Scope and Content Note
The George Crumb Papers span the period 1944 to 2022, with the majority of the materials dating from 1965 to 2013. The collection consists of holograph manuscript scores and sketches, correspondence and business papers, and a series of meticulously assembled scrapbooks chronicling Crumb's distinguished career as a composer.
The Music materials represent Crumb's compositions, beginning with short works he composed during his childhood. There are inked scores with pasteovers for publication, pencil scores and sketches, drafts, annotated photo-reproductions, and several score transparencies. Crumb's final copy scores are inked with extraordinary precision and reflect the influence of his father's skills as a copyist and Ross Lee Finney's pedagogy. Most contain extensive patches of inked-over whiteout and pasted insertions. Notable scores include the Pulitzer Prize-winning Echoes of Time and the River , American Songbook , Ancient Voices of Children , Black Angels , Five Pieces for Piano , A Haunted Landscape , Lux Aeterna , Madrigals , Makrokosmos , Mundis Canis , Star-Child , and Vox Balaenae . Beginning in the 2000s, Crumb began revising some of his earlier works. For these, the collection contains both original and revised versions of the scores. Additionally, the collection includes several sketchbooks with materials to numerous compositions, identified by letter or number.
Business Papers consist chiefly of letters, telegrams, contracts, programs, and other documents from 1956 to 2021. Included is university and publisher correspondence, student inquiries, and letters from various colleagues and friends, such as David Burge. The Scrapbooks comprise fourteen custom bound volumes of clippings, programs, photographs, interviews, posters, and other materials that detail Crumb's musical accomplishments from roughly 1963 to 2021. These were assembled with the same meticulous care as the composer's scores and include hundreds of performance reviews from both American and international newspapers. Clippings, programs, and correspondence intended for scrapbooks that were not completed before Crumb's death in 2022 are also part of this series. The Subject Files primarily consist of personal materials along with writings about Crumb's life and music.
Dates
- Creation: 1944-2022
- Creation: Majority of material found within ( 1965-2013)
Language of Materials
Collection material primarily in English, with some in German, French, Spanish, Dutch, Russian, Chinese, and Polish.
Access and Restrictions
The George Crumb Papers are open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.
Certain restrictions to use or copying of materials may apply.
Copyright Status
Materials from the George Crumb Papers are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.
Biographical Note
Biographical Note
- 1929 October 24
- Born, Charleston, West Virginia, to musicians George Henry Crumb, Sr. and Vivian Crumb
- circa 1939
- Began composing works "somewhat in the style of Mozart"
- 1944 - 1947
- Attended Charleston High School
- 1947
- Attended Interlochen Arts Camp
- 1948 - 1950
- Studied piano and composition at Mason College of Music, Charleston, West Virginia
- 1949, May 21
- Married Elizabeth May Brown
- 1950
- Daughter Elizabeth Ann Crumb born
- 1951 - 1952
- Studied composition with Eugene Weigel at the University of Illinois, Urbana-Champaign
- 1953 - 1959
- Studied composition with Ross Lee Finney at the University of Michigan, Ann Arbor. Finney emphasized meticulous notation, a characteristic evident in Crumb's works. At Michigan, he was introduced to and inspired by the poetry of Federico García Lorca, whose texts become the source for many future compositions
- 1955 - 1956
- Studied composition with Boris Blacher at the Berlin Hochschule für Musik on a Fulbright grant
- 1959
- Doctorate, University of Michigan, Ann Arbor. His dissertational submission, Variazioni , was not premiered until 1965
- Taught piano and composition, University of Colorado, Boulder
- Met pianist David Burge and composed Five Pieces for Piano , a work that earned Crumb widespread praise
- 1962
- Son David Reed Crumb born
- 1964 - 1965
- Residency at the Buffalo Center for the Creative and Performing Arts
- 1965
- Moved to Media, Pennsylvania
- Son Peter Stanley Crumb born
- Premiere of Madrigals, Books I-II , commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress
- 1965 - 1997
- Professor, composition, University of Pennsylvania, Philadelphia
- 1967
- Composed Echoes of Time and the River
- Awarded first Guggenheim Fellowship
- 1968
- Received Pulitzer Prize for Echoes of Time and the River
- 1969 July 16 - 24
- Composed Night of the Four Moons , a work inspired by the Apollo 11 space flight
- 1969
- Completed Songs, Drones, and Refrains of Death , his first Lorca-inspired work that had been started in 1962
- 1970 October 23
- Premiere of Black Angels by the Stanley Quartet at the University of Michigan
- 1970 October 31
- Premiere of Ancient Voices of Children at the 14th Coolidge Festival of Chamber Music. The piece was commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of Congress
- 1972 March 17
- First performance of Vox Balaenae by the New York Camerata at the Library of Congress. The work contained masked performers and other theatrical elements similar to Lux Aeterna , composed the previous year
- 1972 - 1979
- Composed Makrokosmos , a cycle of four works for amplified piano
- 1973
- Awarded second Guggenheim Fellowship
- 1977 May 5
- New York Philharmonic premiere of Star-Child under Pierre Boulez
- 1978
- PBS broadcast of Robert Mugge's film, George Crumb: Voice of the Whale
- 1984, June 7
- New York Philharmonic premiere of tone-poem A Haunted Landscape under Arthur Wiesberg
- 1986 April
- Served as the American representative at the Conference of the Union of Soviet Composers
- 1988 January 17
- Zeitgeist is premiered at the Charles Ives Festival in Duisburg, Germany
- 1997
- Composed Mundis Canis , a work inspired by the personalities of the Crumb family dogs.
