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  Music Division  Leonard Bernstein Collection

Leonard Bernstein Collection

 Collection
Identifier: ML31.B49

Scope and Content Note

The Leonard Bernstein Collection is as exceptional a collection as its namesake would suggest. Bernstein, one of the most prominent figures in twentieth century American classical music, made his impact as a conductor, composer of classical and theater music, and as an educator through his books, conducting students at Tanglewood, and especially his various televised lecture series that helped define the potentials of that medium.

Bernstein came to national prominence virtually overnight with his last minute conducting debut with the New York Philharmonic, substituting for Bruno Walter on November 14, 1943. He was twenty-five. Because Bernstein was a national figure from the very beginning of his career, and because his friend and teacher, Helen Coates, became his secretary and "preserver of the flame" beginning in 1944, the Bernstein Collection is not only amazingly complete, but much of it is annotated by Miss Coates to an extraordinary degree. These factors combine to make the Leonard Bernstein Collection one of the most exceptional in the Music Division in the variety and scope of material it contains.

Both the construction of this finding aid and the processing of the collection are considered works in progress. Rather than wait until the entire collection is processed before making it available to researchers--our usual practice--we have decided to make each series available as it is completed. For access to the un-processed materials in the collection, written requests should be addressed to Head, Acquisitions and Processing Section, Music Division, Library of Congress, Washington DC 20540-4710. As each series is completed, an introduction to that material will be added at the beginning of the content list to that series.

Dates

  • Creation: circa 1900-1995
  • Creation: Majority of material found within ( 1933-1990)

Language of Materials

Collection material in English

Access and Restrictions

The contents of the Leonard Bernstein Collection are available for examination and study in the Library of Congress Performing Arts Reading Room. As copyright holder, The Leonard Bernstein Office permits researchers to make reference copies of items under its control with the understanding that researchers must obtain the Leonard Bernstein Office's permission to make any commercial or public use of the material, whether for performance, recording, publication, etc. Please consult a reference librarian in the Library of Congress Music Division for further permission information. Requests to make public or commercial use of this Collections' material should be directed to Hannah Webster (she/her/hers), Head of Licensing, The Leonard Bernstein Office, Inc., 121 West 27th St., Suite 1104, New York, NY 10001, [email protected].

Copyright Status

Materials from the Leonard Bernstein Collection are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Biographical Sketch

