Abstract

John Adams (1947-) is an American composer, conductor, and writer. He is the winner of five Grammy Awards and recipient of the 2003 Pultizer Prize for his work On the Transmigration of Souls in tribute to the victims of the September 11, 2001 attacks. The collection includes music scores by Adams and others, correspondence, business and financial papers, biographical materials, programs and promotional materials, and clippings.

Abstract George Antheil was a composer, pianist, author and inventor. The collection consists of materials related to the professional and personal activities of George Antheil and his wife, Elizabeth (Böske) Antheil. It contains holograph music manuscripts, printed scores, published and unpublished writings, business and personal correspondence, subject files, photographs, programs and promotional materials, scrapbooks, artwork, biographical materials, and memorabilia which document the life of this...

Abstract

George Antheil was a composer, pianist, author, and inventor. He first gained fame and notoriety in the 1920s for his mechanistic compositions. This collection principally consists of letters between George Antheil and his longtime patron, Mary Louise Curtis Bok. Other items include several writings by Antheil, photographs of his staged works, promotional materials, and clippings.

Abstract

George Antheil was a composer, pianist, author, and inventor. He first gained fame and notoriety in the 1920s for his mechanistic compositions. This collection chiefly consists of letters from George Antheil to friend and writer Stanley Hart. The letters chronicle Antheil's personal and professional exploits during his 1920s European tour.

Abstract Irwin "Bud" Bazelon (1922-1995) was an American composer of both concert and film music, as well as a conductor and author. His compositional output includes symphonies, chamber music, music for documentaries and television commercials, and other works. His Knowing the Score: Notes on Film Music, first published in 1975, was one of the early scholarly texts on film music. The collection consists of Bazelon's music, writings (especially pertaining to...

Abstract Leonard Bernstein was an American composer, conductor, writer, lecturer, and pianist. The collection contains correspondence, photographs, writings, personal business papers, the archives from his corporate identity, Amberson Inc., scrapbooks, clippings and press materials, programs, datebooks and schedules, iconography, address books, and fan mail. In addition, it contains music manuscripts for many of his compositions, including The Age of Anxiety (Symphony no....

Abstract

Dudley Buck (born Dudley Buck Jr.) was an American composer, pianist, and organist, as well as founder and director of the Apollo Club, a men's chorus and organization in Brooklyn, New York. This collection consists of correspondence, manuscript and printed music, and biographical materials related to Buck's personal life and career.

Abstract

Mario Davidovsky was an Argentine-American composer, teacher, and pioneer in the field of electro-acoustic music. The collection contains music by Davidovsky and other composers, project and business files, correspondence, teaching materials, biographical information, photographs, clippings, promotional materials, and files related to Composers Conference.

Abstract David Diamond was an award-winning American-Jewish composer and prominent symphonist of the mid-twentieth century. A former student of Roger Sessions and Nadia Boulanger, Diamond ultimately composed eleven symphonies and countless other chamber and vocal works, such as his influential Symphony no. 4 (1945), Elegy in memory of Maurice Ravel (1938), and Rounds (1944). His social circle of musical...

Abstract

Robert Evett (1922-1975) was a composer, arts editor, and critic who made his home primarily in the Washington, D.C., area. This collection contains several scores, sketches, and instrument parts for works composed by Evett; biographical information collected by Evett's family after his death; and his published book and music reviews for the "Atlantic Monthly," "New Republic," and "Washington Star-News."

Abstract

Irving Fine was an American conductor, teacher, and composer whose works assimilated neoclassical, romantic, and serial elements. The bulk of the materials in the collection are musical scores and sketches which represent nearly his entire musical output. In addition, there are photographs, clippings, programs, and scrapbooks, as well as correspondence from twentieth-century musicians such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, and William Schuman.

Abstract Ross Lee Finney (1906-1997) was a twentieth century American composer and educator. He served on the faculty of Smith College in Massachusetts and as faculty and composer-in-residence at the University of Michigan. His musical education included both classical training and traditional American folk music, both of which directly influenced his compositional style. Finney's music was cateogrized as tonal and melodic and included serial and twelve tone techniques, particularly in his later...

