Bob Adelman Photograph Archive
Scope and Content Note
The Bob Adelman Photograph Archive is comprised of over 541,000 items encompassing an extensive variety of photographic material across his career as a documentary photographer and photojournalist. Predominantly 8x10 black-and-white photographic prints and 35mm black-and-white negatives and contact sheets, the collection reflects some of the most iconic and historic moments associated with the civil rights movement which is a main focal point of the collection. These scenes include some of the most well-known images of Martin Luther King, Jr. speaking to the massive crowd during the March on Washington, Malcom X addressing audiences in New York City, activities and leaders of the Congress of Racial Equality (CORE), and civil rights marches in Selma, Birmingham, and Montgomery, Ala.
Adelman was a member of Magnum Photos and worked for several news outlets, including Vanity Fair and Life , as a photojournalist and documentarian of people. His work includes behind-the-scenes and intimate looks at the lives of a number of people including athletes from the Pittsburgh Pirates and writers Raymond Carver, James Baldwin, and Ann Beattie. He also photographed many artists such as Roy Lichtenstein and James Rosenquist, capturing their processes and studios in great detail. Additional subjects include celebrities such as Sidney Poitier, capturing both their professional lives performing and personal lives in their homes surrounded by friends and family.
In addition to people, Adelman photographed various destinations and locales. New York City is a popular subject and featured heavily in the collection. Adelman photographed in great detail the five boroughs and a number of neighborhoods in New York City such as Bed-Stuy (Bedford-Stuyvesant) and Harlem. Adelman also traveled abroad, visiting France, Israel, Jamaica, and the Mariana Islands documenting visits to hotels and tourism activities.
His photo essays and published books with author Susan Hall are also well documented throughout the collection. Jobs associated with his publications often include book proofs and edited photographs with annotations and captions, giving an in-depth look at the process and inner workings involved in compiling large bodies of photographs for publishing. Publications such as The Next America , Gentlemen of Leisure , and Down Home give detailed views into daily American life and include themes such as adult entertainment and nightlife, eroticism, sexuality, poverty, racism, and voting rights.
Another significant portion of the collection includes black-and-white photographic prints and color slides related to Adelman's personal life. These groups of images include collections of some of his earliest work as a student and early career as a photographer. Subjects include Adelman's friends and family as well as his weight loss journey.
Dates
- Creation: ca. 1950-2000
- Creation: Majority of material found within 1950-1980
Language of Materials
Collection material in English
Access Restrictions
The collection is open to research. The majority of the collection is stored offsite and advance notice is needed to retrieve these items for research use. Researchers are advised to contact the Prints and Photographs Reading Room prior to visiting.
The oversize portion of the collection is stored onsite. Researchers are advised to contact us prior to visiting.
Requesting Materials
Researchers should make requests at least 10 business days in advance of an anticipated visit, by selecting folders from the Bob Adelman Photograph Archive finding aid. All requests should be submitted through Ask A Librarian or in person in the Prints and Photographs Reading Room. Requests must include the Box Number, Job Title, and Call Number for each folder (e.g., Box 57, CORE: Sumter, SC, Adelman-Job 116). Because of space and resource constraints, the amount that can be requested at one time is limited: researchers may request up to 5 jobs per request and should allow at least 10 business days after the call slip is received before arriving to view the material. If more material is needed for viewing in a single visit, please consult reference staff regarding the feasibility of arranging for more material to be brought onsite and the time needed to make it available. Once materials are ready, they will be placed on hold for 30 days before being returned to the off-site location. One 30-day extension is permitted.
For additional information about service in the Prints and Photographs Reading Room, including obtaining copies, see "Information for Researchers."
Navigating the Finding Aid
Entries in the finding aid give the Job Title, Extent (amount and format of items), Call Number, and when appropriate, a summary note to provide a brief description of what content is present and where other related materials have been seen in the collection.
Related materials across Adelman jobs: Researchers are encouraged to use the provided "See also" links in the finding aid to view related jobs as related materials (including photographic prints and negatives) may appear elsewhere in the collection. This material is identifiable from creator-applied markings on collection material that serve to point the researcher to other related jobs. In addition to following "See also" links in the finding aid, browsing by related subject matter is recommended.
Jobs will have significant amounts of material in more than one area of the Finding Aid. Do not stop your searching after a single hit.
Rights Restrictions
Publication restricted. For information see "Bob Adelman ...," "Rights and Restrictions Information..."
Biographical Note
Robert Melvin "Bob" Adelman was born in Brooklyn, N.Y., in 1930, and spent his formative years on Long Island before studying and obtaining multiple degrees in history, law, and philosophy from Rutgers, Harvard, and Columbia, respectively. Under the guidance of Alexey Brodovitch, the art director of Harper's Bazaar magazine, Adelman delved into the world of professional photography. Adelman was drawn to the sit-ins orchestrated by young students across the American South and he volunteered as a photographer for the Congress of Racial Equality (CORE) during the 1950s and 1960s. This initial involvement marked the beginning of a lifelong commitment to civil rights issues and an exploration of the human condition and decades of work as a documentary photographer and photojournalist for many renowned outlets and Magnum Photos.
Extent
541,000 items (ca)
Abstract
The archive of documentary photographer and photojournalist Bob Adelman offers users a wide range of images illustrating life in America in the mid-to-late 20th century. As a photographer for the Congress of Racial Equality, he was an integral part of documenting many of the most important events and personalities of the civil rights movement from 1954 to 1968. Adelman also photographed themes of poverty, education, and culture, as well as famous artists and writers, and underrepresented communities. The archive includes iconic images and supports the in-depth study of Adelman's life and career and American photojournalism.
