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  Music Division  George Crumb Papers

George Crumb Papers

 Collection
Identifier: ML31.C87

Scope and Content Note

The George Crumb Papers span the period 1944 to 2022, with the majority of the materials dating from 1965 to 2013. The collection consists of holograph manuscript scores and sketches, correspondence and business papers, and a series of meticulously assembled scrapbooks chronicling Crumb's distinguished career as a composer.

The Music materials represent Crumb's compositions, beginning with short works he composed during his childhood. There are inked scores with pasteovers for publication, pencil scores and sketches, drafts, annotated photo-reproductions, and several score transparencies. Crumb's final copy scores are inked with extraordinary precision and reflect the influence of his father's skills as a copyist and Ross Lee Finney's pedagogy. Most contain extensive patches of inked-over whiteout and pasted insertions. Notable scores include the Pulitzer Prize-winning Echoes of Time and the River , American Songbook , Ancient Voices of Children , Black Angels , Five Pieces for Piano , A Haunted Landscape , Lux Aeterna , Madrigals , Makrokosmos , Mundis Canis , Star-Child , and Vox Balaenae . Beginning in the 2000s, Crumb began revising some of his earlier works. For these, the collection contains both original and revised versions of the scores. Additionally, the collection includes several sketchbooks with materials to numerous compositions, identified by letter or number.

Business Papers consist chiefly of letters, telegrams, contracts, programs, and other documents from 1956 to 2021. Included is university and publisher correspondence, student inquiries, and letters from various colleagues and friends, such as David Burge. The Scrapbooks comprise fourteen custom bound volumes of clippings, programs, photographs, interviews, posters, and other materials that detail Crumb's musical accomplishments from roughly 1963 to 2021. These were assembled with the same meticulous care as the composer's scores and include hundreds of performance reviews from both American and international newspapers. Clippings, programs, and correspondence intended for scrapbooks that were not completed before Crumb's death in 2022 are also part of this series. The Subject Files primarily consist of personal materials along with writings about Crumb's life and music.

Dates

  • Creation: 1944-2022
  • Creation: Majority of material found within ( 1965-2013)

Language of Materials

Collection material primarily in English, with some in German, French, Spanish, Dutch, Russian, Chinese, and Polish.

Access and Restrictions

The George Crumb Papers are open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.

Certain restrictions to use or copying of materials may apply.

Copyright Status

Materials from the George Crumb Papers are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.

Biographical Note

Biographical Note

1929 October 24
Born, Charleston, West Virginia, to musicians George Henry Crumb, Sr. and Vivian Crumb
circa 1939
Began composing works "somewhat in the style of Mozart"
1944 - 1947
Attended Charleston High School
1947
Attended Interlochen Arts Camp
1948 - 1950
Studied piano and composition at Mason College of Music, Charleston, West Virginia
1949, May 21
Married Elizabeth May Brown
1950
Daughter Elizabeth Ann Crumb born
1951 - 1952
Studied composition with Eugene Weigel at the University of Illinois, Urbana-Champaign
1953 - 1959
Studied composition with Ross Lee Finney at the University of Michigan, Ann Arbor. Finney emphasized meticulous notation, a characteristic evident in Crumb's works. At Michigan, he was introduced to and inspired by the poetry of Federico García Lorca, whose texts become the source for many future compositions
1955 - 1956
Studied composition with Boris Blacher at the Berlin Hochschule für Musik on a Fulbright grant
1959
Doctorate, University of Michigan, Ann Arbor. His dissertational submission, Variazioni , was not premiered until 1965
Taught piano and composition, University of Colorado, Boulder
Met pianist David Burge and composed Five Pieces for Piano , a work that earned Crumb widespread praise
1962
Son David Reed Crumb born
1964 - 1965
Residency at the Buffalo Center for the Creative and Performing Arts
1965
Moved to Media, Pennsylvania
Son Peter Stanley Crumb born
Premiere of Madrigals, Books I-II , commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress
1965 - 1997
Professor, composition, University of Pennsylvania, Philadelphia
1967
Composed Echoes of Time and the River
Awarded first Guggenheim Fellowship
1968
Received Pulitzer Prize for Echoes of Time and the River
1969 July 16 - 24
Composed Night of the Four Moons , a work inspired by the Apollo 11 space flight
1969
Completed Songs, Drones, and Refrains of Death , his first Lorca-inspired work that had been started in 1962
1970 October 23
Premiere of Black Angels by the Stanley Quartet at the University of Michigan
1970 October 31
Premiere of Ancient Voices of Children at the 14th Coolidge Festival of Chamber Music. The piece was commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of Congress
1972 March 17
First performance of Vox Balaenae by the New York Camerata at the Library of Congress. The work contained masked performers and other theatrical elements similar to Lux Aeterna , composed the previous year
1972 - 1979
Composed Makrokosmos , a cycle of four works for amplified piano
1973
Awarded second Guggenheim Fellowship
1977 May 5
New York Philharmonic premiere of Star-Child under Pierre Boulez
1978
PBS broadcast of Robert Mugge's film, George Crumb: Voice of the Whale
1984, June 7
New York Philharmonic premiere of tone-poem A Haunted Landscape under Arthur Wiesberg
1986 April
Served as the American representative at the Conference of the Union of Soviet Composers
1988 January 17
Zeitgeist is premiered at the Charles Ives Festival in Duisburg, Germany
1997
Composed Mundis Canis , a work inspired by the personalities of the Crumb family dogs.
Retired from the University of Pennsylvania
1998
Mundis Canis premiered by guitarist David Starobin and Crumb himself on percussion
2000
Star-Child , recorded for the first time on Bridge Records' Complete Crumb Edition , won a Grammy Award for Best Contemporary Classical Composition (2001)
2002 - 2007
Composed the American Songbook , a cycle of six works for voice, percussion quartet, and amplified piano
2007
Inducted into the West Virginia Music Hall of Fame
2010
Nominated for Grammy Award for Best Classical Contemporary Composition for The Winds of Destiny
2011 April 28
Thomas Hampson performed selections from the American Songbook at the Library of Congress
2011 June 10
Peter Sellars staged a theater production of "Winds of Time" from American Songbook IV (2004) featuring soprano Dawn Upshaw at the Ojai Music Festival
2012
Nominated for Grammy Award for Best Classical Contemporary Composition for The Ghosts of Alhambra
Composed The Yellow Moon of Andalusia (Spanish Songbook III) for mezzo soprano and amplified piano
2015 - 2017
Composed Metamorphoses (Book I) for amplified piano
2017 May 7
Margaret Leng Tan premiered Metamorphoses (Book I) at the National Gallery of Art in Washington, DC
2018 - 2020
Composed Metamorphoses (Book II) for amplified piano
2019
Composed Kronos-Kryptos, Four Tableaux, for percussion quartet
Suffered a stroke
University of Pennsylvania hosted “Zeitgeist: George Crumb at 90,” a showcase of Crumb's music on October 10
Daughter, Ann Crumb, died of cancer on October 31
2020 December 14
Marcantonio Barone premiered Metamorphoses (Book II) in Philadelphia
2022 February 6
Died at home in Media, Pennsylvania. Survived by wife, Elizabeth, and sons David and Peter

