Billy Strayhorn Music Manuscripts and Estate Papers
Scope and Content Note
The Billy Strayhorn Music Manuscripts and Estate Papers provide a comprehensive survey of Strayhorn's musical career as a composer and arranger from the early 1930s until his death in 1967. Holograph scores, sketches, parts, and lyric sheets comprise the majority of the Music materials in the collection. These include both original compositions by Strayhorn and his arrangements of works by Duke Ellington and other composers. Strayhorn's holographs are supplemented by small quantities of manuscript materials in the hand of Ellington, scores and lead sheets by other composers, and Walter van de Leur's performance editions of notable Strayhorn works, such as Take the "A" Train , Lush Life , and A Flower is a Lovesome Thing . The collection also contains a significant quantity of unidentified sketch materials, many of which may correspond to items described as 'incomplete' or 'unfinished' in the container list. Scores are paired with corresponding parts, lyric sheets, track lists, and other related items wherever possible.
The activities of the Strayhorn estate, Billy Strayhorn Songs, Inc. (B.S.S.I.), are documented in an expansive series of Business Papers that account for nearly half of all collection materials. These span from the mid-1960s (Strayhorn's will and the establishment of his estate) through 2015 and largely consist of royalty statements and licensing agreements from organizations such as ASCAP, Tempo Music, Music Sales, and Campbell Connelly. Also included is correspondence with Gregory Morris, chief executor of Strayhorn's estate and president of B.S.S.I., copyright renewal forms and databases, organizational documents, miscellaneous subject and project files, and legal materials related to three B.S.S.I. lawsuits filed between 1990 and 2000. The remaining collection materials consist of Scripts related chiefly to Ellington and Strayhorn musicals, Photographs of Strayhorn, Ellington, and other jazz or civil rights figures (Billie Holiday, Lena Horne, Martin Luther King, Jr.), and a variety of Biographical Materials and Miscellany that further document Strayhorn's personal life and musical activities. The latter includes financial documents, contracts, lyric sheets, programs, clippings, several personal effects, and a small quantity of materials related to Fantastic rhythm .
Dates
- Creation: 1918-2015
- Creation: Majority of material found within ( 1930s-2012)
Language of Materials
Collection material chiefly in English and French
Access and Restrictions
The Billy Strayhorn Music Manuscripts and Estate Papers are open to research. Researchers are advised to contact the Music Division prior to visiting in order to determine whether the desired materials will be available at that time.
Certain restrictions to use or copying of materials may apply.
Copyright Status
Materials from the Billy Strayhorn Music Manuscripts and Estate Papers are governed by the Copyright Law of the United States (Title 17, U.S.C.) and other applicable international copyright laws.
Biographical Note
Biographical Note
- 1915, Nov. 29
- Born, Dayton, Ohio to Lillian and James Strayhorn
- 1920
- Strayhorn family moved to Pittsburgh
- circa 1926
- Sold newspapers and performed odd jobs to purchase a piano and take lessons
- 1927
- Enrolled at Westinghouse High School, Pittsburgh
- 1933 - 1936
- Composed "Lush life"
- 1934
- Attended a Duke Ellington Orchestra concert for the first time in Pittsburgh
- Composed "Valse" and "#2" (also a waltz)
- 1935, Nov. 6
- Premiered his musical revue, Fantastic Rhythm
- 1938 Dec.
- Met Duke Ellington after a performance in Pittsburgh
- 1939
- Composed "Take the "A" train"
- 1939 Jan.
