Vida Chenoweth collection
Scope and Content Note
Collection of papers and audiovisual materials representing the life work of ethnomusicologist Vida Chenoweth. Manuscripts, sound recordings, photographs, and films mainly of her work with the Usarufa and numerous other people in Papua New Guinea, but culture groups from other places are also represented, including Vanuatu, Indonesia, Solomon Islands, Cook Islands New Zealand, Kenya, Zaire, Ethiopia, Madagascar, Ivory Coast, Ghana, South Africa, Cameroon, Senegal, Nigeria, Sierra Leone, Mali, Cameroon, Vietnam, Thailand, Laos, Cambodia, Mexico, Guatemala, Panama, Ecuador, Brazil, Peru, and the United States. Includes work done by her students at Wheaton College and colleagues at the Summer Institute of Linguistics. Includes recording logs, analysis, song transcriptions, song texts, theses, correspondence, Chenoweth's diaries (1980s), and field notes. Sound recordings include music and spoken word from various provinces in Papua New Guinea, such as Eastern and Western Highlands, Madang, Morobe, East New Britain, New Ireland, and Irian Jaya provinces. Moving images include Chenoweth family films, as well as documentation about music and practices from throughout Papua New Guinea, the Cook Islands, Vanuatu, and other regions. They also include content from the South Pacific Festival of the Arts in Port Moresby, Papua New Guinea. LOC numbers and original identifiers listed below reflect the donor, Vida Chenoweth’s, numbering system. Contact reference staff for more information.
LOC numbers and original identifiers listed below reflect the donor, Vida Chenoweth’s, classification system to uniquely identify each geographic area and culture group. This classification system was applied to an earlier classification system that Chenoweth developed to track her collection of sound recordings and moving images. In this system, the format is identified by letter, then by year, and then separated by a slash and followed by a number indicating its chronology in the collection. Chenoweth’s LOC classification system references her sound recording and moving image classification system. Contact reference staff for more information.
Dates
- Creation: 1940-2000
Language of Materials
Collection material in English and many other languages.
Access and Restrictions
Collection is open for research; access to collection materials may be restricted. To request materials, please contact the Folklife Reading Room at http://hdl.loc.gov/loc.afc/folklife.contact
Copyright Status
Duplication of the collection materials may be governed by copyright and other restrictions.
Biographical Note
Vida Chenoweth (b. 1929), is considered the first solo classical concert marimbist, and is known for her career as a marimba artist, as well as a linguist and ethnomusicologist. She served as a linguist and Bible translator in Papua New Guinea, where she worked with colleague, Darlene Bee, analyzing the Usarufa language, teaching Usarufa people to read, and recording their music. Chenoweth devised a method of ethnic music analysis during her years recording and studying Usarufa music. She has authored several books and academic journal articles on ethnic oral music traditions, and she developed the ethnomusicology program at Wheaton College Conservatory of Music based on her theories and analyses of ethnic music. Chenoweth and her ethnomusicology students documented the music and practices of cultures across Papua New Guinea, Africa, South and Central America, and the Southwest United States.
Extent
15,686 items
42 containers
15.5 linear feet (31 containers).
638 sound cassettes : analog.
251 sound tape reels : analog ; various sizes.
89 sound discs : analog ; various sizes.
2 sound discs (CD-R) : digital ; 4 3/4 in.
71 videocassettes (VHS and U-Matic) : color, sound ; 1/2 in and 3/4 in.
5 videodiscs (DVD).
10 film reels.
660 photographs (approximately) : film negatives.
1200 photographic prints (approximately) : black and white, color ; various sizes.
730 slides ; color ; 35 mm.
1177 half frame slides, mostly color.
3 slides ; color ; 126.