Arrangement
Collection material is arranged alphabetically by job title and sequentially assigned job numbers by the Library of Congress. Titles of jobs were transcribed from collection material and information provided by donor documents. Material within each folder is organized by format and numbered sequentially. Not all material has corresponding negatives, but where corresponding negatives were found they have been matched and numbered with their corresponding contact sheets. Surrogate contact sheets have been made by the Library of Congress when no printed representation is available in the folder.
Duplicate photographic prints have been removed from the individual jobs with the exception of contact sheets to provide access to creator and editorial markings present on many of them throughout the collection. Due to the nature of the groupings of material for publication and re-use by the creator, select photographic prints will appear in multiple jobs and have been left as they were found by staff throughout the collection.
Oversize collection material have been arranged alphabetically by job title and have been given a corresponding call number (distinguished by "-OS" at the end of the call number) of the job it is associated with. Oversize materials include photographic prints that range in size from 14" x 18" to 28" x 40" inches and is represented by the following size designations: A size, B size, C size, and MCD size.
Markings Found on Original Materials
White slips with the phrase "Intentionally left blank" were placed by Library staff to help note that items are not missing from negative and slide sheets.
Surrogates
Surrogate print-outs placed by Library staff in the collection folders also indicate material that had original markings or self-adhesive notes attached by the creator, but were rehoused or removed to stabilize collection material and show how material looked before rehousing.
Catalog Record
Provenance
Gift; Anonymous; 2016, 2018; (DLC/PP-2016:146; DLC/PP-2016:146-2).
Online Content
To see already digitized images from this collection, search our Online Catalog by call number or descriptive words.
Note
Terminology in collection materials and descriptions may include negative stereotypes or words some may consider offensive. The Library includes historic captions because they can be important for understanding the context in which the images were created. Content of the images themselves and transcribed language in online records do not reflect the views of the Library of Congress. For questions or to provide more information about this material, please contact Prints and Photographs Division staff through our Ask a Librarian service.
Processing History
The Bob Adelman Photograph Archive was processed by Eric Peich, Jacob Stickann, Michelle An, Nicholas Pernot, Erin Ebert, Maya Reid, Libby McKiernan, Tori Scheppele, Eliza Scally, and Brett Carnell in 2018-2023. Finding aid encoded by Eric Peich in 2023.
Folder titles, punctuation, and capitalization were transcribed directly from material as received by the Library and not devised by Library staff.
Folders listed with "0 items" indicates processing staff moved all material to the oversize portion of the collection.
Corresponding contact sheets and negatives: Contact sheets are marked with the following statement to identify corresponding negatives: "Corresponding negatives found in: Adelman Job-[JOB NUMBER], no.[NEGATIVE CALL NUMBER]." This statement may list multiple corresponding negatives within a job as some contact sheets were made from negatives found on multiple rolls of film.
Partial negatives and corresponding contact sheets: Contact sheets are marked with the following statement when not all negatives are present within the job: "Some negatives not present in job." These negatives may appear elsewhere in the collection. Researchers are encouraged to browse and view related materials and subject matter as the negatives may have been removed by the creator and included with other material.
No negatives found with associated contact sheets: Contact sheets are marked with the following statement when contact sheets have no known associated negatives: "Negatives not present in job." Researchers are encouraged to browse and view related materials and subject matter as the negatives may have been removed by the creator and included with other material.
Source
- Adelman, Bob, photographer (Creator, Person)
Subject
- Adelman, Bob, photographer. (Person)
- Beattie, Ann. (Person)
- Carver, Raymond, 1938-1988 (Person)
- King, Martin Luther, Jr., 1929-1968 (Person)
- Lichtenstein, Roy, 1923-1997. (Person)
- Rosenquist, James, 1933-2017. (Person)
- Rustin, Bayard, 1912-1987. (Person)
- X, Malcolm, 1925-1965. (Person)
- Congress of Racial Equality--People--1950-2000. (Organization)
- March on Washington for Jobs and Freedom (1963 : Washington, D.C.) (Organization)
- Selma to Montgomery March (1965 : Selma, Ala.) (Organization)
Genre / Form
- Contact sheets--1950-2000.
- Photographic prints--1950-2000.
- Safety film negatives--1950-2000.
- Slides--Color--1950-2000.
- Transparencies--Color--1950-2000.
Topical
- Activists--1950-2000.
- African Americans--Civil rights--1950-2000.
- Artists--1950-2000.
- Authors--1950-2000.
- Children--1950-2000.
- Civil rights demonstrations--1950-2000.
- Civil rights leaders--1950-2000.
- Civil rights--1950-2000.
- Economic & social conditions--1950-2000.
- Education--1950-2000.
- Employee rights--1950-2000.
- Gay rights--1950-2000.
- Photojournalism--1950-2000.
- Poor People's Campaign--Washington (D.C.)--1960-1970.
- Poor persons--1950-2000.
- Poverty--1950-2000.
- Protest movements--1950-2000.
- Race discrimination--1950-2000.
- Racism--1950-2000.
- Riots & demonstrations--1950-2000.
- Women's rights--1950-2000.
- Title
- Bob Adelman Photograph Archive
- Author
- Prepared by the Prints and Photographs Division of the Library of Congress
- Date
- 2023
- Language of description
- English
- Script of description
- Latin
Part of the Prints & Photographs Division Repository
Prints & Photographs Reading Room
101 Independence Ave, SE
James Madison Building, LM 337
Washington, DC 20540-4730
(202) 707-6394