FOLDER 3:1/12 | Jonathan Williams, No-No Nse-Nse, 1993 | ||||||||||||
See also: Series 7, Subseries 1, Box 5, Folder 2 (Limericks, Metaphors) | |||||||||||||
BOX/FOLDER 3:1/13 | Jonathan Williams, No-No Nse-Nse post-partum, 1993-2001 | ||||||||||||
BOX/FOLDER 3:1/14 | Jonathan Williams, mock-up and proofs No-No Nse-Nse, undated | ||||||||||||
BOX/FOLDER 3:1/15 | Jonathan Williams, 1994 | ||||||||||||
BOX/FOLDER 3:1/16 | Guy Davenport correspondence, 1993-1997 | ||||||||||||
Regarding Williams' No-No Nse-Nse | |||||||||||||
BOX/FOLDER 3:1/16a | Joel Oppenheimer Del Quien Lo Tomo: A Suite, 1982 | ||||||||||||
Removed from frame, item #68 | |||||||||||||
BOX/FOLDER 3:1/17 | Joel Oppenheimer, 1985-1990 | ||||||||||||
Creator's note: Post 'Notes Towards the Definition of David' See also: Series 7, Subseries1, Box 1, Folder 5 (Joel Oppenheimer Granite) | |||||||||||||
BOX/FOLDER 3:1/18 | Joel Oppenheimer New Hampshire Journal dummy and mock-ups, undated | ||||||||||||
BOX/FOLDER 3:1/19 | Joel Oppenheimer New Hampshire Journal proof and correspondence, 1991-1993 | ||||||||||||
BOX/FOLDER 3:1/20 | New Hampshire Journal misc. correspondence, 1993-1994 | ||||||||||||
BOX/FOLDER 3:1/21 | New Hampshire Journal binding samples, 1994 | ||||||||||||
BOX/FOLDER 3:2/1 | Joel Oppenheimer New Hampshire Journal mock-up, 1994 | ||||||||||||
BOX/FOLDER 3:2/2 | New Hampshire Journal misc. correspondence, 1993 | ||||||||||||
BOX/FOLDER 3:2/3 | New Hampshire Journal misc. correspondence, 1994-1998 | ||||||||||||
Page spreads enclosed | |||||||||||||
BOX/FOLDER 3:2/4 | Joel Oppenheimer New Hampshire Journal binding samples, 1994 | ||||||||||||
BOX/FOLDER 3:2/5 | Joel Oppenheimer New Hampshire Journal, 1994 | ||||||||||||
BOX/FOLDER 3:2/6 | Bobby Byrd correspondence, 1985-1994 | ||||||||||||
BOX/FOLDER 3:2/7 | Mclimans/Byrd Art in America, 1992-1998 | ||||||||||||
BOX/FOLDER 3:2/8 | Mclimans/Byrd Art in America, 1997 | ||||||||||||
BOX/FOLDER 3:2/9 | Mclimans/Byrd Art in America, December 1997-February 1998 | ||||||||||||
See also: Series 7, Subseries 1, Box 1, Folder 6 (two sheets from Royal Graphix); Series 7, Subseries 1, Box 5, Folder 3 | |||||||||||||
BOX/FOLDER 3:2/10 | Art in America mock-up dummy, 1998 | ||||||||||||
BOX/FOLDER 3:2/11 | Bobby Byrd Art in America three proof copies, undated | ||||||||||||
BOX/FOLDER 3:2/12 | Bobby Byrd Art in America, March 1998-June 1998 | ||||||||||||
See also: Series 3, Subseries 8, Box 51, Folder 12 | |||||||||||||
BOX/FOLDER 3:2/13 | Bobby Byrd Art in America post-partum, June 1998-August 1998 | ||||||||||||
BOX/FOLDER 3:2/14 | Bobby Byrd Art in America post-partum, July 1998-December 1998 | ||||||||||||
BOX/FOLDER 3:2/15 | Byrd correspondence, 1998 | ||||||||||||
BOX/FOLDER 3:2/16 | Printed poems by Bobby Byrd, undated | ||||||||||||