- Retired from the University of Pennsylvania
- 1998
- Mundis Canis premiered by guitarist David Starobin and Crumb himself on percussion
- 2000
- Star-Child , recorded for the first time on Bridge Records' Complete Crumb Edition , won a Grammy Award for Best Contemporary Classical Composition (2001)
- 2002 - 2007
- Composed the American Songbook , a cycle of six works for voice, percussion quartet, and amplified piano
- 2007
- Inducted into the West Virginia Music Hall of Fame
- 2010
- Nominated for Grammy Award for Best Classical Contemporary Composition for The Winds of Destiny
- 2011 April 28
- Thomas Hampson performed selections from the American Songbook at the Library of Congress
- 2011 June 10
- Peter Sellars staged a theater production of "Winds of Time" from American Songbook IV (2004) featuring soprano Dawn Upshaw at the Ojai Music Festival
- 2012
- Nominated for Grammy Award for Best Classical Contemporary Composition for The Ghosts of Alhambra
- Composed The Yellow Moon of Andalusia (Spanish Songbook III) for mezzo soprano and amplified piano
- 2015 - 2017
- Composed Metamorphoses (Book I) for amplified piano
- 2017 May 7
- Margaret Leng Tan premiered Metamorphoses (Book I) at the National Gallery of Art in Washington, DC
- 2018 - 2020
- Composed Metamorphoses (Book II) for amplified piano
- 2019
- Composed Kronos-Kryptos, Four Tableaux, for percussion quartet
- Suffered a stroke
- University of Pennsylvania hosted “Zeitgeist: George Crumb at 90,” a showcase of Crumb's music on October 10
- Daughter, Ann Crumb, died of cancer on October 31
- 2020 December 14
- Marcantonio Barone premiered Metamorphoses (Book II) in Philadelphia
- 2022 February 6
- Died at home in Media, Pennsylvania. Survived by wife, Elizabeth, and sons David and Peter
Extent
7,800 items (approximately)
71 containers
48 linear feet
5,600 digital files (1.2 TB)
Abstract
George Crumb was a Pulitzer Prize-winning American composer who was long associated with the University of Pennsylvania. The collection consists of holograph manuscript scores and sketches, correspondence, business papers, subject files, and a series of meticulously assembled scrapbooks that chronicle Crumb's career as a composer.
Organization of the George Crumb Papers
The collection is arranged in four series:
File Formats
The digital files in this collection include the following formats: .jpg, .mxf, and .wav, among others.
Catalog Record
Provenance
Gift, George Crumb, 2011. Margaret Leng Tan donated digital files for the Twinkle, Dammit! documentary and other audiovisual items in 2021. Additional materials came as a bequest from the estate of George Crumb in 2022.
Accruals
No further accruals are expected.
Digital Files
Digital files were received as part of the George Crumb Papers and have been assigned the digital ID numbers CrumbGeorge_MUS_2021_085, CrumbGeorge_MUS_2021_022_001_001, and CrumbGeorge_MUS_2021_022_001_002. Use the digital ID numbers to request access copies of the files. Access to digital content may be available onsite only in the Performing Arts Reading Room and requires advance request. Consult reference staff in the Performing Arts Reading Room for more information.
Transfers
Approximately 30 moving image items from the George Crumb Papers have been transferred to the Library of Congress National Audio-Video Conservation Center (AVCMS no. 20000009). An inventory of this material is available in the Music Division's collection file.
Processing History
Christopher Hartten processed the George Crumb Papers and coded the finding aid in 2012. Stephanie Akau processed additional materials received as a bequest and updated the finding aid in 2023.
Source
- Crumb, George (Creator, Person)
Subject
- Burge, David, 1930-2013--Correspondence. (Person)
- Crumb, Ann. (Person)
- Crumb, George--Archives. (Person)
- Crumb, George--Correspondence. (Person)
- Crumb, George--Performances. (Person)
- Crumb, George. (Person)
- Crumb, George. (Person)
- Crumb, George. Works. Selections. (Person)
- Tan, Margaret Leng. (Person)
- C.F. Peters (Firm)--Correspondence. (Organization)
Genre / Form
- Albums (Books)
- Art music.
- Autographs (Manuscripts)
- Business correspondence.
- Chamber music.
- Clippings (information artifacts)
- Contracts.
- Files (Digital files)
- Music criticism and reviews.
- Musical settings.
- Musical sketches.
- Personal correspondence.
- Photographs.
- Programs (Publications)
- Scores.
- Songs.
Topical
- Title
- Guides to Special Collections in the Music Division of the Library of Congress
- Author
- Processed by the Music Division of the Library of Congress
- Date
- 2012
- Language of description
- English
- Script of description
- Latin
Part of the Music Division Repository
Performing Arts Reading Room
101 Independence Ave, SE
James Madison Building, LM 113
Washington, DC 20540-4810
(202) 707-5507