Biographical Sketch

1918, August 25
Born, Lawrence, Massachusetts, first child of Samuel and Jennie Bernstein
1932
First piano recital
Began piano studies with Helen Coates
1935
Graduated from Boston Latin
Began Freshman year at Harvard University
Piano studies with Heinrich Gebhard
1937
First professional appearance as a solo pianist with orchestra
Met Aaron Copland, Adolph Green and Dimitri Mitropoulos
1938
Music Editor, Harvard Advocate
1939
Graduated from Harvard cum laude in music
Composed and conducted score for The Birds
Entered Curtis Institute, Philadelphia
Studied conducting under Fritz Reiner
Studied piano with Isabelle Vengerova
Studied orchestration with Randall Thompson
Studied score-reading with Renee Longy Miquelle
1940
Studied conducting under Serge Koussevitzky at Tanglewood
1941
Graduated from Curtis Institute
1942
Published Sonata for Clarinet and Piano
Assistant to Koussevitzky at Tanglewood
Moved to New York
Completed First Symphony, Jeremiah
1943, November 14
Substituted for Bruno Walter at Carnegie Hall concert
1943
Appointed assistant conductor for New York Philharmonic by Artur Rodzinski
1944
First performances of Jeremiah , Fancy Free and On the Town
1945 - 1947
Music director, New York City Symphony Orchestra
1946
First European conducting appearances in Prague and London
Conducted U.S. premiere of Britten's Peter Grimes
1947
First visit to Israel
Conducted in France, Belgium and Holland
1948
Conducted concert at Beersheba during War of Independence
First appearance as conductor in Munich, Budapest, Vienna, Milan and Rome
1948 - 1949
Musical advisor, Israel Philharmonic Orchestra
1949
Piano soloist in first performance of his Second Symphony, The Age of Anxiety , conducted by Koussevitzky
1950
Premiere of Peter Pan
1951
Appointed head of conducting studies at Tanglewood, following the death of Koussevitzky
Married Felicia Montealegre Cohn
1952
First performance of Trouble in Tahiti
Daughter Jamie born
Artistic director, Festival of Creative Arts, Brandeis University
1953
First performance of Wonderful Town
Conducted Medea at La Scala
1954
Scored the film On the Waterfront
First performance, in Venice, of Serenade
First television appearance on Omnibus
1955
Conducted Symphony of the Air season in New York
Son Alexander born
First performance of The Lark
1956
Guest conductor, New York Philharmonic Orchestra
Premiere of Candide
1957
Premiere of West Side Story
Conducted inaugural concert of Mann Auditorium, Tel Aviv
1957 - 1958
Joint principal conductor, New York Philharmonic
1958
Shared Latin-American tour with Dimitri Mitropoulos
Conducted first of fourteen seasons of "Young People's Concerts"
1958 - 1969
Music director, New York Philharmonic
1959
Toured Europe and Soviet Union with New York Philharmonic
Published The Joy of Music . New York: Simon and Schuster
1960
Mounted Mahler centenary season with New York Philharmonic
1961
Toured Japan with New York Philharmonic
Film version of West Side Story released
1962
Daughter Nina born
Conducted inaugural concert at Philharmonic Hall, Lincoln Center (later Avery Fisher Hall)
1963
First performance of Third Symphony, Kaddish , in Tel Aviv
1964
Sabbatical year from New York Philharmonic
Conducted Falstaff at Metropolitan Opera
1965
First performance of Chichester Psalms in New York and Chichester
Commenced two-year survey of twentieth-century symphonic music with New York Philharmonic
1966
First engagements with the London Symphony Orchestra, the Vienna Philharmonic Orchestra and the Vienna State Opera ( Falstaff )
1967
Conducted concert on Mount Scopus to mark reunification of Jerusalem
Completed Mahler symphony cycle for CBS
1968
Conducted Der Rosenkavalier at Vienna State Opera
New York Philharmonic tour of Western Europe and Israel
1969
Named lifetime Laureate Conductor on retirement from music directorship of New York Philharmonic Orchestra
1970
Fund-raising meeting for Black Panthers held at Bernstein's residence
Conducted bicentennial production of Beethoven's Fidelio in Vienna
1970 - 1974
Artistic advisor, Tanglewood
1971
Premiere of Mass , inaugurating the Kennedy Center, Washington
Conducted one-thousandth performance with New York Philharmonic
1972
Conducted Carmen at the Metropolitan Opera
1973
Delivered six Charles Eliot Norton lectures, "The Unanswered Question," at Harvard University
Conducted for Pope Paul VI at the Vatican
1974
First performance of Dybbuk ballet
Led New York Philharmonic on tour of New Zealand, Australia and Japan
1976
Premiere of 1600 Pennsylvania Avenue
Trial separation from his wife
1977
Reconciliation with wife
First performance of Songfest
1978, June 16
Felicia Bernstein died
1979
Conducted Berlin Philharmonic in Mahler's Ninth Symphony
1980
First performance of Divertimento
Received the Kennedy Center Honor
1981
Premiere of Halil
Recorded Tristan und Isolde in Munich
1982
Artistic director, Los Angeles Philharmonic Institute
1983
Premiere of A Quiet Place at Houston Grand Opera
1984
Revised A Quiet Place at La Scala
Deutsche Grammophon recording of West Side Story
Daughter Jamie married to David Evan Thomas
1985
Journey for Peace at Hiroshima
1986
Bernstein Festival at Barbican Centre, London
Inaugurated Schleswig-Holstein Festival
First performance of Jubilee Games
1988
First performance of Arias and Barcarolles
Four-day seventieth-birthday celebration at Tanglewood
1990 June
Inaugurated the Pacific Music Festival in Sapporo, Japan
1990, August 19
Last concert with Boston Symphony Orchestra at Tanglewood
1990, October 14
Died at 6:15 p.m. at home in New York

Extent

400,000 items (around)
1,723 boxes
710 linear feet

Abstract

Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no. 2); Candide; Chichester Psalms; Fancy Free; Jeremiah (Symphony no. 1); On the Waterfront; Prelude, Fugue and Riffs; Serenade after Plato's "Symposium"; Trouble in Tahiti; West Side Story; and Wonderful Town.