See also: Series 7, Subseries 1, Box 5, Folder 4 (Bird's eye view of Japan) | |||||||||||||
BOX/FOLDER 3:2/17 | Richard Wiley Whitman Sampler, December 1997-June 1999 | ||||||||||||
BOX/FOLDER 3:3/1 | Richard Wiley Whitman Sampler, July 1999-October 1999 | ||||||||||||
See also: Series 3, Subseries 8, Box 51, Folders 13, 14 and 15 | |||||||||||||
BOX/FOLDER 3:3/2 | Richard Wiley Whitman Sampler, November 1999-December 1999 | ||||||||||||
See also: Series 7, Subseries 1, Box 7, Folder 1 (antique maps of Japan) | |||||||||||||
BOX/FOLDER 3:3/3 | Richard Wiley Whitman Sampler dummy copies, 1999 | ||||||||||||
BOX/FOLDER 3:3/4 | Richard Wiley Whitman Sampler, January 2000-May 2001 | ||||||||||||
BOX/FOLDER 3:3/5 | Richard Wiley Whitman Sampler, undated | ||||||||||||
BOX/FOLDER 3:3/6 | Kenneth Bernard, 1980-1987 | ||||||||||||
BOX/FOLDER 3:3/7 | Kenneth Bernard collage photocopies, 1986-1987 | ||||||||||||
BOX/FOLDER 3:3/8 | Kenneth Bernard, 1989-1992 | ||||||||||||
BOX/FOLDER 3:3/9 | Kenneth Bernard, 1993-1995 | ||||||||||||
BOX/FOLDER 3:3/10 | Kenneth Bernard, 1996-1999 | ||||||||||||
BOX/FOLDER 3:3/11 | Kenneth Bernard, Nullity, 2000 | ||||||||||||
BOX/FOLDER 3:3/12 | Kenneth Bernard, Nullity, May 1, 2000 | ||||||||||||
BOX/FOLDER 3:3/13 | Kenneth Bernard, Nullity, June 1, 2000-July 31, 2000 | ||||||||||||
BOX/FOLDER 3:3/14 | Kenneth Bernard, Nullity, August 2000-October 2000 | ||||||||||||
BOX/FOLDER 3:3/15 | Kenneth Bernard, Nullity, September 2000-March 2001 | ||||||||||||
BOX/FOLDER 3:3/16 | Kenneth Bernard, 2001 | ||||||||||||
BOX/FOLDER 3:4/1 | Kenneth Bernard, 2004-2005 | ||||||||||||
See also: Series 3, Subseries 8, Box 52, Folder 1 | |||||||||||||
BOX/FOLDER 3:4/2 | Kenneth Bernard Nullity mock-up and correspondence, 2006-2018 | ||||||||||||
BOX/FOLDER 3:4/3 | Kenneth Bernard Nullity marble papers, undated | ||||||||||||
BOX/FOLDER 3:4/4 | Kenneth Bernard Nullity dummy copies, undated | ||||||||||||
BOX/FOLDER 3:4/5 | Kenneth Bernard Nullity dummy copies, undated | ||||||||||||
BOX/FOLDER 3:4/6 | Toby Olson The Pool 35 mm slides, June 1991-August 1991 | ||||||||||||
Creator's note: Mostly covers | |||||||||||||
BOX/FOLDER 3:4/7 | Toby Olson correspondence post - The Pool, 1991-1993 | ||||||||||||
BOX/FOLDER 3:4/8 | Toby Olson correspondence, 1994-1995 | ||||||||||||
BOX/FOLDER 3:4/9 | Toby Olson correspondence, 1996-1998 | ||||||||||||
BOX/FOLDER 3:4/10 | Toby Olson correspondence, 1999 | ||||||||||||
BOX/FOLDER 3:4/11 | Toby Olson, Ten or Depression Dog, 2000 | ||||||||||||
BOX/FOLDER 3:4/12 | Flynn illustration examples, undated | ||||||||||||
BOX/FOLDER 3:4/13 | Toby Olson, Depression Dog, 2001 | ||||||||||||
BOX/FOLDER 3:4/14 | Toby Olson, Depression Dog, 2002 | ||||||||||||
BOX/FOLDER 3:4/15 | Toby Olson, manuscript copy of The Bitter Half, undated | ||||||||||||