Extent

7,800 items (approximately)
71 containers
48 linear feet
5,600 digital files (1.2 TB)

Abstract

George Crumb was a Pulitzer Prize-winning American composer who was long associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, subject files, and a series of meticulously assembled scrapbooks that chronicle Crumb's career as a composer.

Organization of the George Crumb Papers

The collection is arranged in four series:

File Formats

The digital files in this collection include the following formats: .jpg, .mxf, and .wav, among others.

Provenance

Gift, George Crumb, 2011. Margaret Leng Tan donated digital files for the Twinkle, Dammit! documentary and other audiovisual items in 2021. Additional materials came as a bequest from the estate of George Crumb in 2022.

Accruals

No further accruals are expected.

Digital Files

Digital files were received as part of the George Crumb Papers and have been assigned the digital ID numbers CrumbGeorge_MUS_2021_085, CrumbGeorge_MUS_2021_022_001_001, and CrumbGeorge_MUS_2021_022_001_002. Use the digital ID numbers to request access copies of the files. Access to digital content may be available onsite only in the Performing Arts Reading Room and requires advance request. Consult reference staff in the Performing Arts Reading Room for more information.

Related Material

The following Library of Congress Music Division collections contain correspondence or music by Crumb: Nicolas Slonimsky Collection (ML31.S6) ; Martha Graham Collection (ML31.G727) ; and the Moldenhauer Archives at the Library of Congress (ML31.M6). Crumb's holograph score for Ancient Voices of Children (ML29.c93 no.1 ) is in the Elizabeth Sprague Coolidge Foundation Collection. His score for Madrigals, Books 1-2 (ML30.3c.C79 no.1 ) is in the Serge Koussevitzky Music Foundation Collection and his 2019 commission by the Verna and Irving Fine Fund, Kronos - Kryptos , is cataloged in ML30.F5 no. 5 .

Transfers

Approximately 30 moving image items from the George Crumb Papers have been transferred to the Library of Congress National Audio-Video Conservation Center (AVCMS no. 20000009). An inventory of this material is available in the Music Division's collection file.

Processing History

Christopher Hartten processed the George Crumb Papers and coded the finding aid in 2012. Stephanie Akau processed additional materials received as a bequest and updated the finding aid in 2023.

Title
Guides to Special Collections in the Music Division of the Library of Congress
Author
Processed by the Music Division of the Library of Congress
Date
2012
Language of description
English
Script of description
Latin

Part of the Music Division Repository

Contact:
Performing Arts Reading Room
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James Madison Building, LM 113
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