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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Series 2: Biographical, 1870-2018 and undated (continued) | |||||||||||||
| Subseries 2: Family and Personal History, 1939-2018 and undated | |||||||||||||
| Subseries Two focuses on Hamady’s family history and includes genealogical information, official paperwork such as birth certificates, notes from his childhood and examples of his early poetry. | |||||||||||||
| In original order. | |||||||||||||
| BOX/FOLDER 2:1/25 | Paternal genealogy, undated | ||||||||||||
| BOX/FOLDER 2:1/26 | Maternal genealogy, undated | ||||||||||||
| See also: Series 7, Subseries 1, Box 1, Folder 4 (History of surnames Brinker and Hart) | |||||||||||||
| BOX/FOLDER 2:1/27 | Ruth Evans Brinker, undated | ||||||||||||
| BOX/FOLDER 2:1/28 | Hamady/Brinker marriage license, July 17, 1939 | ||||||||||||
| BOX/FOLDER 2:1/29 | Legal documents, assorted, undated | ||||||||||||
| BOX/FOLDER 2:1/30 | Walter's earliest poems, undated | ||||||||||||
| BOX/FOLDER 2:1/31 | WSHH early correpondence, 1947-1958 | ||||||||||||
| BOX/FOLDER 2:1/32 | Walter's remembrance of Anna, 2018 | ||||||||||||
| BOX/FOLDER 2:1/33 | Anna Hamady's last will, 2017 | ||||||||||||
| Subseries 3: Personal Ephemera, 1897-2008 and undated | |||||||||||||
| Subseries Three consists of Hamady’s personal realia, including the boards from a family bible, a beloved copy of Grey’s Anatomy given to him by his mother, Ruth, guidebooks related to his travel in Europe, clipped items intended for future collages, and hats worn in professional portraits. | |||||||||||||
| Arranged by material type. | |||||||||||||
| BOX/FOLDER 2:1/34 | Family Bible, undated | ||||||||||||
| Boards from old family Bible | |||||||||||||
| BOX/FOLDER 2:1/35 | Sheets from family Bible, undated | ||||||||||||
| Pages noting dates of births, marriages, etc. | |||||||||||||
| BOX/FOLDER 2:1/36 | Hayes, Bill - The Anatomist, 2008 | ||||||||||||
| BOX/FOLDER 2:1/37 | Baedeker's Switzerland, Baedeker's Southern Germany, 1897-1902 | ||||||||||||
| BOX/FOLDER 2:1/38 | Goss, Charles Mayo - A Brief History of Henry Gray and his Anatomy, 1959 | ||||||||||||
| BOX/FOLDER 2:1/39 | Ephemera related to WSHH, undated | ||||||||||||
| BOX/FOLDER 2:1/40 | Gray's Anatomy cuttings, undated | ||||||||||||
| Creator's note: Organized by area | |||||||||||||
| BOX/FOLDER 2:1/41 | Cutting dies and templates, undated | ||||||||||||
| BOX/FOLDER 2:1/42 | Metal sign, undated | ||||||||||||
| BOX 2:2 | Gray's Anatomy, undated | ||||||||||||
| With note of explanation and images of Ruth, WSHH's mother | |||||||||||||
| BOX 2:2 | S.S. United States box, undated | ||||||||||||
| See also: Series 3, Subseries 8, Box 53, Folder 7 With explanatory letter | |||||||||||||
| BOX 2:2 | Hats (3), undated | ||||||||||||
| Used in portraits by Zane Williams | |||||||||||||
| Series 3: Professional Files, 1950-2018 | |||||||||||||
| The Professional Files series concerns Hamady’s work as an artist, publisher and book arts professor. It is arranged into eight subseries organized by undertaking and material type. | |||||||||||||
| Subseries 1: Perishable Press Project Files, 1959-2017 and undated | |||||||||||||
| Originally accessioned as Series 2, this subseries consists of project
files related to the Perishable Press, Limited. The series includes
documentation of book projects, from inception to completion, as well as
reference materials and correspondence with collaborators. Material types include correspondence, exhibition catalogs, mock-ups, contact sheets, negatives, photographs, supply catalogs, price lists, inventories, display materials, Perishable Press ephemera, broadsides, letterheads, greeting cards, C.V.s and financial information. |