BOX/FOLDER 3:4/16 | Toby Olson, manuscript copy of The Bitter Half, undated | ||||||||||||
BOX/FOLDER 3:4/17 | Toby Olson, Depression Dog, 2003 | ||||||||||||
See also: Series 7, Subseries 1, Box 1, Folder 7 (Royal Graphix); Series 7, Subseries 1, Box 5, Folder 5 (Royal Graphix) | |||||||||||||
BOX/FOLDER 3:4/18 | Toby Olson, Depression Dog, March 2002-March 2003 | ||||||||||||
See also: Series 3, Subseries 8, Box 52, Folder 6 | |||||||||||||
BOX/FOLDER 3:4/19 | Toby Olson, Depression Dog, 2003-2015 | ||||||||||||
See also: Series 3, Subseries 8, Box 52, Folder 6 | |||||||||||||
BOX/FOLDER 3:4/20 | Toby Olson, Depression Dog mock-ups, 2003 | ||||||||||||
BOX/FOLDER 3:5/1 | Toby Olson, Depression Dog, April 2003 | ||||||||||||
See also: Series 7, Subseries 1, Box 1, Folder 8 (test prints) | |||||||||||||
BOX/FOLDER 3:5/2 | Toby Olson, Depression Dog, May 2003-August 2003 | ||||||||||||
BOX/FOLDER 3:5/3 | Toby Olson, Depression Dog, September 2003-June 2004 | ||||||||||||
See also: Series 6, Box 1, Folder 2 | |||||||||||||
BOX/FOLDER 3:5/4 | Toby Olson correspondence, 2004-2005 | ||||||||||||
BOX/FOLDER 3:5/5 | Toby Olson correspondence and ephemera, 2006-2009 | ||||||||||||
BOX/FOLDER 3:5/6 | Toby Olson correspondence and ephemera, 2006-2009 | ||||||||||||
BOX/FOLDER 3:5/7 | Toby Olson correspondence, 2010 | ||||||||||||
Creator's note: Additional 19 FR WSHH, 19 FR TMGO (Toby Merle Gusavik Olson) counted 11 June 2015 with Sam and Ellen counting misc. correspondence | |||||||||||||
BOX/FOLDER 3:5/8 | Paul Auster correspondence, 2003-2004 | ||||||||||||
BOX/FOLDER 3:5/9 | Paul Auster, Reflections on a Cardboard Box, 2004 | ||||||||||||
BOX/FOLDER 3:5/10 | Cardboard Box, December 2004 | ||||||||||||
See also: Series 7, Subseries 1, Box 1, Folder 9 (test prints); Series 7, Subseries 1, Box 5, Folder 6 (Royal Graphix sheet) | |||||||||||||
BOX/FOLDER 3:5/11 | Paul Auster, Cardboard Box, January 2005-February 2005 | ||||||||||||
See also: Series 3, Subseries 8, Box 52, Folder 7 | |||||||||||||
BOX/FOLDER 3:5/12 | Paul Auster, Cardboard Box, February 2005-August 2005 | ||||||||||||
BOX/FOLDER 3:5/13 | Paul Auster post Cardboard Box, 2004-2016 | ||||||||||||
See also: Series 3, Subseries 8, Box 52, Folder 7 | |||||||||||||
BOX/FOLDER 3:5/14 | Paul Auster Cardboard Box dummy copies, undated | ||||||||||||
BOX/FOLDER 3:5/14a | Neopostmodernism or Dieser Rasen ist Klein Hundeklo or Gabberjab no. 6, undated | ||||||||||||
Removed from frame, item #69 | |||||||||||||
BOX/FOLDER 3:5/15 | Gabberjab No. 7 receipts and correspondence, 1990-1991 | ||||||||||||
BOX/FOLDER 3:5/16 | Gabberjab No. 7, 1992 | ||||||||||||
BOX/FOLDER 3:5/17 | Gabberjabs, visible language Mary Lydon, undated | ||||||||||||
BOX/FOLDER 3:5/18 | Misc. Gabberjab 7 materials, 1995-1996 | ||||||||||||
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