Abstract
Collection of papers and audiovisual materials representing the life work of ethnomusicologist Vida Chenoweth. Manuscripts, sound recordings, photographs, and films mainly of her work with the Usarufa and numerous other people in Papua New Guinea, but culture groups from other places are also represented, including Vanuatu, Indonesia, Solomon Islands, Cook Islands New Zealand, Kenya, Zaire, Ethiopia, Madagascar, Ivory Coast, Ghana, South Africa, Cameroon, Senegal, Nigeria, Sierra Leone, Mali, Cameroon, Vietnam, Thailand, Laos, Cambodia, Mexico, Guatemala, Panama, Ecuador, Brazil, Peru, and the United States. Includes work done by her students at Wheaton College and colleagues at the Summer Institute of Linguistics. Includes recording logs, analysis, song transcriptions, song texts, theses, correspondence, Chenoweth's diaries (1980s), and field notes. Sound recordings include music and spoken word from various provinces in Papua New Guinea, such as Eastern and Western Highlands, Madang, Morobe, East New Britain, New Ireland, and Irian Jaya provinces. Moving images include Chenoweth family films, as well as documentation about music and practices from throughout Papua New Guinea, the Cook Islands, Vanuatu, and other regions. They also include content from the South Pacific Festival of the Arts in Port Moresby, Papua New Guinea.
Arrangement
Organized into the following series: I. Manuscripts; II. Sound Recordings; III. Graphic Materials; IV. Moving Images.
Custodial History
Received from Vida Chenoweth, Enid, O.K., in a number of installments beginning in 1994.
Acquisition
Vida Chenoweth; 1996.
Accruals
No further accruals are expected.
Processing History
Since materials in this collection first began to arrive at the American Folklife Center, Judith Gray (to 2004), Sarah Bradley Leighton (to 2006), and Marcia Segal (to 2014) have processed parts of the collection. Maya Lerman completed the processing.
Source
- Vida Chenoweth, 1929- (Creator, Person)
Subject
- Bee, Darlene Laverne (Person)
- Chenoweth, Vida (Person)
- Chenoweth, Vida--Ethnomusicological collections. (Person)
- Tracey, Hugh (Person)
- Festival of Pacific Arts (3rd : 1980 : Port Moresby, Papua New Guinea) (Organization)
Genre / Form
- Academic theses.
- Amateur films.
- Diaries.
- Documentary films.
- Field notes.
- Field recordings.
- Hymns.
- Manuscripts.
- Photograph albums.
- Photographs.
- Songs.
- Sound recordings.
- Video recordings.
Geographic
- Papua New Guinea--Languages.
- Papua New Guinea--Social life and customs.
- Southeast Asia.
- Southwest, New.
Topical
- Arapaho Indians--Interviews.
- Cheyenne Indians.
- Church music.
- Comanche Indians.
- Dance.
- Indians of North America--Southwest, New--Languages.
- Kiowa Indians.
- Language and languages--Papua New Guinea.
- Music--Australia.
- Music--Brazil.
- Music--Cameroon.
- Music--Central America.
- Music--Congo (Democratic Republic)
- Music--Cook Islands.
- Music--Côte d'Ivoire.
- Music--Ethiopia.
- Music--Hawaii.
- Music--Indonesia.
- Music--Kenya.
- Music--Liberia.
- Music--Madagascar.
- Music--Mexico.
- Music--New Zealand.
- Music--Nigeria.
- Music--Papua New Guinea.
- Music--Peru.
- Music--Philippines.
- Music--Senegal.
- Music--Solomon Islands.
- Music--Southeast Asia.
- Music--Vietnam.
- Ojibwa Indians--Interviews.
- Rites and ceremonies--Papua New Guinea.
- Rites and ceremonies.
- Songs, Usarufa--Papua New Guinea.
- Songs--Texts.
- Songs.
- Tewa Indians.
- Tiwa Indians.
- Usarufa (Papua New Guinean people)--Music.
- Usarufa language--Papua New Guinea.
- Title
- Guides to the Collections in the Archive of Folk Culture
- Subtitle
- AFC 1994/003
- Author
- Prepared by Maya Lerman
- Date
- October 2016
- Language of description
- English
- Script of description
- Latin
Part of the American Folklife Center Repository
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