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| In original order. | |||||||||||||
| BOX/FOLDER 3:1/1 | The Quartz Crystal History of Perry Township, 1979 | ||||||||||||
| Removed from frame, item #64 | |||||||||||||
| BOX/FOLDER 3:1/1a | Clarence Major, Parking Lots, 1988-1991 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folder 7 | |||||||||||||
| BOX/FOLDER 3:1/2 | Clarence Major, Parking Lots, 1991-1992 | ||||||||||||
| BOX/FOLDER 3:1/3 | Clarence Major, Parking Lots, 1992 | ||||||||||||
| BOX/FOLDER 3:1/4 | Clarence Major, Parking Lots proofs, undated | ||||||||||||
| BOX/FOLDER 3:1/5 | Clarence Major, Parking Lots binding, 1992 | ||||||||||||
| BOX/FOLDER 3:1/6 | Parking Lots distribution and post publication, 1992-1993 | ||||||||||||
| BOX/FOLDER 3:1/7 | Parking Lots Arcus Ticket Company calendar, 1993 | ||||||||||||
| BOX/FOLDER 3:1/8 | Clarence Major, Parking Lots 35mm slides of process photos, undated | ||||||||||||
| BOX/FOLDER 3:1/9 | Jonathan Williams MS, 1987-1990 | ||||||||||||
| BOX/FOLDER 3:1/10 | Jonathan Williams, No-No Nse-Nse, 1991-1992 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folders 8 & 9 | |||||||||||||
| BOX/FOLDER 3:1/11 | Jonathan Williams Drescher illustrations to go to Royal Engraving, April 12, 1993 | ||||||||||||
| BOX/FOLDER 3:1/12 | Jonathan Williams, No-No Nse-Nse, 1993 | ||||||||||||
| See also: Series 7, Subseries 1, Box 5, Folder 2 (Limericks, Metaphors) | |||||||||||||
| BOX/FOLDER 3:1/13 | Jonathan Williams, No-No Nse-Nse post-partum, 1993-2001 | ||||||||||||
| BOX/FOLDER 3:1/14 | Jonathan Williams, mock-up and proofs No-No Nse-Nse, undated | ||||||||||||
| BOX/FOLDER 3:1/15 | Jonathan Williams, 1994 | ||||||||||||
| BOX/FOLDER 3:1/16 | Guy Davenport correspondence, 1993-1997 | ||||||||||||
| Regarding Williams' No-No Nse-Nse | |||||||||||||
| BOX/FOLDER 3:1/16a | Joel Oppenheimer Del Quien Lo Tomo: A Suite, 1982 | ||||||||||||
| Removed from frame, item #68 | |||||||||||||
| BOX/FOLDER 3:1/17 | Joel Oppenheimer, 1985-1990 | ||||||||||||
| Creator's note: Post 'Notes Towards the Definition of David' See also: Series 7, Subseries1, Box 1, Folder 5 (Joel Oppenheimer Granite) | |||||||||||||
| BOX/FOLDER 3:1/18 | Joel Oppenheimer New Hampshire Journal dummy and mock-ups, undated | ||||||||||||
| BOX/FOLDER 3:1/19 | Joel Oppenheimer New Hampshire Journal proof and correspondence, 1991-1993 | ||||||||||||
| BOX/FOLDER 3:1/20 | New Hampshire Journal misc. correspondence, 1993-1994 | ||||||||||||
| BOX/FOLDER 3:1/21 | New Hampshire Journal binding samples, 1994 | ||||||||||||
| BOX/FOLDER 3:2/1 | Joel Oppenheimer New Hampshire Journal mock-up, 1994 | ||||||||||||
| BOX/FOLDER 3:2/2 | New Hampshire Journal misc. correspondence, 1993 | ||||||||||||
| BOX/FOLDER 3:2/3 | New Hampshire Journal misc. correspondence, 1994-1998 | ||||||||||||
| Page spreads enclosed | |||||||||||||
| BOX/FOLDER 3:2/4 | Joel Oppenheimer New Hampshire Journal binding samples, 1994 | ||||||||||||
| BOX/FOLDER 3:2/5 | Joel Oppenheimer New Hampshire Journal, 1994 | ||||||||||||
| BOX/FOLDER 3:2/6 | Bobby Byrd correspondence, 1985-1994 | ||||||||||||
| BOX/FOLDER 3:2/7 | Mclimans/Byrd Art in America, 1992-1998 | ||||||||||||
| BOX/FOLDER 3:2/8 | Mclimans/Byrd Art in America, 1997 | ||||||||||||
| BOX/FOLDER 3:2/9 | Mclimans/Byrd Art in America, December 1997-February 1998 | ||||||||||||
| See also: Series 7, Subseries 1, Box 1, Folder 6 (two sheets from Royal Graphix); Series 7, Subseries 1, Box 5, Folder 3 | |||||||||||||
