Abstract The collection of American Ballet Caravan Music Scores consists of full scores, parts, piano rehearsal and vocal scores for six ballets, at least two of them unrealized, for Lincoln Kirstein's dance company, which he founded in 1936. Three of the six ballets were commissioned by Kirstein during the Caravan's tour to Latin America in 1941. The works are Pastorela (Paul Bowles); Soirées musicale (Benjamin Britten, arranged for two pianos by Brian Easdale); Estancia (Alberto E. Ginastera);...

Abstract Among other accolades, American composer Elliott Carter was a two-time winner of the Pulitzer Prize for Music for his second and third string quartets. A student of Nadia Boulanger, his works combined American and European styles of modernism, and his compositional style, based around collections of pitches, was later described as musical set theory. Carter was also known for his use of proportional tempo changes, which is referred to by scholars as metric modulation. Carter composed in a...

Abstract José María Castro was an Argentine composer, conductor, and cellist. He was a member of the Sociedad del Cuarteto and a co-founder of Grupo Renovación, an avant-garde musical youth movement in Argentina that became the International Society for Contemporary Music’s Argentine Section in 1932. The collection includes musical compositions, arrangements, and transcriptions by Castro; music by others; correspondence; writings; programs; clippings; scrapbooks; personal papers; photographs; and...

Abstract Léo Delibes was a French composer known primarily for his stage works, including operas, ballets, and incidental music. His compositions display the wit, lightness, and elegance characteristic of nineteenth century French music and were premiered at the Théâtre des Bouffes-Parisiens, Opéra-Comique, and Théâtre Lyrique, among others. His ballets Coppélia and Sylvia and opera Lakmé have remained...

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Morton Gould was a composer, conductor, arranger, and pianist. The collection contains materials created by Gould or under his supervision for studio use as well as compositions and arrangements for concert performances, film and television scores, stage works, juvenilia, and sketches. These materials were stored for many years at his principle publisher, G. Schirmer.

Abstract Erick Hawkins (1909-1994) was an American choreographer and dancer and the founder of the Erick Hawkins Dance Company. Lucia Dlugoszewski (1925-2000) was an American avant-garde composer and a frequent collaborator with Hawkins. Hawkins and Dlugoszewski married in 1962. This collection includes choreographic notes and notation, musical scores by Dlugoszewski and others, writings, correspondence, photographs, performance programs, recordings, books, art catalogs, and papers pertaining to the...

Abstract The Bronislava Nijinska Collection documents the life and professional activities of Bronislava Nijinska, a choreographer, dancer, and teacher who lived and worked in Europe, Argentina, and the United States from 1911 until her death in 1972. The collection was created by Nijinska with additions by her daughter, Irina Nijinska, and Irina's husband Gibbs S. Raetz. Material types include business papers, choreographic notes, correspondence, personal papers, photographs, posters, programs,...

Abstract

Alex North (1910-1991) was an American composer of music for feature films, dance, theater productions, and the concert hall. He brought a new and uniquely "American" sound to his works. The collection contains performance materials for dance works, incidental music for theater productions, songs, musical comedies and revues, and concert works. A small amount of scripts, promotional materials, and clippings are also included.

Abstract

Composer William Howard Schuman (1910–1992) taught at Sarah Lawrence College, was president of The Juilliard School and Lincoln Center, and served on several boards of directors. The collection contains holograph scores, sketches, copyist and printed scores, annotated copies, parts, and librettos for his operas; cantatas; film scores; ballets; works for orchestra, band, chorus, and chamber ensembles; and early popular songs. There is a small amount of correspondence and notes.