Abstract

Adolph Bolm (1884-1951) was a renowned ballet dancer, choreographer, and dance teacher. This collection, which documents his career both in Russia and the United States, contains photographs, correspondence, programs, pamphlets, articles, business papers, writings, artwork, and music scores.

Abstract Alan M. "Mike" Kriegsman, chief dance critic of the Washington Post, was the first dance writer to be awarded a Pulitzer Prize for criticism. Sali Ann Kriegsman, a distinguished dance historian, directed the Dance Program at the National Endowment for the Arts and contributed to many initiatives advancing the dance field and preserving dance legacies in the United States. The Alan M. and Sali Ann Kriegsman Collection consists of press kits,...

Abstract

This collection consists primarily of the correspondence between American dancer-choreographer and company director Ruth Page or her first husband attorney Thomas Hart Fisher and composer Remi Gassmann, who was contracted to create the music score for Page’s ballet Billy Sunday (1948). Other letters to Gassmann from this period and a small number of programs and press clippings related to Page's or Gassmann's careers round out the collection.

Abstract

Photographer, writer, filmmaker, and composer. Contracts, correspondence, financial records, production material, and scripts relating to Parks's books, films, speeches, and other writings.

Abstract Oliver Smith was an American production designer, producer, and teacher of theatrical design. Smith contributed his talents to many of the twentieth century's most beloved musicals, ballets, and plays, including Rodeo (1942), On the Town (1944), My Fair Lady (1956), West Side Story (1957), The Sound of Music (1959), and ...