Custodial History

Beginning in 1953, and continuing until 1967, Leonard Bernstein gave many of his most significant music manuscripts to the Library of Congress, including: The Age of Anxiety (Symphony No. 2) , Candide , Chichester Psalms , Fancy Free , Jeremiah (Symphony No. 1) , On the Waterfront , Prelude, Fugue and Riffs , Serenade after Plato's "Symposium" , Trouble in Tahiti , West Side Story , and Wonderful Town . Between 1965 and 1983, Bernstein gave 104 scrapbooks to the Library (five additional scrapbooks were given by Brandeis University in 1973).

Helen Coates, Bernstein's longtime friend and secretary, left ninety-four letters, music manuscripts and other Bernstein related items to the Library of Congress in her will. The Library received the items in 1991. An additional 600 letters, which had been in the possession of Helen Coates, were also given to the Library by the Springate Corporation in 1991.

In 1993, the Springate Corporation, representatives of the Bernstein estate, increased the size of the Bernstein Collection many times over by giving to the Library hundreds of thousands of additional items. This included, not only additional music manuscripts, but correspondence, writings of all types, photographs, commercial and non-commercial recordings and audio-visual materials (now housed in the Library of Congress Motion Picture, Broadcasting and Recorded Sound Division), business papers, programs, fan mail, date books, realia, and other less common items. In addition to Bernstein's personal business papers, the extensive archives for his corporate identity, Amberson Inc., were also part of the gift.

In 1997, Burton Bernstein, brother of Leonard Bernstein, gave the Library of Congress ninety-five additional items to add to the Bernstein Collection. Originally from Jennie Bernstein's apartment, and consisting primarily of letters to their parents; including fifty-two from Leonard Bernstein, one from Felicia Bernstein, one from Aaron Copland and four from Helen Coates.

Provenance

Beginning in 1953, and continuing until 1967, Leonard Bernstein gave many of his most significant music manuscripts to the Library of Congress; between 1965 and 1983, Bernstein gave 104 scrapbooks to the Library (five additional scrapbooks were given by Brandeis University in 1973). Other sources of material: Helen Coates, Bernstein's longtime friend and secretary, left Bernstein related items to the Library in her will (received in 1991); 1991 and 1993 gifts of the Springate Corporation (representatives of the Bernstein estate); in 1997, Burton Bernstein, brother of Leonard Bernstein, gave the Library ninety-five additional items to add to the Bernstein Collection, originally from their mother's apartment. The Bernstein estate donated approximately 1,500 additional letters to the collection in 2011.

Accruals

Further accruals are expected.

Digital Files

Digital files regarding Leonard Bernstein's Young People's Concerts were received on floppy disks. Access to digital content is available onsite only in the Performing Arts Reading Room and requires advance notice. Consult Music Division reference staff for more information.

Microfilm

All of the scrapbooks have been preserved on microfilm because of their fragile nature (Microfilm 99/20002 [MUS]).

Online Content

Digitized images along with identifying information and a narrative introduction are also available through the Library of Congress Web site under the title: The Leonard Bernstein Collection at https://hdl.loc.gov/loc.music/collmus.mu000003.

Transfers

Commercial and non-commercial recordings and other audiovisual materials from the Leonard Bernstein Collection have been transferred to the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, where they are identified as part of the Leonard Bernstein Collection (MAVIS collection no. 2511).

Processing History

Work began on the processing of the Leonard Bernstein Collection soon after the bulk of the materials began arriving in 1993. In the years that have followed, innumerable people have worked on the processing of the collection and the writing and coding of its finding aid, including specialists, technicians, fellows, and interns. It is a collection that continues to grow, with rarely a year passing without significant additions to the collection. The finding aid is continually updated to reflect newly acquired materials that have been processed. There are still portions of the collection not yet processed or whose descriptions have not yet been added to the finding aid. Consult a reference librarian in the Music Division for more information about these materials.

Source

Subject

Title
Leonard Bernstein Collection
Author
Processed by the Music Division of the Library of Congress
Date
2005
Language of description
English
Script of description
Latin

Part of the Music Division Repository

Contact:
Performing Arts Reading Room
101 Independence Ave, SE
James Madison Building, LM 113
Washington, DC 20540-4810
(202) 707-5507