Abstract Composer George Gershwin (1898-1937) and his lyricist brother Ira (1896-1983) wrote some of the most significant American popular songs of the first half of the twentieth century. Working with novelist and poet DuBose Heyward, they created the great American opera Porgy and Bess. Additionally, George Gershwin composed several singularly American concert works, including An American in Paris and ...

Abstract Harvey Granat is a businessman and singer specializing in music of the Great American Songbook. His collection consists of original materials of composer George Gershwin (1898-1937) and his brother, lyricist Ira Gershwin (1896-1983), who wrote some of the most significant popular songs of the first half of the twentieth century. The highlight of Granat's collection is the original manuscript for "They Can't Take That Away From Me," written for the film ...

Abstract

Harvey Worthington Loomis (1865-1930) was an American composer and verse writer who studied under Antonín Dvořák. He spent his career pursuing an "American sound" and composing music for children. The collection consists of printed scores, lyric sketches, writings, correspondence, and personal papers that represent his life and career.

Abstract Hans Walter Heinsheimer was a music publisher, author, and journalist. As a publisher and promoter, he worked with many composers, including Béla Bartók, Igor Stravinsky, Samuel Barber, Aaron Copland, Zoltán Kodály, George Antheil, Leonard Bernstein, Alban Berg, Leoš Janáček, and Ernst Krenek. The correspondence, photographs, writings, and subject files in this collection help record his instigation of, participation in, or presence at many significant events regarding music of the...

Abstract The Carrie Jacobs-Bond Collection consists of music manuscripts, papers, photographs, and other materials relating to the personal and professional life of American sentimental song composer Carrie Jacobs-Bond. The collection contains 37 music manuscripts (18 holographs), poetic and prose sketches, and typescripts of children's books and scripts. It includes correspondence, principally in the form of greeting cards, including one from the publisher Gustave Schirmer, a letter from Shirley...

Abstract

The collection consists primarily of Kern's show music and holograph sketches, most of which are manuscript full and vocal scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert Russell Bennett. Film and other music is also represented, as well as a small amount of correspondence.

Abstract

Joseph Francis Lamb was an American composer and pianist of ragtime music. Together with Scott Joplin and James Scott, Lamb was one of the "Big Three" ragtime composers. The collection consists of music manuscripts, printed music, and supporting biographical papers that help document Lamb's life and contributions to the genre.

Abstract Minna Lederman Daniel was an American writer and editor who specialized in music and dance. A major influence on 20th century music, she was a founding member of the League of Composers, a group of musicians and proponents of modern music. She helped launch the League’s magazine, The League of Composers’ Review (later called Modern Music), which was the first American journal to manifest an interest in contemporary composers....

Abstract Frederick Loewe was a German-born composer who wrote, with lyricist Alan Jay Lerner, the scores for such musicals as My Fair Lady, Camelot, Gigi, and Brigadoon. The collection contains music manuscripts from Loewe's stage and screen musicals, as well as individual songs not associated with a particular show. In addition, the collection contains photographs, a...

Abstract Henry Mancini (1924-1994) was an award-winning American composer of music for film, television, and commercial recordings. Throughout his career, he amassed four Academy Awards, twenty Grammy awards, one Golden Globe Award, and two Emmy Award nominations in addition to many other accolades. Mancini was a prolific conductor who collaborated often with prominent directors, performers, arrangers, and lyricists. The Henry Mancini Papers contain original scores and printed music for his films,...

Abstract

Mary Rodgers (1931-2014) was an American composer, author, and screenwriter. She served as chair of The Juilliard School Board of Trustees and director of the Rodgers and Hammerstein Organization. The collection contains music, scripts, correspondence, photographs, clippings, and personal and professional papers.

Abstract Harold Rome (1908-1993) was an American composer and lyricist best known for his work in musical theater. Rome first made his mark by writing and composing musical revues, most notably his 1937 hit debut Pins and Needles. He later established himself as a writer of shows that were considered to be socially conscious for the time, including I Can Get It For You Wholesale (1962) and The Zulu and the...

Abstract Arnold Schoenberg (1874–1974) was a composer, music theorist, and educator known for developing the twelve-tone compositional technique. He was also a member of the Second Viennese School, along with Alban Berg and Anton Webern. The Arnold Schoenberg Correspondence and Other Papers consists chiefly of holograph and typescript correspondence between Schoenberg and other composers, conductors, organizations, record labels, music publishers, and family members. The collection also includes a...