| BOX/FOLDER 3:2/10 | Art in America mock-up dummy, 1998 | ||||||||||||
| BOX/FOLDER 3:2/11 | Bobby Byrd Art in America three proof copies, undated | ||||||||||||
| BOX/FOLDER 3:2/12 | Bobby Byrd Art in America, March 1998-June 1998 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folder 12 | |||||||||||||
| BOX/FOLDER 3:2/13 | Bobby Byrd Art in America post-partum, June 1998-August 1998 | ||||||||||||
| BOX/FOLDER 3:2/14 | Bobby Byrd Art in America post-partum, July 1998-December 1998 | ||||||||||||
| BOX/FOLDER 3:2/15 | Byrd correspondence, 1998 | ||||||||||||
| BOX/FOLDER 3:2/16 | Printed poems by Bobby Byrd, undated | ||||||||||||
| See also: Series 7, Subseries 1, Box 5, Folder 4 (Bird's eye view of Japan) | |||||||||||||
| BOX/FOLDER 3:2/17 | Richard Wiley Whitman Sampler, December 1997-June 1999 | ||||||||||||
| BOX/FOLDER 3:3/1 | Richard Wiley Whitman Sampler, July 1999-October 1999 | ||||||||||||
| See also: Series 3, Subseries 8, Box 51, Folders 13, 14 and 15 | |||||||||||||
| BOX/FOLDER 3:3/2 | Richard Wiley Whitman Sampler, November 1999-December 1999 | ||||||||||||
| See also: Series 7, Subseries 1, Box 7, Folder 1 (antique maps of Japan) | |||||||||||||
| BOX/FOLDER 3:3/3 | Richard Wiley Whitman Sampler dummy copies, 1999 | ||||||||||||
| BOX/FOLDER 3:3/4 | Richard Wiley Whitman Sampler, January 2000-May 2001 | ||||||||||||
| BOX/FOLDER 3:3/5 | Richard Wiley Whitman Sampler, undated | ||||||||||||
| BOX/FOLDER 3:3/6 | Kenneth Bernard, 1980-1987 | ||||||||||||
| BOX/FOLDER 3:3/7 | Kenneth Bernard collage photocopies, 1986-1987 | ||||||||||||
| BOX/FOLDER 3:3/8 | Kenneth Bernard, 1989-1992 | ||||||||||||
| BOX/FOLDER 3:3/9 | Kenneth Bernard, 1993-1995 | ||||||||||||
| BOX/FOLDER 3:3/10 | Kenneth Bernard, 1996-1999 | ||||||||||||
| BOX/FOLDER 3:3/11 | Kenneth Bernard, Nullity, 2000 | ||||||||||||
| BOX/FOLDER 3:3/12 | Kenneth Bernard, Nullity, May 1, 2000 | ||||||||||||
| BOX/FOLDER 3:3/13 | Kenneth Bernard, Nullity, June 1, 2000-July 31, 2000 | ||||||||||||
| BOX/FOLDER 3:3/14 | Kenneth Bernard, Nullity, August 2000-October 2000 | ||||||||||||
| BOX/FOLDER 3:3/15 | Kenneth Bernard, Nullity, September 2000-March 2001 | ||||||||||||
| BOX/FOLDER 3:3/16 | Kenneth Bernard, 2001 | ||||||||||||
| BOX/FOLDER 3:4/1 | Kenneth Bernard, 2004-2005 | ||||||||||||
| See also: Series 3, Subseries 8, Box 52, Folder 1 | |||||||||||||
| BOX/FOLDER 3:4/2 | Kenneth Bernard Nullity mock-up and correspondence, 2006-2018 | ||||||||||||
| BOX/FOLDER 3:4/3 | Kenneth Bernard Nullity marble papers, undated | ||||||||||||
| BOX/FOLDER 3:4/4 | Kenneth Bernard Nullity dummy copies, undated | ||||||||||||
| BOX/FOLDER 3:4/5 | Kenneth Bernard Nullity dummy copies, undated | ||||||||||||
| BOX/FOLDER 3:4/6 | Toby Olson The Pool 35 mm slides, June 1991-August 1991 | ||||||||||||
| Creator's note: Mostly covers | |||||||||||||
| BOX/FOLDER 3:4/7 | Toby Olson correspondence post - The Pool, 1991-1993 | ||||||||||||
| BOX/FOLDER 3:4/8 | Toby Olson correspondence, 1994-1995 | ||||||||||||
| BOX/FOLDER 3:4/9 | Toby Olson correspondence, 1996-1998 | ||||||||||||
| BOX/FOLDER 3:4/10 | Toby Olson correspondence, 1999 | ||||||||||||
| BOX/FOLDER 3:4/11 | Toby Olson, Ten or Depression Dog, 2000 | ||||||||||||
| BOX/FOLDER 3:4/12 | Flynn illustration examples, undated | ||||||||||||
| BOX/FOLDER 3:4/13 | Toby Olson, Depression Dog, 2001 | ||||||||||||
| BOX/FOLDER 3:4/14 | Toby Olson, Depression Dog, 2002 | ||||||||||||
| BOX/FOLDER 3:4/15 | Toby Olson, manuscript copy of The Bitter Half, undated | ||||||||||||
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