- Formally joined the Duke Ellington Orchestra
- Moved to New York
- Early 1940s
- Composed many hit songs for the Duke Ellington Orchestra, including "Chelsea Bridge", "Rain check", and "Passion flower"
- 1941
- Composed "A flower is a lovesome thing"
- 1941, July 10
- Jump for Joy , a collaborative musical by Strayhorn and Ellington intended to showcase African-American talent, opened at the Mayan Theatre in Los Angeles
- 1949
- First commercial recording of "Lush life" by Nat "King" Cole released
- Early 1950
- Joined the Copasetics, a Harlem-based tap-dance group, as resident-composer. Strayhorn later became the organization's president
- 1960
- Took up residence in Paris
- 1961
- Recorded The Peaceful Side in Paris, his first studio solo album
- 1963
- Toured the Middle-East and South-Asia with the Duke Ellington Orchestra under the auspices of the U.S. State Department
- 1964
- Diagnosed with esophageal cancer
- 1967
- Composed final work, "Blood count"
- 1967, May 31
- Died, New York City
- 1967, June 5
- Second funeral held by Duke Ellington, as he and his orchestra were in Reno, Nevada, and thus could not attend the first
Extent
17,700 items (approximately)
86 containers
39 linear feet
Abstract
Billy Strayhorn (1915-1967) was an American jazz pianist, composer, arranger, and lyricist. He is prominently known as the leading arranger for the Duke Ellington Orchestra, a position that he held for nearly three decades. The collection chiefly contains scores, sketches, lead sheets, and parts for original compositions and arrangements by Strayhorn and Ellington, as well as business papers, photographs, scripts, and other materials pertaining to Strayhorn's life and the posthumous activities of his estate, Billy Strayhorn Songs, Inc.
Arrangement
The Billy Strayhorn Music Manuscripts and Estate Papers are organized in 5 series:
Catalog Record
Provenance
Purchased from Billy Strayhorn Songs, Inc. in 2017. Additional materials for Fantastic rhythm were purchased in 2018.
Accruals
No further accruals are expected.
Electronic Files
Electronic files were received as part of the Billy Strayhorn Music Manuscripts and Estate Papers. Consult reference staff in the Performing Arts Reading Room for more information.
Transfers
Sound recordings from the Billy Strayhorn Music Manuscripts and Estate Papers have been transferred to the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division (MBRS) where they are identified as part of the Billy Strayhorn Papers (MAVIS collection no. 16960). An inventory of this material is available in the Music Division's collection file.
Other Repositories
The Smithsonian Institution National Museum of American History holds the Duke Ellington Collection, which contains music manuscripts by Strayhorn, photographs, and other related materials.
Processing History
Aldwyn Hogg Jr., Grace Kweon, and Stella Li processed the Billy Strayhorn Music Manuscripts and Estate Papers in 2018. Christopher Hartten coded the finding aid for EAD format in 2018.
Source
- Strayhorn, Billy (Creator, Person)
Subject
- Ellington, Duke, 1899-1974--Portraits. (Person)
- Ellington, Duke, 1899-1974. (Person)
- Ellington, Duke, 1899-1974. Works. Selections. (Person)
- Ellington, Duke, 1899-1974. Works. Selections; arranged. (Person)
- Henderson, Luther, 1919-2003. Works. Selections. (Person)
- Leur, Walter van de. (Person)
- Morris, Gregory A. (Person)
- Strayhorn, Billy--Archives. (Person)
- Strayhorn, Billy--Manuscripts. (Person)
- Strayhorn, Billy--Portraits. (Person)
- Strayhorn, Billy. (Person)
- Strayhorn, Billy. (Person)
- Strayhorn, Billy. Works. Selections. (Person)
- Strayhorn, Billy. Works. Selections; arranged. (Person)
- Billy Strayhorn Songs, Inc. (Organization)
- Billy Strayhorn Songs, Inc. (Organization)
Genre / Form
- Autographs (Manuscripts)
- Business correspondence.
- Clippings (information artifacts)
- Contracts.
- Financial records.
- Jazz.
- Lead sheets.
- Legal documents.
- Personal correspondence.
- Photographic prints.
- Photographs.
- Poetry.
- Programs (Documents)
- Programs (Publications)
- Promotional materials.
- Revues.
- Scores.
- Scripts (Documents)
- Sketches, Musical.
Topical
- Arrangers (Musicians)--United States.
- Composers--United States.
- Copyright--Artistic performance--United States.
- Copyright--Music--United States.
- Copyright--Royalties--United States.
- Jazz musicians--United States.
- Jazz--History and criticism.
- Music publishing--United States.
- Music--Manuscripts--United States.
- Musicals--Librettos.
- Revues--United States.
- Songs--Texts.
- Title
- Guides to Special Collections in the Music Division of the Library of Congress
- Author
- Processed by the Music Division of the Library of Congress
- Date
- 2018
- Language of description
- English
- Script of description
- Latin
Part of the Music Division Repository
Performing Arts Reading Room
101 Independence Ave, SE
James Madison Building, LM 113
Washington, DC 20540-4810
(202) 707-5507