Abstract American Ballet Theatre (ABT), established in 1940 as Ballet Theatre, is recognized as one of the world's largest and most distinguished dance companies. By act of Congress on April 27, 2006, ABT became America's National Ballet Company. The archive includes music scores, choreographic notes and Benesh dance notation scores, correspondence, business papers, scrapbooks, programs, clippings, photographs, posters, video recordings and films, and prints and drawings, including set and costume...

Abstract Julia Vincent Cross (1901-1986) was a dancer, choreographer, actor, and teacher. The Julia Vincent Cross Papers consists primarily of documentation of her career through photographs, correspondence with organizations and artist agents, performance programs and flyers, two publications, and three notebooks, one of which is a collection of detailed choreographic notes. Cross's family history is documented through a family scrapbook kept by her father, materials detailing the artistic activity...

Abstract The Dance Notation Collection consists of scenarios, scores in codified dance notation, and descriptions of dance dating from 1893 to 1983, many of which originated from copyright deposits submitted to the U.S. Copyright Office to register rights for choreography. Most of these scores are recorded in Labanotation (also known as Kinetography Laban), the system of dance notation that Rudolf von Laban (1879–1958) developed. George Balanchine, Doris Humphrey, Kurt Jooss, Léonide Massine, and...

Abstract American dancer and choreographer Harriet Hoctor (1905-1977) began performing on the vaudeville stage in the early 1920s. By the mid-1930s, she was a featured dancer on Broadway and in motion pictures. The collection documents Hoctor's professional life including items related to her early dance training at the Louis H. Chalif Normal School of Dancing in New York and her later career leading the Harriet Hoctor School of Ballet in Boston. Materials include choreographic notes, clippings,...