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  Recorded Sound Section  Jim Walsh papers

Jim Walsh papers

 Collection
Identifier: 2008647469

Scope and Content Note

Jim Walsh devoted his life to collecting, researching, and writing about early popular recordings and recording artists. These papers make up part of the much larger Jim Walsh Collection of early recordings, audio equipment, and related items donated by Walsh to the Library of Congress between 1965 and 1987. The complete collection consists of approximately 40,000 discs, 500 cylinders, and 23 early phonographs. Recordings in the collection are primarily of popular and vernacular music recorded during the acoustical era (pre-1926). It includes a nearly complete run of 5,000 to 6,000 Edison "Diamond Disc" recordings as well as many early Edison cylinders.

The paper portion of the collection consists of documents and other paper records that relate to Walsh's career and collecting efforts. Included are letters with prominent artists and collectors, research notes, photographs of performers, scripts for Walsh’s radio shows, drafts of his columns and articles, clippings, bound journals, advertisements, and ephemera. The papers also hold a wealth of biographical information about Jim Walsh, including a diary, scrapbooks, photographs, and writings.

Dates

  • Creation: 1867-1987, and undated
  • Creation: Majority of material found within ( 1913-1985)

Language of Materials

Collection materials are in English.

Access and Restrictions

The Jim Walsh Papers are open for research. Advance notice is required; contact a reference librarian in the Recorded Sound Research Center, National Audio-Visual Conservation Center, Library of Congress, Washington, DC, 20540-4690; (202) 707-7833

Copyright Status

Restrictions may exist on copying, quoting, or publishing materials included in the papers. For additional information, contact a reference librarian in the Recorded Sound Research Center, National Audio-Visual Conservation Center, Library of Congress, Washington, DC, 20540-4690; (202) 707-7833.

Biographical Note

Journalist and collector Ulysses "Jim" Walsh (1903-1990) was born in Richmond, Virginia, on July 20, 1903. Best known for his "Favorite Pioneer Recording Artists" column that appeared in Hobbies magazine for over forty years, Walsh was recognized as one of the greatest collectors and authorities on popular acoustical-era recording artists and their recordings.

Walsh took an early interest in records, amassing a sizable collection and encyclopedic knowledge by the time he was a teenager. He began writing for newspapers in the late 1920s and had articles published in specialty magazines about recording artists. In 1934 Walsh moved to Johnson City, Tennessee, to become a reporter for the Johnson City Press , a job he would hold for nine years. Ulysses Walsh acquired the nickname "Jim," which he went by for the rest of his life, while working for the Press . While living in Tennessee in 1939, Walsh began hosting a radio program on local station WJHL. His program Walsh's Wax Works showcased old recordings from his collection and gave him a forum to discuss the lives and accomplishments of the artists whose music he played.

In 1942 Walsh began writing his column on early recording artists for Hobbies magazine. The column, originally called "The Coney Island Crowd," was soon renamed "Favorite Pioneer Recording Artists," the name under which it continued to be published through 1985. The column focused particularly on popular and vernacular recordings made before 1909, including jazz, humor, minstrel, and vaudeville; the focus was later broadened to include those artists who recorded before the dawn of electric recording techniques in 1925. In the following years, Walsh became well known among collectors as the authority on these early popular recordings. Although best known for his Hobbies columns, Walsh reached an even wider audience through his contributions to Variety and The New Yorker , among other publications.

In 1943 Walsh moved to the town of Vinton, Virginia, adjacent to Roanoke, and joined the staff of the Roanoke World News . At the same time, he made connections with radio station WDBJ in Roanoke and resurrected his show Walsh’s Wax Works . After a short run, he moved the show to radio station WSLS, where it was broadcast through 1960.

Walsh continued to collect recordings, playback equipment, and reference resources such as record catalogs, magazines, and advertisements. For many of his favorite artists, such as Billy Murray, Al Jolson, Harry Lauder, and Vernon Dalhart, he collected nearly every recording they had ever made. Walsh became a great correspondent, fostering relationships with recording artists, collectors, dealers, and his readers and listeners. In later years, he traveled to gatherings of early recording artists and collectors, meeting many of the artists he had idolized as a child.

Walsh was a lifetime bachelor and had a deep devotion to his many cats. He gave updates on his "family of cats" in much of his correspondence and occasionally in his columns; he even arranged to have poems published under the name of his favorite cat: Professor Plum Duff Walsh, Ph.D.

During the late 1970s and 1980s Walsh’s health declined, and he complained of memory loss. In May 1985 his last column was published in Hobbies . He died in 1990 after several years of residence in nursing homes. Walsh was posthumously awarded the first Lifetime Achievement Award given by the Association for Recorded Sound Collections (ARSC) in 1991.

Extent

38.28 linear feet (51 boxes, 1 map case folder, approximately 23,486 items)

Abstract

The papers consist of correspondence, research files, photographs, scrapbooks, and other materials that form part of a larger collection of sound recordings and audio equipment assembled by journalist, radio host, and early recording collector Jim Walsh.

Arrangement

The papers are arranged in nine series:

  1. Series 1: Correspondence/Research Files, 1913-1987, and undated
  2. Series 2: Writings, circa 1942-circa 1975
  3. Series 3: Radio Scripts, 1943-1954, and undated
  4. Series 4: Ephemera, 1915-1972, and undated
  5. Series 5: Photographs, 1867-circa 1985
  6. Series 6: Oversized Materials, 1914-1953, and undated
  7. Series 7: Scrapbooks, 1892-1939, and undated
  8. Series 8: Bound Publications, 1901-1977, and undated
  9. Series 9: 2024 Addition, 1897-1983

Physical Location

RPA 04643 (box 1), RPA 00165-00178 (boxes 2-14, 16), RPA 04477-04503 (boxes 18-44); RPB 00250, 00253 (boxes 47, 51); RPC 00002-00003 (boxes 15, 17), RPC 00128-00129 (boxes 46, 50); RPD 00052-00053 (boxes 45, 48); RPE 00008 (box 49)

Physical Location

RPM 00001 (map folder 1)

Provenance

This collection was donated to the Library of Congress by Jim Walsh in several increments between 1965 and 1987.

Transferred Materials

An autographed print of Charles Dickens was transferred to the Library of Congress Prints and Photographs Division in November, 2010. A preliminary catalog record for the print is available at URL http://lccn.loc.gov/2011645005. For additional information, see https://www.loc.gov/rr/print/address.html

Several published books, bound journals, and record catalogs also were removed from the collection and integrated into the Library’s general collections.

Processing History

The papers were processed by George Kipper and Jennifer Lewis in March 2004. The 2024 addition was processed by Michelle Dubert-Bellrichard and Emma Beacham.

Title
Jim Walsh Papers
Author
2024 addition processed by Michelle Dubert-Bellrichard and Emma Beacham
Date
2004
Language of description
English
Script of description
Latin

Part of the Recorded Sound Section Repository

Contact:
Recorded Sound Research Center
101 Independence Ave, SE
James Madison Building, LM 113
Washington, DC 20540-4810
(202) 707-7833